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Ruoyun Bai

Dados Biográficos

ID4975759
NOMERuoyun Bai
PRENOMESRuoyun
SOBRENOMEBai
ASSINATURABAI R
AFILIAÇÕESUniversity of Toronto
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES30
TOTAL COMO AUTOR4
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO2003
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H3
  • Refashioning Chinese Television through Digital Fun

    Ruoyun Bai•CHAPTER•Routledge Companion to Global…•2019

    This chapter discusses how Chinese television has been refashioned by the digital entertainment industry, and contends that new genres, identities, and representations have emerged in recognition of youths as the most valuable and desirable category of audience. It does so by way of three case studies. The first illustrates the symbiotic relationship between online literature and television drama production, and how the former contributes to the …

  • Staging Corruption

    Ruoyun Bai•BOOK•Contemporary Chinese Studies…•2014

    In late 1995, the drama Heaven Above (Cangtian zaishang) debuted on Chinese TV. Featuring a villainous high-ranking government official, it was the first in a series of wildly popular corruption dramas that riveted the nation. In Staging Corruption, Ruoyun Bai looks at the rise, fall, and reincarnation of these dramas and the ways in which they express the collective dreams and nightmares of China in the market-reform era. She also considers how …

  • Chinese Television in the Twenty-First Century

    Lauren Gorfinkel, Ruoyun Bai et al.•BOOK•Chinese Television in the…•2014•Citada por: 20

    Introduction, Ruoyun Bai and Geng Song Part I: Entertaining TV - A New Territory of Significance 1, Teaching People How to Live: Shenghuo Programs on Chinese Television, Wanning Sun 2. New Family Mediator: TV Mediation Programs in China's Harmonious Society, Shuyu Kong and Colin S. Howes 3. The Long Commute: Mobile Television and the Seamless Social, Joshua Neves Part II: Curbing 4. Clean Up the Screen: Regulating Television Entertainment in the …

  • Cultural mediation and the making of the mainstream in postsocialist China

    Open Access•Ruoyun Bai•ARTICLE•Media Culture & Society•2012•Citada por: 6•Referências: 7

    A case study of Chinese writers and their participation in the development and production of anticorruption dramas, this article uses the theoretical framework of cultural mediation to understand the reformulated role of media professionals in media and cultural production in postsocialist China. It is shown in the article that Chinese media professionals act as cultural brokers to mediate between divergent needs and demands, a key skill that sut…

  • Studies in Symbolic Interaction

    Open Access•Norman K Denzin, Name Missing et al.•BOOK•Studies in symbolic interaction•2003•Citada por: 4

    The first part of this collection of essays is devoted to the work of Peter Hall in communications and sociological inquiries. It emphasises developments in interactionist theory, as well as examples of post-modern ethnograohy and performance texts on border crossings and performances

  • Chinese Television in the Twenty-First Century

    Lauren Gorfinkel, Ruoyun Bai et al.•BOOK•Chinese Television in the…•2014•Citada por: 20

    Introduction, Ruoyun Bai and Geng Song Part I: Entertaining TV - A New Territory of Significance 1, Teaching People How to Live: Shenghuo Programs on Chinese Television, Wanning Sun 2. New Family Mediator: TV Mediation Programs in China's Harmonious Society, Shuyu Kong and Colin S. Howes 3. The Long Commute: Mobile Television and the Seamless Social, Joshua Neves Part II: Curbing 4. Clean Up the Screen: Regulating Television Entertainment in the …

  • Cultural mediation and the making of the mainstream in postsocialist China

    Open Access•Ruoyun Bai•ARTICLE•Media Culture & Society•2012•Citada por: 6•Referências: 7

    A case study of Chinese writers and their participation in the development and production of anticorruption dramas, this article uses the theoretical framework of cultural mediation to understand the reformulated role of media professionals in media and cultural production in postsocialist China. It is shown in the article that Chinese media professionals act as cultural brokers to mediate between divergent needs and demands, a key skill that sut…

  • Studies in Symbolic Interaction

    Open Access•Norman K Denzin, Name Missing et al.•BOOK•Studies in symbolic interaction•2003•Citada por: 4

    The first part of this collection of essays is devoted to the work of Peter Hall in communications and sociological inquiries. It emphasises developments in interactionist theory, as well as examples of post-modern ethnograohy and performance texts on border crossings and performances

  • Studies in Symbolic Interaction

    Open Access•Norman K Denzin, Name Missing et al.•BOOK•Studies in symbolic interaction•2003•Citada por: 4

    The first part of this collection of essays is devoted to the work of Peter Hall in communications and sociological inquiries. It emphasises developments in interactionist theory, as well as examples of post-modern ethnograohy and performance texts on border crossings and performances

  • Cultural mediation and the making of the mainstream in postsocialist China

    Open Access•Ruoyun Bai•ARTICLE•Media Culture & Society•2012•Citada por: 6•Referências: 7

    A case study of Chinese writers and their participation in the development and production of anticorruption dramas, this article uses the theoretical framework of cultural mediation to understand the reformulated role of media professionals in media and cultural production in postsocialist China. It is shown in the article that Chinese media professionals act as cultural brokers to mediate between divergent needs and demands, a key skill that sut…

  • Staging Corruption

    Ruoyun Bai•BOOK•Contemporary Chinese Studies…•2014

    In late 1995, the drama Heaven Above (Cangtian zaishang) debuted on Chinese TV. Featuring a villainous high-ranking government official, it was the first in a series of wildly popular corruption dramas that riveted the nation. In Staging Corruption, Ruoyun Bai looks at the rise, fall, and reincarnation of these dramas and the ways in which they express the collective dreams and nightmares of China in the market-reform era. She also considers how …

  • Chinese Television in the Twenty-First Century

    Lauren Gorfinkel, Ruoyun Bai et al.•BOOK•Chinese Television in the…•2014•Citada por: 20

    Introduction, Ruoyun Bai and Geng Song Part I: Entertaining TV - A New Territory of Significance 1, Teaching People How to Live: Shenghuo Programs on Chinese Television, Wanning Sun 2. New Family Mediator: TV Mediation Programs in China's Harmonious Society, Shuyu Kong and Colin S. Howes 3. The Long Commute: Mobile Television and the Seamless Social, Joshua Neves Part II: Curbing 4. Clean Up the Screen: Regulating Television Entertainment in the …

  • Refashioning Chinese Television through Digital Fun

    Ruoyun Bai•CHAPTER•Routledge Companion to Global…•2019

    This chapter discusses how Chinese television has been refashioned by the digital entertainment industry, and contends that new genres, identities, and representations have emerged in recognition of youths as the most valuable and desirable category of audience. It does so by way of three case studies. The first illustrates the symbiotic relationship between online literature and television drama production, and how the former contributes to the …

Asian Culture and Media Studies (3 obras) · Political science (3 obras) · Art (2 obras) · China (2 obras) · china (2 obras) · Computer Science (2 obras) · Hong Kong and Taiwan Politics (2 obras) · Law (2 obras) · Law (2 obras) · Linguistics (2 obras)

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