Tacuma Peters
Dados Biográficos
| ID | 4158992 |
|---|---|
| NOME | Tacuma Peters |
| PRENOMES | Tacuma |
| SOBRENOME | Peters |
| ASSINATURA | PETERS T |
| AFILIAÇÕES | Michigan State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2021 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
Querying the Ecological Sublime
This article examines the ecological sublime in its relationship to the history of colonial aesthetics, anticolonial thought, and contemporary colonialism. It argues that, while Edmund Burke utilized the sublime in support of colonialism (including settler colonialism) in North America and colonial slavery, Samson Occom and Ottobah Cugoano developed versions of the sublime to contest British colonialism in the Americas. The history of this aesthe…
Black Skin, White Masks and the Paradoxical Politics of Black Historiography
Frantz Fanon’s Black Skin, White Masks has the paradoxical status of being a text that rejects historiography and History as a primary means of facilitating radical political transformation while also being a key point of departure for histories concerning modern colonial and decolonial thought.1 This reflection is an examination of the tensions in Black Skin, White Masks as a political work and as an intervention into philosophical, psychoanalyt…
The Haitian Revolution
On the Sublime and Beautiful
This article examines Edmund Burke and Ottobah Cugoano's aesthetic thought in relation to eighteenth-century racial slavery. It interrogates their ideas of the sublime and beautiful which contribute to their different political positions on the abolition of slavery: whereas the former advocated the gradual abolition of the slave trade and distant emancipation, the latter sought the immediate abolition of the trade and rapid emancipation. It conte…
The Black Revolutionary and the Black Betrayer
The Black Revolutionary and the Black Betrayer Tacuma Peters (bio) Shaka King, dir. Judas and the Black Messiah. Warner Bros. Pictures, 2021. Judas and the Black Messiah follows a brief period in the political life of Fred Hampton, Chairman of the Chicago chapter of the Black Panther Party, from 1968–1969. It also follows William O'Neal, the security chief of the same Black Panther chapter and an informant for the Federal Bureau of Investigation.…
Black Skin, White Masks and the Paradoxical Politics of Black Historiography
Frantz Fanon’s Black Skin, White Masks has the paradoxical status of being a text that rejects historiography and History as a primary means of facilitating radical political transformation while also being a key point of departure for histories concerning modern colonial and decolonial thought.1 This reflection is an examination of the tensions in Black Skin, White Masks as a political work and as an intervention into philosophical, psychoanalyt…
On the Sublime and Beautiful
This article examines Edmund Burke and Ottobah Cugoano's aesthetic thought in relation to eighteenth-century racial slavery. It interrogates their ideas of the sublime and beautiful which contribute to their different political positions on the abolition of slavery: whereas the former advocated the gradual abolition of the slave trade and distant emancipation, the latter sought the immediate abolition of the trade and rapid emancipation. It conte…
The Black Revolutionary and the Black Betrayer
The Black Revolutionary and the Black Betrayer Tacuma Peters (bio) Shaka King, dir. Judas and the Black Messiah. Warner Bros. Pictures, 2021. Judas and the Black Messiah follows a brief period in the political life of Fred Hampton, Chairman of the Chicago chapter of the Black Panther Party, from 1968–1969. It also follows William O'Neal, the security chief of the same Black Panther chapter and an informant for the Federal Bureau of Investigation.…
The Haitian Revolution
On the Sublime and Beautiful
This article examines Edmund Burke and Ottobah Cugoano's aesthetic thought in relation to eighteenth-century racial slavery. It interrogates their ideas of the sublime and beautiful which contribute to their different political positions on the abolition of slavery: whereas the former advocated the gradual abolition of the slave trade and distant emancipation, the latter sought the immediate abolition of the trade and rapid emancipation. It conte…
Black Skin, White Masks and the Paradoxical Politics of Black Historiography
Frantz Fanon’s Black Skin, White Masks has the paradoxical status of being a text that rejects historiography and History as a primary means of facilitating radical political transformation while also being a key point of departure for histories concerning modern colonial and decolonial thought.1 This reflection is an examination of the tensions in Black Skin, White Masks as a political work and as an intervention into philosophical, psychoanalyt…
Querying the Ecological Sublime
This article examines the ecological sublime in its relationship to the history of colonial aesthetics, anticolonial thought, and contemporary colonialism. It argues that, while Edmund Burke utilized the sublime in support of colonialism (including settler colonialism) in North America and colonial slavery, Samson Occom and Ottobah Cugoano developed versions of the sublime to contest British colonialism in the Americas. The history of this aesthe…
Aesthetics (4 obras) · Art (4 obras) · Law (4 obras) · Political science (4 obras) · Sociology (4 obras) · Caribbean history, culture, and politics (3 obras) · History (3 obras) · Law (3 obras) · Philosophy (3 obras) · Politics (3 obras)