Teodolinda Barolini
Dados Biográficos
| ID | 483245 |
|---|---|
| NOME | Teodolinda Barolini |
| PRENOMES | Teodolinda |
| SOBRENOME | Barolini |
| ASSINATURA | BAROLINI T |
| AFILIAÇÕES | Columbia University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 22 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1978 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 1 |
Divine Comedy
Dante For the New Millennium
The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive…
Sociology of the Brigata
This paper considers social and group dynamics in early Italian authors — in particular Forese Donati, Dante, Folgore da San Gimignano, and Boccaccio — in order to extrapolate a ‘sociology of the brigata’: not a sociology of the real brigata as experienced in the urban milieu of medieval Italy and as described by chroniclers and social historians, but a sociology of the literary brigata that resides in the thirteenth- and fourteenth-century liter…
Petrarch and the Textual Origins of Interpretation
This volume addresses one of the most far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. The essays look at various facets of the interaction between Petrarchan philology and hermeneutics, working from the premise that in Petrarch’s work philological issues are so authorially driven that we cannot in fact read or interpret him without underst…
Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America
Dante and Francesca da Rimini
While we are accustomed to Dante's appropriations ad revisions of history, the case of Francesca da Rimini (Inf. 5.73-142) is rather different from the norm, since in her case no trace remains of the historical record that the poet could have appropriated. There is no completely independent documentation of Francesca's story; we are indebted for what we know to Dante and to his commentators. A fourteenth-century chronicler of Rimini, Marco Battag…
Petrarch's Genius
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"The Undivine "Comedy
The Undivine Comedy
Undivine Comedy
The Making of a Lyric Sequence
Now if things are regarded as part of a continuum, they can be taken either as many or as one; for taken separately, one by one, they are many; and as such they do not form a single object for an act of sensation or thinking, nor are they sensed or thought of simultaneously. But they can be regarded in another way, namely as composing the whole continuum; and as such they are apprehended all at once and by one act, whether of sensation or intelli…
Dante and Difference
Jeremy Tambling. Dante and Difference: Writing in the Commedia (Cambridge Studies in Medieval Literature, 2). Cambridge-New York: Cambridge University Press, 1988. 1 pl. + ix + 206 pp. - Volume 42 Issue 3
"Dante's "Comedy
Dante and Medieval Latin Traditions
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dante's Poets
By systematically analyzing Dante's attitudes toward the poets who appear throughout his texts, Teodolinda Barolini examines his beliefs about the limits and purposes of textuality and, most crucially, the relationship of textuality to truth.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton Universi…
The Door of Purgatory
Dante's Poets
Dante's Fearful Art of Justice
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Figure of Dante
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Studies on Petrarch and Boccaccio
Ernest H. Wilkins. Studies on Petrarch and Boccaccio. Ed. Aldo S. Bernardo. (Ente Nazionale Francesco Petrarca: Studi sul Petrarca, 6.) Padova: Antenore, 1978. 3 pls. + ix + 380 pp. L.20,000. - Volume 34 Issue 2
La Divina Commedia
Svevo's Theatre in the Light of L'avventura di Maria
The Making of a Lyric Sequence
Now if things are regarded as part of a continuum, they can be taken either as many or as one; for taken separately, one by one, they are many; and as such they do not form a single object for an act of sensation or thinking, nor are they sensed or thought of simultaneously. But they can be regarded in another way, namely as composing the whole continuum; and as such they are apprehended all at once and by one act, whether of sensation or intelli…
Svevo's Theatre in the Light of L'avventura di Maria
Studies on Petrarch and Boccaccio
Ernest H. Wilkins. Studies on Petrarch and Boccaccio. Ed. Aldo S. Bernardo. (Ente Nazionale Francesco Petrarca: Studi sul Petrarca, 6.) Padova: Antenore, 1978. 3 pls. + ix + 380 pp. L.20,000. - Volume 34 Issue 2
La Divina Commedia
The Figure of Dante
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dante's Fearful Art of Justice
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Door of Purgatory
Dante's Poets
"Dante's "Comedy
Dante and Medieval Latin Traditions
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dante's Poets
By systematically analyzing Dante's attitudes toward the poets who appear throughout his texts, Teodolinda Barolini examines his beliefs about the limits and purposes of textuality and, most crucially, the relationship of textuality to truth.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton Universi…
The Making of a Lyric Sequence
Now if things are regarded as part of a continuum, they can be taken either as many or as one; for taken separately, one by one, they are many; and as such they do not form a single object for an act of sensation or thinking, nor are they sensed or thought of simultaneously. But they can be regarded in another way, namely as composing the whole continuum; and as such they are apprehended all at once and by one act, whether of sensation or intelli…
Dante and Difference
Jeremy Tambling. Dante and Difference: Writing in the Commedia (Cambridge Studies in Medieval Literature, 2). Cambridge-New York: Cambridge University Press, 1988. 1 pl. + ix + 206 pp. - Volume 42 Issue 3
The Undivine Comedy
Undivine Comedy
Petrarch's Genius
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"The Undivine "Comedy
Dante and Francesca da Rimini
While we are accustomed to Dante's appropriations ad revisions of history, the case of Francesca da Rimini (Inf. 5.73-142) is rather different from the norm, since in her case no trace remains of the historical record that the poet could have appropriated. There is no completely independent documentation of Francesca's story; we are indebted for what we know to Dante and to his commentators. A fourteenth-century chronicler of Rimini, Marco Battag…
Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America
Petrarch and the Textual Origins of Interpretation
This volume addresses one of the most far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. The essays look at various facets of the interaction between Petrarchan philology and hermeneutics, working from the premise that in Petrarch’s work philological issues are so authorially driven that we cannot in fact read or interpret him without underst…
Sociology of the Brigata
This paper considers social and group dynamics in early Italian authors — in particular Forese Donati, Dante, Folgore da San Gimignano, and Boccaccio — in order to extrapolate a ‘sociology of the brigata’: not a sociology of the real brigata as experienced in the urban milieu of medieval Italy and as described by chroniclers and social historians, but a sociology of the literary brigata that resides in the thirteenth- and fourteenth-century liter…
Dante For the New Millennium
The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive…
Divine Comedy
Art (19 obras) · Renaissance and Early Modern Studies (15 obras) · Literature (12 obras) · Art history (9 obras) · History (9 obras) · Early Modern Spanish Literature (8 obras) · Comedy (7 obras) · Philosophy (7 obras) · Classics (6 obras) · Classics (6 obras)