Randall Halle
Dados Biográficos
| ID | 456233 |
|---|---|
| NOME | Randall Halle |
| PRENOMES | Randall |
| SOBRENOME | Halle |
| ASSINATURA | HALLE R |
| AFILIAÇÕES | University of Pittsburgh |
| ORCID | 0000-0002-7715-3895 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAÇÕES | 13 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1995 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 2 |
Celluloid Revolt
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings
Xscreen 1968
In 1967 at the fourth exprmntl film festival in Knokke Belgium, a group of German activist film students led by Harun Farocki sought to disrupt screenings with politically engaged happenings. Rejecting these protests, Birgit and Wilhelm Hein returned to Cologne and with other inspired filmmakers co-founded Xscreen, an institution of underground, experimental, material, and independent films. Beginning with 1967/1968, the essay exams the post-Worl…
German film policy’s new horizons
Beginning with a brief history of German film policy, the discussion will familiarize readers with the range of organizations and categories of people involved in the development of policy: from the Federal and regional film boards through to the new Minister of Culture Monika Grütters to production agencies and studio systems. The historical discussion offer insights into unresolved difficulties that continue to present challenges for contempora…
The Europeanization of Cinema
This innovative study advances the concept of “interzones”—geographical and ideational spaces of transit, interaction, transformation, and contested diversity—as a mechanism for analyzing European cinema. The book focuses especially on films about borders, borderlands, and cultural zones as it traces the development of interzones from the inception of central European cinema to the avant-garde films of today. Throughout, it shows how cinema both …
Großstadtfilm and Gentrification Debates
Re-imagining the German East
Film history marks the various transformations in the material and imaginative relations between Germans and Poles in the postwar era. This article explores how film-the primary contemporary vehicle for imaginative communities-has played an important role in envisioning various spatial relationships, as well as the political and cultural shifts in the general population of Germany, West and East, and Poland. The article surveys the representation…
Toward a Phenomenology of Emotion in Film
Toward a Phenomenology of Emotion in Film:Michael Brynntrup and The Face of Gay Shame Randall Halle (bio) On a neuro-physiological level, the study of emotion has been relatively excluded from studies of cognition in part simply because the emotional and sensory centers in the brain are distinct, but increasingly cognitive science has recognized that these centers are linked, sharing and passing on information and creating responses in as yet not…
Views from the German‐Polish Border
Philosophy in Multiple Voices
German film, European film
During the 1990s the German audiovisual industry changed from a primarily state subsidized ‘high cultural’ didactic system to a market-oriented popular cultural entertainment system. At the beginning of the decade the German film industry had declined to a meager 5% of the national film market. It now set out to reach the broadest possible audience in the global film market. Many analysts and critics of German film viewed this shift negatively, y…
German Film, Aufgehoben
The Europe of particulate nation-states which ended at the Iron Curtain no longer exists. Its borders now surge from the Atlantic, rush to the Urals, flow into the Mediterranean, the Black, and Caspian Seas, and eddy around the Straits of Bosporus. Anchored by institutions like the European Union (EU) and the Council of Europe, the continent is reimagining itself as a community both economically and culturally. The transnationalization of capital…
History Is Not a Matter of Generations
Translation by Sabine CzylwikRandall Halle received his degree in German Studies from the University of Wisconsin, Madison. He is an assistant professor in the Department of Modern Languages and Cultures at the University of Rochester. He has published on topics ranging from antihomosexuality in the Frankfurt School to queer film analyses of contemporary German film. Current projects include a volume on German popular film coedited with Margaret …
Happy Ends” to Crises of Heterosexual Desire
In the 1990s, a comedy wave swept over German film production, leaving a fundamentally transformed market in its wake. Assessments of how and why this genre developed and the kind of momentum it took on are only now emerging. Popular and academic work to date has approached these films through a generational model that emerged in the critical reception of the Comedy Wave itself. Such analysis, however, has brought forward only limited insight. In…
Between Marxism and Psychoanalysis
In their efforts to utilize individualist psychoanalysis as a tool for understanding mass behavior, the social theorists associated with the Frankfurt School increasingly came to rely on a static, essentializing construction of sexuality which ultimately led to an equation of fascism and homosexuality. Heretofore unexamined in studies of the Frankfurt School, this equation will here serve as the starting point for a fundamental critique of the co…
Between Marxism and Psychoanalysis
In their efforts to utilize individualist psychoanalysis as a tool for understanding mass behavior, the social theorists associated with the Frankfurt School increasingly came to rely on a static, essentializing construction of sexuality which ultimately led to an equation of fascism and homosexuality. Heretofore unexamined in studies of the Frankfurt School, this equation will here serve as the starting point for a fundamental critique of the co…
German film, European film
During the 1990s the German audiovisual industry changed from a primarily state subsidized ‘high cultural’ didactic system to a market-oriented popular cultural entertainment system. At the beginning of the decade the German film industry had declined to a meager 5% of the national film market. It now set out to reach the broadest possible audience in the global film market. Many analysts and critics of German film viewed this shift negatively, y…
German Film, Aufgehoben
The Europe of particulate nation-states which ended at the Iron Curtain no longer exists. Its borders now surge from the Atlantic, rush to the Urals, flow into the Mediterranean, the Black, and Caspian Seas, and eddy around the Straits of Bosporus. Anchored by institutions like the European Union (EU) and the Council of Europe, the continent is reimagining itself as a community both economically and culturally. The transnationalization of capital…
