Sarah Kofman

• And Yet It Quakes! (Nietzsche and Voltaire)

  Open Access•Sarah Kofman•ARTICLE•Paragraph•2021

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  One of a handful of texts written by Sarah Kofman in the interim between the publication of her Explosion (1992, 1993), a 700-page analysis of Ecce Homo, and her sudden death in 1994, 'And Yet It Quakes!' is an unflinching contribution to her perennial analysis of Nietzsche's legacy. The essay opens with a presentation of the responses of Voltaire and Nietzsche to natural catastrophe: an earthquake in Lisbon in the case of the former, an earthqua…

• Nietzsche and Metaphor

  Howard Caygill, Stephen Howard et al.•ARTICLE•The Philosophical Quarterly•1996

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  Journal Article Book Reviews Get access Metzsche and Metaphor. By Sarah Kofman. Translated by Duncan Large. (London: Athlone Press, 1993. Pp. xlvi + 239. Price £42.00 h/b, £14.95 p/b.)Nietzsche. By Michael Tanner. ( Oxford UP, 1994. Pp. 86. Price £5.99.) Howard Caygill Howard Caygill University of East Anglia Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 46, Issue 185, October 1996, P…

• The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)

  Sarah Kofman, Madeleine Dobie•ARTICLE•Yale French Studies•1995•Citada por: 1

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• Sacrée nourriture

  Sarah Kofman•ARTICLE•Chimères•1995

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  Kofman Sarah. Sacrée nourriture. In: Chimères. Revue des schizoanalyses, N°24, hiver 1995. Délires Demos Destins. pp. 195-196

• Explosion I

  Sarah Kofman, Daniel Large et al.•ARTICLE•diacritics•1994

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  Analyse d'« Ecce Homo », le dernier livre ecrit par Nietzsche juste avant son effondrement, considere comme le texte le plus fou de toute la philosophie

• An interview

  Sarah Kofman•ARTICLE•New Political Science•1994

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• Les « mains » d'Antelme. Post-scriptum à Paroles suffoquées

  Sarah Kofman•ARTICLE•Lignes•1994

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• Nietzsche's Socrates

  Sarah Kofman, Madeleine Dobie•ARTICLE•Graduate Faculty Philosophy Journal•1991

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• Socrate(s)

  Sarah Kofman•BOOK•Socrate(s)•1989

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• Rousseau's Phallocratic Ends

  Open Access•Sarah Kofman, Mara Dukats•ARTICLE•Hypatia•1988•Citada por: 5

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  Kofman traces Rousseau's argument that women's role as mothers requires the subordination of women to men, and the companion argument that women's lust is a threat to the (male) social order, which also justifies the confinement of women within the home. She then relates the claim that women so confined exert a power of their own to Rousseau's erotic obsession with dominant, but maternal, women. Thus, the “Nature” to which Rousseau appeals is see…

• The Childhood of Art

  Natasha Korda, Sarah Kofman•ARTICLE•Modern Language Notes•1988

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• The childhood of art

  Sarah Kofman•BOOK•The childhood of art•1988

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• Nietzsche and the Obscurity of Heraclitus

  Sarah Kofman, Francoise Lionnet-McCumber•ARTICLE•diacritics•1987

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• Nietzsche et la scène philosophique

  Sarah Kofman•BOOK•Nietzsche et la scène philosophique•1986

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• Autobiographical Writings

  Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Citada por: 1

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• Prometheus, the First Philosopher

  Sarah Kofman, Winnie Woodhull•BOOK•SubStance•1986

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  This interview with Sarah Kofman explores her philosophical interpretations of the Prometheus myth, focusing on his role as a "first philosopher" who steals fire (representing knowledge and technology) from the gods. Kofman discusses how Prometheus's act symbolizes the human desire for knowledge and the inherent dangers and responsibilities that come with it. She connects this myth to various philosophical concepts, including the nature of creati…

• Pourquoi rit-on

  Sarah Kofman•BOOK•Pourquoi rit-on ?•1985

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• The enigma of woman

  Sarah Kofman•BOOK•The enigma of woman•1985

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  Kofman discusses various facets of Freud's attitudes toward women in his early years--his relation to his parents, the crystallization and development of his personal myths, his surprisingly liberal views in respect to certain independent women of his acquaintance, his thoughts on the mythic power of the Mother and on the putatively feminine side of his own nature. Then, by means of forceful new readings of "On Narcissism," "Femininity," and othe…

