María Luengo Cruz
Dados Biográficos
| ID | 4909762 |
|---|---|
| NOME | María Luengo Cruz |
| PRENOMES | María Luengo |
| SOBRENOME | Cruz |
| ASSINATURA | CRUZ M L |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 3 |
| OBRAS COMO AUTOR | 6 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2006 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
"Fundamentos y carencias de los estudios culturales una revisión teórico-crítica del ámbito "popular culture
El presente estudio revisa los presupuestos teóricos de los estudios culturales y el área de la cultura popular en Gran Bretaña a partir de 1950. Esta esfera de lo popular fue definida por la sociedad de masas mediado el siglo xx, y por quienes como Theodor W. Adorno y Max Horkheimer teorizaron sobre la cultura que le es propia. Los artistas modernos y sus críticos abrieron entonces una brecha insalvable entre el arte y los objetos comerciales de…
News Media Innovation Reconsidered
News media are suffering a Schumpeterian "creative destruction" (Schumpeter, 1949): this has been the received wisdom among scholars and media watchers evaluating the impact of digital technology on journalism today. However, is "creative destruction" an appropriate term in this case? The use of it to explain this recent period of upheaval in journalism usually involves reductive techno-economic paradigms that overlook critical cultural and ethic…
When one is not enough. Professional Perception of Traditional Ethical Mechanisms for New Times in Journalism
The aim of this article is to analyse the perception of Spanish journalists in relation to the greater or lesser effectiveness of traditional self regulation mechanisms in comparison to new mechanisms that have recently emerged with the arrival of digital technologies. Results from surveys (n=420), in-depth interviews (n=30) and focus groups (n=6) confirm the acceptance of these mechanisms whose greatest impact requires the operation of all of th…
The Crisis of Journalism Reconsidered
This collection of original essays brings a dramatically different perspective to bear on the contemporary 'crisis of journalism'. Rather than seeing technological and economic change as the primary causes of current anxieties, The Crisis of Journalism Reconsidered draws attention to the role played by the cultural commitments of journalism itself. Linking these professional ethics to the democratic aspirations of the broader societies in which j…
"The TimesPicayune" y los discursos noticiosos sobre el colapso del periodismo norteamericano
This article analyses the ways in which the crisis of American journalism is constructed in the journalistic discourses on the digital revolution and the economic collapse of newspaper through the particular case of The TimesPicayune. Journalists assume a set of cultural codes which locates the facts within symbolical boundaries of what is professionally understood as good journalism or, on the contrary, outside these boundaries. These cultural a…
Fundamentos y carencias de los estudios culturales
El presente estudio revisa los presupuestos teoricos de los estudios culturales y el area de la cultura popular en Gran Bretana a partir de 1950. Esta esfera de lo popular fue definida por la sociedad de masas mediado el siglo xx, y por quienes como Theodor W. Adorno y Max Horkheimer teorizaron sobre la cultura que le es propia. Los artistas modernos y sus criticos abrieron entonces una brecha insalvable entre el arte y los objetos comerciales de…
"Fundamentos y carencias de los estudios culturales una revisión teórico-crítica del ámbito "popular culture
El presente estudio revisa los presupuestos teóricos de los estudios culturales y el área de la cultura popular en Gran Bretaña a partir de 1950. Esta esfera de lo popular fue definida por la sociedad de masas mediado el siglo xx, y por quienes como Theodor W. Adorno y Max Horkheimer teorizaron sobre la cultura que le es propia. Los artistas modernos y sus críticos abrieron entonces una brecha insalvable entre el arte y los objetos comerciales de…
News Media Innovation Reconsidered
News media are suffering a Schumpeterian "creative destruction" (Schumpeter, 1949): this has been the received wisdom among scholars and media watchers evaluating the impact of digital technology on journalism today. However, is "creative destruction" an appropriate term in this case? The use of it to explain this recent period of upheaval in journalism usually involves reductive techno-economic paradigms that overlook critical cultural and ethic…
When one is not enough. Professional Perception of Traditional Ethical Mechanisms for New Times in Journalism
The aim of this article is to analyse the perception of Spanish journalists in relation to the greater or lesser effectiveness of traditional self regulation mechanisms in comparison to new mechanisms that have recently emerged with the arrival of digital technologies. Results from surveys (n=420), in-depth interviews (n=30) and focus groups (n=6) confirm the acceptance of these mechanisms whose greatest impact requires the operation of all of th…
Fundamentos y carencias de los estudios culturales
El presente estudio revisa los presupuestos teoricos de los estudios culturales y el area de la cultura popular en Gran Bretana a partir de 1950. Esta esfera de lo popular fue definida por la sociedad de masas mediado el siglo xx, y por quienes como Theodor W. Adorno y Max Horkheimer teorizaron sobre la cultura que le es propia. Los artistas modernos y sus criticos abrieron entonces una brecha insalvable entre el arte y los objetos comerciales de…
"The TimesPicayune" y los discursos noticiosos sobre el colapso del periodismo norteamericano
This article analyses the ways in which the crisis of American journalism is constructed in the journalistic discourses on the digital revolution and the economic collapse of newspaper through the particular case of The TimesPicayune. Journalists assume a set of cultural codes which locates the facts within symbolical boundaries of what is professionally understood as good journalism or, on the contrary, outside these boundaries. These cultural a…
The Crisis of Journalism Reconsidered
This collection of original essays brings a dramatically different perspective to bear on the contemporary 'crisis of journalism'. Rather than seeing technological and economic change as the primary causes of current anxieties, The Crisis of Journalism Reconsidered draws attention to the role played by the cultural commitments of journalism itself. Linking these professional ethics to the democratic aspirations of the broader societies in which j…
When one is not enough. Professional Perception of Traditional Ethical Mechanisms for New Times in Journalism
The aim of this article is to analyse the perception of Spanish journalists in relation to the greater or lesser effectiveness of traditional self regulation mechanisms in comparison to new mechanisms that have recently emerged with the arrival of digital technologies. Results from surveys (n=420), in-depth interviews (n=30) and focus groups (n=6) confirm the acceptance of these mechanisms whose greatest impact requires the operation of all of th…
News Media Innovation Reconsidered
News media are suffering a Schumpeterian "creative destruction" (Schumpeter, 1949): this has been the received wisdom among scholars and media watchers evaluating the impact of digital technology on journalism today. However, is "creative destruction" an appropriate term in this case? The use of it to explain this recent period of upheaval in journalism usually involves reductive techno-economic paradigms that overlook critical cultural and ethic…
"Fundamentos y carencias de los estudios culturales una revisión teórico-crítica del ámbito "popular culture
El presente estudio revisa los presupuestos teóricos de los estudios culturales y el área de la cultura popular en Gran Bretaña a partir de 1950. Esta esfera de lo popular fue definida por la sociedad de masas mediado el siglo xx, y por quienes como Theodor W. Adorno y Max Horkheimer teorizaron sobre la cultura que le es propia. Los artistas modernos y sus críticos abrieron entonces una brecha insalvable entre el arte y los objetos comerciales de…
Sociology (5 obras) · Art (4 obras) · Media Studies and Communication (4 obras) · Political science (4 obras) · Computer Science (3 obras) · Humanities (3 obras) · Journalism (3 obras) · Law (3 obras) · Media studies (3 obras) · History (2 obras)