Ariel Zatarain Tumbaga
Dados Biográficos
| ID | 476019 |
|---|---|
| NOME | Ariel Zatarain Tumbaga |
| PRENOMES | Ariel Zatarain |
| SOBRENOME | Tumbaga |
| ASSINATURA | TUMBAGA A Z |
| AFILIAÇÕES | Antelope Valley College |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 1 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2013 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 1 |
Indios y burros
This article traces the origins of María Elena Velasco’s comic character “la India María” through what Fatimah Tobing Rony has labeled ethnographic film . It explores how Velasco’s first film, Tonta, tonta, pero no tanto (dir. Fernando Cortés, Mexico, 1972), borrows conventional linguistic and performative representations from the so-called Indigenista films of Emilio “Indio” Fernández and Benito Alazraki. The essay also studies how popular disco…
Yaqui Indigeneity
Examines representations of the transborder Yaqui people as interpreted through the writing of Spanish, Mexican, and Chicana/o authors--Provided by publisher
Arraigamiento
This article discusses the discourses that guided different representations of Yaquis in twentieth-century Mexican literature to explain the continuity of these portrayals in Chicana/o literature. At the center of these discourses is a colonial Spanish-Mexican epistemology that depicts Yaquis as senselessly violent and resistant warriors: a Yaqui warrior myth. Focusing on Alfredo Véa Jr.'s La Maravilla, I explore the author's contestation of the …
Yaqui Indigeneity
Examines representations of the transborder Yaqui people as interpreted through the writing of Spanish, Mexican, and Chicana/o authors--Provided by publisher
Arraigamiento
This article discusses the discourses that guided different representations of Yaquis in twentieth-century Mexican literature to explain the continuity of these portrayals in Chicana/o literature. At the center of these discourses is a colonial Spanish-Mexican epistemology that depicts Yaquis as senselessly violent and resistant warriors: a Yaqui warrior myth. Focusing on Alfredo Véa Jr.'s La Maravilla, I explore the author's contestation of the …
Yaqui Indigeneity
Examines representations of the transborder Yaqui people as interpreted through the writing of Spanish, Mexican, and Chicana/o authors--Provided by publisher
Indios y burros
This article traces the origins of María Elena Velasco’s comic character “la India María” through what Fatimah Tobing Rony has labeled ethnographic film . It explores how Velasco’s first film, Tonta, tonta, pero no tanto (dir. Fernando Cortés, Mexico, 1972), borrows conventional linguistic and performative representations from the so-called Indigenista films of Emilio “Indio” Fernández and Benito Alazraki. The essay also studies how popular disco…
Sociology (3 obras) · Aesthetics (2 obras) · Anthropology (2 obras) · Art (2 obras) · Ethnography (2 obras) · Indigenous (2 obras) · Latin American history and culture (2 obras) · Literature (2 obras) · Political science (2 obras) · Art history (1 obra)