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Aniko Bodroghkozy

Dados Biográficos

ID4910976
NOMEAniko Bodroghkozy
PRENOMESAniko
SOBRENOMEBodroghkozy
ASSINATURABODROGHKOZY A
AFILIAÇÕESUniversity of Virginia
VERIFICADONão
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES5
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1991
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H2
  • Viola Liuzzo / Heather Heyer

    Aniko Bodroghkozy•ARTICLE•Camera Obscura Feminism Culture…•2022

    Both the Martin Luther King Jr.–led Selma voting rights campaign of 1965 and the 2017 “Summer of Hate” in Charlottesville produced a white female martyr. Viola Liuzzo was murdered by KKK members at the end of the Selma-to-Montgomery march that culminated the Selma campaign. Heather Heyer was murdered in a terrorist car attack by a neo-Nazi at the end of the suspended “Unite the Right” rally. Both women were hailed in the press as heroes. Both wer…

  • Political Satire, That Was The Week That Was , and the Assassination of John F. Kennedy

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2020•Referências: 3

    The political satire boom in the United States and the United Kingdom experienced a brief, albeit notorious success on British and American television, most notably represented by That Was The Week That Was. In the United States, the satire boom largely evaporated with the assassination of President Kennedy. This article examines the transatlantic history of this iconic programme during the Kennedy years and how that transatlantic exchange manife…

  • The BBC and the Black Weekend

    Aniko Bodroghkozy•ARTICLE•The Sixties•2016•Referências: 2

    This narrative history of the BBC’s coverage of the assassination and funeral of President John F. Kennedy argues that we can trace the beginnings of live, breaking, global television news coverage to this crisis event. The BBC both stumbled in its early coverage and triumphed in its later satellite transmission of the Kennedy funeral, the first truly global use of this new communications technology for news purposes. Using documents in the BBC W…

  • Zaprudered

    Aniko Bodroghkozy•ARTICLE•The Sixties•2013

    On 22 November 1963, 59-year-old Abraham Zapruder balanced himself precariously atop a stone abutment by a grassy knoll overlooking Dealey Plaza in Dallas, Texas. His secretary stood behind him, st

  • Equal Time

    Aniko Bodroghkozy•BOOK•Equal time•2012

    This book explores the crucial role of network television in reconfiguring new attitudes in race relations during the civil rights movement. Due to widespread coverage, the civil rights revolution quickly became the United States' first televised major domestic news story. This important medium unmistakably influenced the ongoing movement for African American empowerment, desegregation, and equality. The book brings to the foreground television n…

  • Black Weekend

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2012•Citada por: 2•Referências: 6

    This article reconstructs how Americans processed their experience of the assassination, mourning period, and funeral of John F. Kennedy over a four-day period in November 1963 as fundamentally a “television trauma.” Using viewer mail sent to NBC news anchors in the midst of the “Black Weekend,” as well as some surveys and interviews conducted at the time by social scientists, the article argues for the centrality of television to the experience.…

  • Negotiating Civil Rights in Prime Time

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2003•Citada por: 1•Referências: 1

    This article examines a controversial 1963-1964 socially relevant drama series that engaged viewers, critics, and television industry personnel with issues around Kennedy-era liberalism. The article specifically looks at two celebrated episodes dealing with race—one about the plight of ghetto inhabitants, the other about white fears when blacks begin moving into an all-white suburban neighborhood. Using viewer mail in series producer David Susski…

  • Groove Tube

    Aniko Bodroghkozy•ARTICLE•Canadian Journal of Communication•2002•Citada por: 2•Referências: 1

    Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada

  • “We're the young generation and we've got something to say”

    Aniko Bodroghkozy•ARTICLE•Critical Studies in Mass…•1991

    Using Grama's theory of hegemony to examine a growing crisis of authority erupting within American culture, this paper focuses on three popular, youth‐based television programs of the 1960s—The Monkees, The Smothers Brothers Comedy Hour, and The Mod Squad—and on how their themes of youthful disaffection, countercultural values, and political rebellion circulated and were made meaningful in the popular press. Although conflicts and struggles manif…

  • Black Weekend

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2012•Citada por: 2•Referências: 6

    This article reconstructs how Americans processed their experience of the assassination, mourning period, and funeral of John F. Kennedy over a four-day period in November 1963 as fundamentally a “television trauma.” Using viewer mail sent to NBC news anchors in the midst of the “Black Weekend,” as well as some surveys and interviews conducted at the time by social scientists, the article argues for the centrality of television to the experience.…

  • Groove Tube

    Aniko Bodroghkozy•ARTICLE•Canadian Journal of Communication•2002•Citada por: 2•Referências: 1

    Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada

  • Negotiating Civil Rights in Prime Time

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2003•Citada por: 1•Referências: 1

    This article examines a controversial 1963-1964 socially relevant drama series that engaged viewers, critics, and television industry personnel with issues around Kennedy-era liberalism. The article specifically looks at two celebrated episodes dealing with race—one about the plight of ghetto inhabitants, the other about white fears when blacks begin moving into an all-white suburban neighborhood. Using viewer mail in series producer David Susski…

  • “We're the young generation and we've got something to say”

    Aniko Bodroghkozy•ARTICLE•Critical Studies in Mass…•1991

    Using Grama's theory of hegemony to examine a growing crisis of authority erupting within American culture, this paper focuses on three popular, youth‐based television programs of the 1960s—The Monkees, The Smothers Brothers Comedy Hour, and The Mod Squad—and on how their themes of youthful disaffection, countercultural values, and political rebellion circulated and were made meaningful in the popular press. Although conflicts and struggles manif…

  • Groove Tube

    Aniko Bodroghkozy•ARTICLE•Canadian Journal of Communication•2002•Citada por: 2•Referências: 1

    Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada

  • Negotiating Civil Rights in Prime Time

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2003•Citada por: 1•Referências: 1

    This article examines a controversial 1963-1964 socially relevant drama series that engaged viewers, critics, and television industry personnel with issues around Kennedy-era liberalism. The article specifically looks at two celebrated episodes dealing with race—one about the plight of ghetto inhabitants, the other about white fears when blacks begin moving into an all-white suburban neighborhood. Using viewer mail in series producer David Susski…

  • Equal Time

    Aniko Bodroghkozy•BOOK•Equal time•2012

    This book explores the crucial role of network television in reconfiguring new attitudes in race relations during the civil rights movement. Due to widespread coverage, the civil rights revolution quickly became the United States' first televised major domestic news story. This important medium unmistakably influenced the ongoing movement for African American empowerment, desegregation, and equality. The book brings to the foreground television n…

  • Black Weekend

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2012•Citada por: 2•Referências: 6

    This article reconstructs how Americans processed their experience of the assassination, mourning period, and funeral of John F. Kennedy over a four-day period in November 1963 as fundamentally a “television trauma.” Using viewer mail sent to NBC news anchors in the midst of the “Black Weekend,” as well as some surveys and interviews conducted at the time by social scientists, the article argues for the centrality of television to the experience.…

  • Zaprudered

    Aniko Bodroghkozy•ARTICLE•The Sixties•2013

    On 22 November 1963, 59-year-old Abraham Zapruder balanced himself precariously atop a stone abutment by a grassy knoll overlooking Dealey Plaza in Dallas, Texas. His secretary stood behind him, st

  • The BBC and the Black Weekend

    Aniko Bodroghkozy•ARTICLE•The Sixties•2016•Referências: 2

    This narrative history of the BBC’s coverage of the assassination and funeral of President John F. Kennedy argues that we can trace the beginnings of live, breaking, global television news coverage to this crisis event. The BBC both stumbled in its early coverage and triumphed in its later satellite transmission of the Kennedy funeral, the first truly global use of this new communications technology for news purposes. Using documents in the BBC W…

  • Political Satire, That Was The Week That Was , and the Assassination of John F. Kennedy

    Open Access•Aniko Bodroghkozy•ARTICLE•Television & New Media•2020•Referências: 3

    The political satire boom in the United States and the United Kingdom experienced a brief, albeit notorious success on British and American television, most notably represented by That Was The Week That Was. In the United States, the satire boom largely evaporated with the assassination of President Kennedy. This article examines the transatlantic history of this iconic programme during the Kennedy years and how that transatlantic exchange manife…

  • Viola Liuzzo / Heather Heyer

    Aniko Bodroghkozy•ARTICLE•Camera Obscura Feminism Culture…•2022

    Both the Martin Luther King Jr.–led Selma voting rights campaign of 1965 and the 2017 “Summer of Hate” in Charlottesville produced a white female martyr. Viola Liuzzo was murdered by KKK members at the end of the Selma-to-Montgomery march that culminated the Selma campaign. Heather Heyer was murdered in a terrorist car attack by a neo-Nazi at the end of the suspended “Unite the Right” rally. Both women were hailed in the press as heroes. Both wer…

Sociology (8 obras) · Art (7 obras) · History (7 obras) · Media studies (7 obras) · Political science (7 obras) · History (6 obras) · Law (6 obras) · Media Studies and Communication (6 obras) · Advertising (4 obras) · American Political and Social Dynamics (4 obras)

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