German film policy’s new horizons
Beginning with a brief history of German film policy, the discussion will familiarize readers with the range of organizations and categories of people involved in the development of policy: from the Federal and regional film boards through to the new Minister of Culture Monika Grütters to production agencies and studio systems. The historical discussion offer insights into unresolved difficulties that continue to present challenges for contempora…
Großstadtfilm and Gentrification Debates
History Is Not a Matter of Generations
Translation by Sabine CzylwikRandall Halle received his degree in German Studies from the University of Wisconsin, Madison. He is an assistant professor in the Department of Modern Languages and Cultures at the University of Rochester. He has published on topics ranging from antihomosexuality in the Frankfurt School to queer film analyses of contemporary German film. Current projects include a volume on German popular film coedited with Margaret …
Happy Ends” to Crises of Heterosexual Desire
In the 1990s, a comedy wave swept over German film production, leaving a fundamentally transformed market in its wake. Assessments of how and why this genre developed and the kind of momentum it took on are only now emerging. Popular and academic work to date has approached these films through a generational model that emerged in the critical reception of the Comedy Wave itself. Such analysis, however, has brought forward only limited insight. In…
Between Marxism and Psychoanalysis
In their efforts to utilize individualist psychoanalysis as a tool for understanding mass behavior, the social theorists associated with the Frankfurt School increasingly came to rely on a static, essentializing construction of sexuality which ultimately led to an equation of fascism and homosexuality. Heretofore unexamined in studies of the Frankfurt School, this equation will here serve as the starting point for a fundamental critique of the co…
Happy Ends” to Crises of Heterosexual Desire
In the 1990s, a comedy wave swept over German film production, leaving a fundamentally transformed market in its wake. Assessments of how and why this genre developed and the kind of momentum it took on are only now emerging. Popular and academic work to date has approached these films through a generational model that emerged in the critical reception of the Comedy Wave itself. Such analysis, however, has brought forward only limited insight. In…
History Is Not a Matter of Generations
Translation by Sabine CzylwikRandall Halle received his degree in German Studies from the University of Wisconsin, Madison. He is an assistant professor in the Department of Modern Languages and Cultures at the University of Rochester. He has published on topics ranging from antihomosexuality in the Frankfurt School to queer film analyses of contemporary German film. Current projects include a volume on German popular film coedited with Margaret …
German Film, Aufgehoben
The Europe of particulate nation-states which ended at the Iron Curtain no longer exists. Its borders now surge from the Atlantic, rush to the Urals, flow into the Mediterranean, the Black, and Caspian Seas, and eddy around the Straits of Bosporus. Anchored by institutions like the European Union (EU) and the Council of Europe, the continent is reimagining itself as a community both economically and culturally. The transnationalization of capital…
German film, European film
During the 1990s the German audiovisual industry changed from a primarily state subsidized ‘high cultural’ didactic system to a market-oriented popular cultural entertainment system. At the beginning of the decade the German film industry had declined to a meager 5% of the national film market. It now set out to reach the broadest possible audience in the global film market. Many analysts and critics of German film viewed this shift negatively, y…
Views from the German‐Polish Border
Philosophy in Multiple Voices
Toward a Phenomenology of Emotion in Film
Toward a Phenomenology of Emotion in Film:Michael Brynntrup and The Face of Gay Shame Randall Halle (bio) On a neuro-physiological level, the study of emotion has been relatively excluded from studies of cognition in part simply because the emotional and sensory centers in the brain are distinct, but increasingly cognitive science has recognized that these centers are linked, sharing and passing on information and creating responses in as yet not…
Großstadtfilm and Gentrification Debates
Re-imagining the German East
Film history marks the various transformations in the material and imaginative relations between Germans and Poles in the postwar era. This article explores how film-the primary contemporary vehicle for imaginative communities-has played an important role in envisioning various spatial relationships, as well as the political and cultural shifts in the general population of Germany, West and East, and Poland. The article surveys the representation…
The Europeanization of Cinema
This innovative study advances the concept of “interzones”—geographical and ideational spaces of transit, interaction, transformation, and contested diversity—as a mechanism for analyzing European cinema. The book focuses especially on films about borders, borderlands, and cultural zones as it traces the development of interzones from the inception of central European cinema to the avant-garde films of today. Throughout, it shows how cinema both …
German film policy’s new horizons
Beginning with a brief history of German film policy, the discussion will familiarize readers with the range of organizations and categories of people involved in the development of policy: from the Federal and regional film boards through to the new Minister of Culture Monika Grütters to production agencies and studio systems. The historical discussion offer insights into unresolved difficulties that continue to present challenges for contempora…
Xscreen 1968
In 1967 at the fourth exprmntl film festival in Knokke Belgium, a group of German activist film students led by Harun Farocki sought to disrupt screenings with politically engaged happenings. Rejecting these protests, Birgit and Wilhelm Hein returned to Cologne and with other inspired filmmakers co-founded Xscreen, an institution of underground, experimental, material, and independent films. Beginning with 1967/1968, the essay exams the post-Worl…
Celluloid Revolt
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings
Art (9 obras) · European history and politics (9 obras) · German (8 obras) · History (8 obras) · Sociology (8 obras) · Movie theater (7 obras) · Political science (7 obras) · Art history (6 obras) · Law (6 obras) · Media studies (6 obras)