Ludim Rebeca Pedroza
Dados Biográficos
| ID | 4978451 |
|---|---|
| NOME | Ludim Rebeca Pedroza |
| PRENOMES | Ludim Rebeca |
| SOBRENOME | Pedroza |
| ASSINATURA | PEDROZA L R |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2016 |
| ÍNDICE H | 1 |
Joropo v venezuelski glasbeni moderni
Venezuelska Šola nacionalne moderne (Escuela Nacional Moderna) iz 30-ih in 40-ih let 20. stoletja je imela ljudski ples joropo za polnokrvno sredstvo glasbenega izraza, ki je zahteval pozornost umetniške avtonomije. Sonata Venezolana Joséja Clementeja Laye (1946) prikazuje, kako so skladatelji okvir sonatne oblike preoblikovali z glasbeno navzočnostjo joropa
Of Orchestras, Mythos, and the Idealization of Symphonic Practice
El Sistema defines itself as a “social organism of the Venezuelan State” whose goal is the “collective” instruction of music “through the symphonic orchestra and choir as instruments of social organization and communitarian development.” Historical accounts describe a revolutionary phenomenon whose main achievements since 1975 are the “democratization of music” and the “transformation of society.” These suprahistories understate the pre-1975 musi…
Merengue Meets the Symphony Orchestra
Research Article| October 01 2014 Merengue Meets the Symphony Orchestra: Interrogating "Music as One" and the "Terrific" Musical Experience at the Hollywood Bowl Ludim Rebeca Pedroza Ludim Rebeca Pedroza Search for other works by this author on: This Site Google American Music (2014) 32 (3): 317–352. https://doi.org/10.5406/americanmusic.32.3.0317 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Lu…
Of Orchestras, Mythos, and the Idealization of Symphonic Practice
El Sistema defines itself as a “social organism of the Venezuelan State” whose goal is the “collective” instruction of music “through the symphonic orchestra and choir as instruments of social organization and communitarian development.” Historical accounts describe a revolutionary phenomenon whose main achievements since 1975 are the “democratization of music” and the “transformation of society.” These suprahistories understate the pre-1975 musi…
Merengue Meets the Symphony Orchestra
Research Article| October 01 2014 Merengue Meets the Symphony Orchestra: Interrogating "Music as One" and the "Terrific" Musical Experience at the Hollywood Bowl Ludim Rebeca Pedroza Ludim Rebeca Pedroza Search for other works by this author on: This Site Google American Music (2014) 32 (3): 317–352. https://doi.org/10.5406/americanmusic.32.3.0317 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Lu…
Of Orchestras, Mythos, and the Idealization of Symphonic Practice
El Sistema defines itself as a “social organism of the Venezuelan State” whose goal is the “collective” instruction of music “through the symphonic orchestra and choir as instruments of social organization and communitarian development.” Historical accounts describe a revolutionary phenomenon whose main achievements since 1975 are the “democratization of music” and the “transformation of society.” These suprahistories understate the pre-1975 musi…
Joropo v venezuelski glasbeni moderni
Venezuelska Šola nacionalne moderne (Escuela Nacional Moderna) iz 30-ih in 40-ih let 20. stoletja je imela ljudski ples joropo za polnokrvno sredstvo glasbenega izraza, ki je zahteval pozornost umetniške avtonomije. Sonata Venezolana Joséja Clementeja Laye (1946) prikazuje, kako so skladatelji okvir sonatne oblike preoblikovali z glasbeno navzočnostjo joropa
Art (3 obras) · Humanities (2 obras) · Literature (2 obras) · Music History and Culture (2 obras) · Symphony (2 obras) · Aesthetics (1 obras) · Art history (1 obras) · Balkan and Eastern European Studies (1 obras) · Computer Science (1 obras) · Dialectic (1 obras)