• Sartre

  Sarah Kofman, Arthur Denner et al.•ARTICLE•diacritics•1984

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• Un métier impossible

  Sarah Kofman•BOOK•Un métier impossible•1983

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• The Third Woman

  Elizabeth L Berg, Sarah Kofman et al.•ARTICLE•diacritics•1982

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• The Narcissistic Woman

  Sarah Kofman•ARTICLE•diacritics•1980•Citada por: 3

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  Freud offers a massive affirmation of the following well-known thesis: if woman is enigmatic, it is because she has reasons-good ones-for hiding herself, for hiding the fact that she has nothing to hide, for concealing that pus-filled cavity which threatens to contaminate and infect man. In seeking to veil herself, the woman would only be imitating nature, which has always already covered over her genitals [son sexe] with pubic hair, and which be…

• No Longer Full-Fledged Autobiogriffies

  Sarah Kofman•ARTICLE•SubStance•1980•Citada por: 1

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• Aberrations

  Wendy Deutelbaum, Sarah Kofman•ARTICLE•SubStance•1979

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• Nietzsche et la métaphore

  Sarah Kofman

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• Rousseau's Phallocratic Ends

  Open Access•Sarah Kofman, Mara Dukats•ARTICLE•Hypatia•1988•Citada por: 5

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  Kofman traces Rousseau's argument that women's role as mothers requires the subordination of women to men, and the companion argument that women's lust is a threat to the (male) social order, which also justifies the confinement of women within the home. She then relates the claim that women so confined exert a power of their own to Rousseau's erotic obsession with dominant, but maternal, women. Thus, the “Nature” to which Rousseau appeals is see…

• The Narcissistic Woman

  Sarah Kofman•ARTICLE•diacritics•1980•Citada por: 3

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  Freud offers a massive affirmation of the following well-known thesis: if woman is enigmatic, it is because she has reasons-good ones-for hiding herself, for hiding the fact that she has nothing to hide, for concealing that pus-filled cavity which threatens to contaminate and infect man. In seeking to veil herself, the woman would only be imitating nature, which has always already covered over her genitals [son sexe] with pubic hair, and which be…

• The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)

  Sarah Kofman, Madeleine Dobie•ARTICLE•Yale French Studies•1995•Citada por: 1

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• Autobiographical Writings

  Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Citada por: 1

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• No Longer Full-Fledged Autobiogriffies

  Sarah Kofman•ARTICLE•SubStance•1980•Citada por: 1

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• Judith, ou la mise en scène du Tabou de la virginité

  Sarah Kofman•ARTICLE•Littérature•1971•Citada por: 1

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  Kofman Sarah. Judith, ou la mise en scene du Tabou de la virginite. In: Litterature, n°3, 1971. Litterature. Octobre 1971. pp. 100-116

• Types of Resistance to Freud

  Dominique Fernandez, Ernst Gombrich et al.•ARTICLE•diacritics•1971

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• Judith, ou la mise en scène du Tabou de la virginité

  Sarah Kofman•ARTICLE•Littérature•1971•Citada por: 1

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  Kofman Sarah. Judith, ou la mise en scene du Tabou de la virginite. In: Litterature, n°3, 1971. Litterature. Octobre 1971. pp. 100-116

• Aberrations

  Wendy Deutelbaum, Sarah Kofman•ARTICLE•SubStance•1979

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• The Narcissistic Woman

  Sarah Kofman•ARTICLE•diacritics•1980•Citada por: 3

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  Freud offers a massive affirmation of the following well-known thesis: if woman is enigmatic, it is because she has reasons-good ones-for hiding herself, for hiding the fact that she has nothing to hide, for concealing that pus-filled cavity which threatens to contaminate and infect man. In seeking to veil herself, the woman would only be imitating nature, which has always already covered over her genitals [son sexe] with pubic hair, and which be…

