Isla May Paterson
Dados Biográficos
| ID | 4155537 |
|---|---|
| NOME | Isla May Paterson |
| PRENOMES | Isla May |
| SOBRENOME | Paterson |
| ASSINATURA | PATERSON I M |
| AFILIAÇÕES | ISNI: 0000000419368403 University of Leeds |
| ORCID | 0000-0003-1082-257X |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 1 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 1 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2021 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 1 |
Playing to the West only? Representations of Picasso, the gendered body and Islamism in Kamel Daoud’s Le peintre dévorant la femme
This research explores Algerian writer Kamel non-fictional text, Le peintre dévorant la femme . The text addresses questions relating to religious extremism, the meaning of art, death and eroticism, and the relationship between l’Occident and l’Orient through the visual aid of Picasso’s 1932 Année érotique . Central to this research is the notion of the hybridized public intellectual (Daoud) entering hybridized public spheres (Franco-Algerian and…
Playing to the West only? Representations of Picasso, the gendered body and Islamism in Kamel Daoud’s Le peintre dévorant la femme
This research explores Algerian writer Kamel non-fictional text, Le peintre dévorant la femme . The text addresses questions relating to religious extremism, the meaning of art, death and eroticism, and the relationship between l’Occident and l’Orient through the visual aid of Picasso’s 1932 Année érotique . Central to this research is the notion of the hybridized public intellectual (Daoud) entering hybridized public spheres (Franco-Algerian and…
Playing to the West only? Representations of Picasso, the gendered body and Islamism in Kamel Daoud’s Le peintre dévorant la femme
This research explores Algerian writer Kamel non-fictional text, Le peintre dévorant la femme . The text addresses questions relating to religious extremism, the meaning of art, death and eroticism, and the relationship between l’Occident and l’Orient through the visual aid of Picasso’s 1932 Année érotique . Central to this research is the notion of the hybridized public intellectual (Daoud) entering hybridized public spheres (Franco-Algerian and…
Art (1 obras) · Art history (1 obras) · Art, Politics, and Modernism (1 obras) · History (1 obras) · History (1 obras) · Independence (probability theory (1 obras) · Islam (1 obras) · Literature (1 obras) · North African History and Literature (1 obras) · Painting (1 obras)