Maya Feile Tomes
Dados Biográficos
| ID | 4990607 |
|---|---|
| NOME | Maya Feile Tomes |
| PRENOMES | Maya Feile |
| SOBRENOME | Tomes |
| ASSINATURA | TOMES M F |
| AFILIAÇÕES | University of Cambridge |
| ORCID | 0009-0004-9320-1940 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Lo demás preguntad a mi poesía
Though published in Spain in Lope de Vega’s La Filomena (1621), the ‘Epístola de Amarilis a Belardo’ is attributed to an anonymous seventeenth-century Peruvian poetess and commands a key position in the history of colonial Latin American women’s writing. This article insists upon the recontextualisation of the work within La Filomena alongside the response piece with which it was originally twinned – Lope’s ‘Epístola de Belardo a Amarilis’ – and …
Carthaginian America
1 I wish to record my thanks to the editor, Erik Hermans, for his pointers (and patience), as well as to the anonymous reviewer for their many helpful further suggestions: though I have not been able to adopt everything on this occasion, I
Una heroica dama ? The Discurso en loor de la poesía (1608) in context and the case for Diego Mexía as ‘Clarinda’
This article re-visits the matter of the much debated identity of the author of the Discurso en loor de la poesía (1608). Inspired by the anonymous writer's introduction as an heroica dama and señora principal de este reino, it is generally accepted that the Discurso is the work of an eminent Peruvian woman who has entered scholarly tradition under the pseudonym 'Clarinda.' The article suggests that there are grounds, both methodological and lite…
Sepúlveda on the Spanish Invasion of the Americas
This volume presents translations of four key texts from the dispute between Juan Ginés de Sepúlveda and Bartolomé de las Casas regarding the justice of Spain’s invasion of the Americas, culminating in their famous debate in Valladolid in 1550–51. Sepúlveda’s Democrates secundus (composed around 1544), an impassioned defence of the invasion, amplified the controversy within Spain about the justice of its activities in the Americas. When Las Casas…
Bilingualität auf der Jesuitenbühne. Latein und Volkssprache im spanischen Schultheater des 16. und 17. Jahrhunderts, written by Christiane Pérez González
Amid the recent spate of work on early modern Jesuit theatre comes this important new contribution from Christiane Pérez González.The subject on this occasion is the Latin and vernacular bilingualism in the Jesuit-authored institutional drama of sixteenth-and seventeenth-century Spain.Spain is particularly-indeed, uniquely-suited to this line of inquiry, for, alone among European countries, Jesuit playwrights there allowed the vernacular to infil…
Sepúlveda on the Spanish Invasion of the Americas
This volume presents translations of four key texts from the dispute between Juan Ginés de Sepúlveda and Bartolomé de las Casas regarding the justice of Spain’s invasion of the Americas, culminating in their famous debate in Valladolid in 1550–51. Sepúlveda’s Democrates secundus (composed around 1544), an impassioned defence of the invasion, amplified the controversy within Spain about the justice of its activities in the Americas. When Las Casas…
Bilingualität auf der Jesuitenbühne. Latein und Volkssprache im spanischen Schultheater des 16. und 17. Jahrhunderts, written by Christiane Pérez González
Amid the recent spate of work on early modern Jesuit theatre comes this important new contribution from Christiane Pérez González.The subject on this occasion is the Latin and vernacular bilingualism in the Jesuit-authored institutional drama of sixteenth-and seventeenth-century Spain.Spain is particularly-indeed, uniquely-suited to this line of inquiry, for, alone among European countries, Jesuit playwrights there allowed the vernacular to infil…
Carthaginian America
1 I wish to record my thanks to the editor, Erik Hermans, for his pointers (and patience), as well as to the anonymous reviewer for their many helpful further suggestions: though I have not been able to adopt everything on this occasion, I
Una heroica dama ? The Discurso en loor de la poesía (1608) in context and the case for Diego Mexía as ‘Clarinda’
This article re-visits the matter of the much debated identity of the author of the Discurso en loor de la poesía (1608). Inspired by the anonymous writer's introduction as an heroica dama and señora principal de este reino, it is generally accepted that the Discurso is the work of an eminent Peruvian woman who has entered scholarly tradition under the pseudonym 'Clarinda.' The article suggests that there are grounds, both methodological and lite…
Sepúlveda on the Spanish Invasion of the Americas
This volume presents translations of four key texts from the dispute between Juan Ginés de Sepúlveda and Bartolomé de las Casas regarding the justice of Spain’s invasion of the Americas, culminating in their famous debate in Valladolid in 1550–51. Sepúlveda’s Democrates secundus (composed around 1544), an impassioned defence of the invasion, amplified the controversy within Spain about the justice of its activities in the Americas. When Las Casas…
Lo demás preguntad a mi poesía
Though published in Spain in Lope de Vega’s La Filomena (1621), the ‘Epístola de Amarilis a Belardo’ is attributed to an anonymous seventeenth-century Peruvian poetess and commands a key position in the history of colonial Latin American women’s writing. This article insists upon the recontextualisation of the work within La Filomena alongside the response piece with which it was originally twinned – Lope’s ‘Epístola de Belardo a Amarilis’ – and …
Art (4 obras) · History (4 obras) · Humanities (3 obras) · Philosophy (3 obras) · Early Modern Spanish Literature (2 obras) · History (2 obras) · Latin American history and culture (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Sociology (2 obras)