Ngũgĩ Wa Thiongʼo
Dados Biográficos
| ID | 4495829 |
|---|---|
| NOME | Ngũgĩ Wa Thiongʼo |
| PRENOMES | Ngũgĩ Wa |
| SOBRENOME | Thiongʼo |
| ASSINATURA | THIONGʼO N W |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 330 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1982 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 3 |
The Power of the Steel-tipped Pen
In The Power of the Steel-tipped Pen Noenoe K. Silva reconstructs the indigenous intellectual history of a culture where-using Western standards-none is presumed to exist. Silva examines the work of two lesser-known Hawaiian writers-Joseph Ho'ona'auao Kānepu'u (1824-ca. 1885) and Joseph Moku'ōhai Poepoe (1852-1913)-to show how the rich intellectual history preserved in Hawaiian-language newspapers is key to understanding Native Hawaiian epistemol…
Descolonitzar la ment
Secure the Base
Something Torn and New
Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible forc…
Black linguistics
"Written exclusively by Black scholars on behalf of, and in collaboration with local communities, the book looks at the commonalities and differences among Black speech communities in Africa and the Diaspora. Topics include: * the OJ Simpson trial * language issues in Southern Africa and Francophone West Africa * the language of Hip Hop * the language of the Rastafaria in Jamaica With a foreword by Ngugi wa Thiong'o, this is essential reading for…
Devil on the Cross
Penpoints, Gunpoints, and Dreams
This book explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study, in turn, raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and eve…
Penpoints, gunpoints, and dreams
Concluding Note
This concluding chapter describes the artist's response to the power of the state and to the challenges of interpretation. Writers have no real choices other than to align themselves with the people and articulate their deepest yearnings and struggles for real change. Where the state silences, art should give voice to silence. Where, for instance, there is no democracy for the rest of the population, there cannot be democracy for the writer. Henc…
Writers in Politics
This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre .
I Will Marry When I Want
This play, which was developed with Kikuyu actors at the Kamiriithu Cultural Centre at Limuru, proved so powerful, especially in the use of song, that it was banned and probably contributed to Ngugi's detention without trial
Descolonitzar la ment
Devil on the Cross
Something Torn and New
Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible forc…
I Will Marry When I Want
This play, which was developed with Kikuyu actors at the Kamiriithu Cultural Centre at Limuru, proved so powerful, especially in the use of song, that it was banned and probably contributed to Ngugi's detention without trial
Writers in Politics
This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre .
Penpoints, Gunpoints, and Dreams
This book explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study, in turn, raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and eve…
Penpoints, gunpoints, and dreams
Concluding Note
This concluding chapter describes the artist's response to the power of the state and to the challenges of interpretation. Writers have no real choices other than to align themselves with the people and articulate their deepest yearnings and struggles for real change. Where the state silences, art should give voice to silence. Where, for instance, there is no democracy for the rest of the population, there cannot be democracy for the writer. Henc…
Devil on the Cross
Black linguistics
"Written exclusively by Black scholars on behalf of, and in collaboration with local communities, the book looks at the commonalities and differences among Black speech communities in Africa and the Diaspora. Topics include: * the OJ Simpson trial * language issues in Southern Africa and Francophone West Africa * the language of Hip Hop * the language of the Rastafaria in Jamaica With a foreword by Ngugi wa Thiong'o, this is essential reading for…
Something Torn and New
Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible forc…
Secure the Base
Descolonitzar la ment
The Power of the Steel-tipped Pen
In The Power of the Steel-tipped Pen Noenoe K. Silva reconstructs the indigenous intellectual history of a culture where-using Western standards-none is presumed to exist. Silva examines the work of two lesser-known Hawaiian writers-Joseph Ho'ona'auao Kānepu'u (1824-ca. 1885) and Joseph Moku'ōhai Poepoe (1852-1913)-to show how the rich intellectual history preserved in Hawaiian-language newspapers is key to understanding Native Hawaiian epistemol…
Africa (6 obras) · Political science (6 obras) · Art (5 obras) · Law (5 obras) · Politics (5 obras) · History (4 obras) · History and criticism (4 obras) · Sociology (4 obras) · 20th century (3 obras) · Aesthetics (3 obras)