Mona Hedayati
Dados Biográficos
| ID | 4461646 |
|---|---|
| NOME | Mona Hedayati |
| PRENOMES | Mona |
| SOBRENOME | Hedayati |
| ASSINATURA | HEDAYATI M |
| AFILIAÇÕES | University of Antwerp |
| ORCID | 0009-0006-5721-1628 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2024 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Critical database as practice
This paper critiques reductionist data practices reliant on quantification and analysis integrated into new media art. It focuses on against-the-grain operations critically engaged with data and its many representations. Initially, the work of Sarah Cook will provide a genealogy of data configurations in media art and history through a brief overview of forms of data and information in new media art. Subsequently, the scholarship of Lev Manovich …
ASTS as method
This contribution advocates for reconceptualizing Art, Science and Technology Studies (ASTS) as method rather than merely an interdisciplinary convergence. Rooted in the historical notion of technê – centring knowledge formations grounded in practice – the paper presents method as an active, performative mode of engaging with and shaping technoscientific realities. In dialogue with Science and Technology Studies (STS), especially its refusal to s…
Affective Frequencies
This paper explores the tension between body and data across artistic and theoretical inquiry within the framework of research-creation. It introduces a concept for an artistic performance entitled Curves & Reverbs-Expanded that leverages biosensors to capture neurophysiological data from the body, transforming this data into an immersive sound experience. By doing so, it addresses the reductionist nature of datafication of complex biological sys…
Human–Machine Relations Composed, Decomposed, Recomposed
This article delves into the intricate and evolving dynamics of human–machine relations, pushing for a reconceptualization of agency as a mutable and distributed phenomenon rather than a static attribute. It traverses a multitude of theoretical perspectives across disciplines each contributing to a nuanced understanding of the intertwined existences of humans and machines. These theoretical excursions reveal a complex landscape where agency is no…
Sem obras proeminentes nesta página.
Human–Machine Relations Composed, Decomposed, Recomposed
This article delves into the intricate and evolving dynamics of human–machine relations, pushing for a reconceptualization of agency as a mutable and distributed phenomenon rather than a static attribute. It traverses a multitude of theoretical perspectives across disciplines each contributing to a nuanced understanding of the intertwined existences of humans and machines. These theoretical excursions reveal a complex landscape where agency is no…
Critical database as practice
This paper critiques reductionist data practices reliant on quantification and analysis integrated into new media art. It focuses on against-the-grain operations critically engaged with data and its many representations. Initially, the work of Sarah Cook will provide a genealogy of data configurations in media art and history through a brief overview of forms of data and information in new media art. Subsequently, the scholarship of Lev Manovich …
ASTS as method
This contribution advocates for reconceptualizing Art, Science and Technology Studies (ASTS) as method rather than merely an interdisciplinary convergence. Rooted in the historical notion of technê – centring knowledge formations grounded in practice – the paper presents method as an active, performative mode of engaging with and shaping technoscientific realities. In dialogue with Science and Technology Studies (STS), especially its refusal to s…
Affective Frequencies
This paper explores the tension between body and data across artistic and theoretical inquiry within the framework of research-creation. It introduces a concept for an artistic performance entitled Curves & Reverbs-Expanded that leverages biosensors to capture neurophysiological data from the body, transforming this data into an immersive sound experience. By doing so, it addresses the reductionist nature of datafication of complex biological sys…
Computer Science (3 obras) · Cybernetics and Technology in Society (2 obras) · Innovative Human-Technology Interaction (2 obras) · Psychology (2 obras) · Acoustics (1 obras) · Anamnesis (1 obras) · Digital Media and Philosophy (1 obras) · Epistemology (1 obras) · Geographies of human-animal interactions (1 obras) · ICT in Developing Communities (1 obras)