Anna Gialdini
Dados Biográficos
| ID | 4181179 |
|---|---|
| NOME | Anna Gialdini |
| PRENOMES | Anna |
| SOBRENOME | Gialdini |
| ASSINATURA | GIALDINI A |
| AFILIAÇÕES | Fondazione Bruno Kessler |
| ORCID | 0000-0002-1056-5502 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2016 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 0 |
One Binding, Two Binders? A Greek-Style Binding Made in Italy
Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies - Volume 7, Number 2, Fall 2022
Rosa Maria Piccione(dir.), Greeks, Books and Libraries in Renaissance Venice, Berlin, De Gruyter, 2021, x-401 p
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Bookbinders in the Early Modern Venetian Book Trade
Bookbinders are still among the least known of the professions of the early modern Italian book trade, partly because they rarely signed their work. However, they had an undeniably fundamental role in the production and circulation of books (both manuscript and printed) across Italy, and especially in Venice, where the book trade was a particularly lively industry. In recent years, there has been a strong interest in early modern material culture…
Antiquarianism and self-fashioning in a group of bookbindings for Gian Vincenzo Pinelli
This article considers a group of six Greek manuscripts that entered the Biblioteca Ambrosiana in Milan with the collection of Gian Vincenzo Pinelli. It examines their hybrid Greek-style bindings as a telling case-study in the intellectual and cultural history of late sixteenth-century Europe. Through the analysis of the complex history of the individual items, it is possible to argue that Pinelli himself commissioned the bindings, and to challen…
Sem obras proeminentes nesta página.
Antiquarianism and self-fashioning in a group of bookbindings for Gian Vincenzo Pinelli
This article considers a group of six Greek manuscripts that entered the Biblioteca Ambrosiana in Milan with the collection of Gian Vincenzo Pinelli. It examines their hybrid Greek-style bindings as a telling case-study in the intellectual and cultural history of late sixteenth-century Europe. Through the analysis of the complex history of the individual items, it is possible to argue that Pinelli himself commissioned the bindings, and to challen…
Bookbinders in the Early Modern Venetian Book Trade
Bookbinders are still among the least known of the professions of the early modern Italian book trade, partly because they rarely signed their work. However, they had an undeniably fundamental role in the production and circulation of books (both manuscript and printed) across Italy, and especially in Venice, where the book trade was a particularly lively industry. In recent years, there has been a strong interest in early modern material culture…
One Binding, Two Binders? A Greek-Style Binding Made in Italy
Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies - Volume 7, Number 2, Fall 2022
Rosa Maria Piccione(dir.), Greeks, Books and Libraries in Renaissance Venice, Berlin, De Gruyter, 2021, x-401 p
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (4 obras) · Classics (3 obras) · Archaeology (2 obras) · Architecture and Art History Studies (2 obras) · History (2 obras) · Renaissance and Early Modern Studies (2 obras) · Renaissance Literature and Culture (2 obras) · Aesthetics (1 obras) · Ancient Greek (1 obras) · Architecture and Computational Design (1 obras)