• No Longer Full-Fledged Autobiogriffies

  Sarah Kofman•ARTICLE•SubStance•1980•Citada por: 1

  Incluir item

• The Third Woman

  Elizabeth L Berg, Sarah Kofman et al.•ARTICLE•diacritics•1982

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• Un métier impossible

  Sarah Kofman•BOOK•Un métier impossible•1983

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• Sartre

  Sarah Kofman, Arthur Denner et al.•ARTICLE•diacritics•1984

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• Pourquoi rit-on

  Sarah Kofman•BOOK•Pourquoi rit-on ?•1985

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• The enigma of woman

  Sarah Kofman•BOOK•The enigma of woman•1985

  Incluir item

  Kofman discusses various facets of Freud's attitudes toward women in his early years--his relation to his parents, the crystallization and development of his personal myths, his surprisingly liberal views in respect to certain independent women of his acquaintance, his thoughts on the mythic power of the Mother and on the putatively feminine side of his own nature. Then, by means of forceful new readings of "On Narcissism," "Femininity," and othe…

• Nietzsche et la scène philosophique

  Sarah Kofman•BOOK•Nietzsche et la scène philosophique•1986

  Incluir item

• Autobiographical Writings

  Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Citada por: 1

  Incluir item

• Prometheus, the First Philosopher

  Sarah Kofman, Winnie Woodhull•BOOK•SubStance•1986

  Incluir item

  This interview with Sarah Kofman explores her philosophical interpretations of the Prometheus myth, focusing on his role as a "first philosopher" who steals fire (representing knowledge and technology) from the gods. Kofman discusses how Prometheus's act symbolizes the human desire for knowledge and the inherent dangers and responsibilities that come with it. She connects this myth to various philosophical concepts, including the nature of creati…

• Nietzsche and the Obscurity of Heraclitus

  Sarah Kofman, Francoise Lionnet-McCumber•ARTICLE•diacritics•1987

  Incluir item

• Rousseau's Phallocratic Ends

  Open Access•Sarah Kofman, Mara Dukats•ARTICLE•Hypatia•1988•Citada por: 5

  Incluir item

  Kofman traces Rousseau's argument that women's role as mothers requires the subordination of women to men, and the companion argument that women's lust is a threat to the (male) social order, which also justifies the confinement of women within the home. She then relates the claim that women so confined exert a power of their own to Rousseau's erotic obsession with dominant, but maternal, women. Thus, the “Nature” to which Rousseau appeals is see…

• The Childhood of Art

  Natasha Korda, Sarah Kofman•ARTICLE•Modern Language Notes•1988

  Incluir item

• The childhood of art

  Sarah Kofman•BOOK•The childhood of art•1988

  Incluir item

• Socrate(s)

  Sarah Kofman•BOOK•Socrate(s)•1989

  Incluir item

• Nietzsche's Socrates

  Sarah Kofman, Madeleine Dobie•ARTICLE•Graduate Faculty Philosophy Journal•1991

  Incluir item

• Explosion I

  Sarah Kofman, Daniel Large et al.•ARTICLE•diacritics•1994

  Incluir item

  Analyse d'« Ecce Homo », le dernier livre ecrit par Nietzsche juste avant son effondrement, considere comme le texte le plus fou de toute la philosophie

• An interview

  Sarah Kofman•ARTICLE•New Political Science•1994

  Incluir item

• Les « mains » d'Antelme. Post-scriptum à Paroles suffoquées

  Sarah Kofman•ARTICLE•Lignes•1994

  Incluir item

• The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)

  Sarah Kofman, Madeleine Dobie•ARTICLE•Yale French Studies•1995•Citada por: 1

  Incluir item

• Sacrée nourriture

  Sarah Kofman•ARTICLE•Chimères•1995

  Incluir item

  Kofman Sarah. Sacrée nourriture. In: Chimères. Revue des schizoanalyses, N°24, hiver 1995. Délires Demos Destins. pp. 195-196

• Nietzsche and Metaphor

  Howard Caygill, Stephen Howard et al.•ARTICLE•The Philosophical Quarterly•1996

  Incluir item

  Journal Article Book Reviews Get access Metzsche and Metaphor. By Sarah Kofman. Translated by Duncan Large. (London: Athlone Press, 1993. Pp. xlvi + 239. Price £42.00 h/b, £14.95 p/b.)Nietzsche. By Michael Tanner. ( Oxford UP, 1994. Pp. 86. Price £5.99.) Howard Caygill Howard Caygill University of East Anglia Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 46, Issue 185, October 1996, P…

Philosophy (12 obras) · Art (9 obras) · Psychology (9 obras) · Psychoanalysis (8 obras) · Nietzsche, Schopenhauer, and Hegel (6 obras) · Aesthetics (5 obras) · Philosophy (4 obras) · 1856-1939 (3 obras) · Art history (3 obras) · French Historical and Cultural Studies (3 obras)