Bob Perelman

• Language Writing and Louis Zukofsky’s “A”-24

  Open Access•Benoît Bondroit, Carla Harryman et al.•ARTICLE•Transatlantica•2022

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  focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…

• Performance Typing

  Bob Perelman•ARTICLE•boundary 2•2020•Referências: 2

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  This essay reviews the publication of Larry Eigner’s selected poems and provides an introduction to Eigner (1927–96) and his place in US poetry. It gives an account of his life, describing his lifelong disability from cerebral palsy and the trajectory of his poetic career, which ended with over three thousand poems and great acclaim from US innovative poetic communities. It then relates Eigner to those communities, specifically Black Mountain in …

• Truths

  Sergej Timofejev, Kevin M F Platt et al.•ARTICLE•World Literature Today•2011

  Incluir item

  Truths Sergej Timofejev I wanttotellyousimple truths, Revealimportant things toyou. Alwaysopendoors, stepintoelevators, Goupstairs, movedowncorridors. Alwaysgetintocars, start theengine, Andifit'swinter, waituntil itwarms up. Alwaysspendmoney, butsparingly, Andonlyonceina whilespendeverything you'vegot. Insummer itwillbesummer; infallitwillbefall, Don'tgetflustered; don'tdo anything that disgusts you. Girls willbecomeyoung women, andthen you'llno…

• My Avant-Garde Card

  Bob Perelman•ARTICLE•New Literary History•2010

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  I differentiate avant-garde used as a critical term with precise historical entailments from the use of avant-garde in innovative poetry circles, where it is a loose synonym (along with such adjectives as experimental, modernist, postavant, postmodern, etc.) used to mark affiliation. The poetic avant-garde is both sequential (involving a sense of advance in the present) and transhistorical (involving a historically mixed archive of examples); it …

• Indirect Address

  Open Access•Bob Perelman•ARTICLE•Postmodern Culture•2005

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  Indirect Address: A Ghost Story Bob Perelman (bio) to Jacques Derrida I was already iterable when I woke up this A. M.: I had begun to write to [you] in Philadelphia and am now in New York, dragging a motley pageant of tenses across the first sentence which is only just now finishing. The deadline for this piece on the occasion of [your] death had passed before I began and of course it is even later now, which iterates me more. Across the mirror …

• Differentials

  Bob Perelman•ARTICLE•American Literature•2005

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  Book Review| December 01 2005 Differentials: Poetry, Poetics, Pedagogy; The Constructivist Moment: From Material Text to Cultural Poetics Bob Perelman Bob Perelman Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 867–869. https://doi.org/10.1215/00029831-77-4-867 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Bob Perelman; Differentials: Poetry, Poetic…

• The Marginalization of Poetry

  Open Access•Bob Perelman•BOOK•Marginalization of Poetry•1996

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  Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process …

• An introduction to language writing

  Bob Perelman•ARTICLE•Revue française d’études…•1996

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  Le présent article se veut une brève histoire esthétique du mouvement poétique connu depuis la fin des années 70 sous le nom de Language Writing. Cette étiquette est cependant problématique car, si les stratégies littéraires, éditoriales, et idéologiques adoptées par les divers poètes de cette mouvance rappelent certains antécédents, tels les surréalistes ou les objectivistes, la variété des pratiques d'écriture en présence ne permet pas d'adopte…

• The Trouble with Genius

  Roger Gilbert, Bob Perelman•ARTICLE•American Literature•1995

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  A paradox: Ezra Pound, James Joyce, Gertrude Stein, and Louis Zukofsky all wrote their central works to be 'masterpieces', synoptic views of the world that would change the very consciousness of the public. And yet these writings are so hard to read that instead of producing social change, they have produced critical industries dedicated to decoding them. In new, provocative readings of these demanding authors, Bob Perelman shows how the inaccess…

• Excerpts from the Writers' Roundtable

  Peter Glassgold, Mark Jay Mirsky et al.•ARTICLE•South Atlantic Quarterly•1994

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  Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…

• Symposium on Russian Postmodernism

  Open Access•Jerome J Mcgann, Jerome Mcgann et al.•ARTICLE•Postmodern Culture•1993

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  Postmodern Culture - Volume 3, Number 2, January 1993

• Parataxis and Narrative

  Bob Perelman•ARTICLE•American Literature•1993•Citada por: 2

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  Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman

• The Marginalization of Poetry

  Open Access•Bob Perelman•ARTICLE•Postmodern Culture•1991

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  Postmodern Culture - Volume 2, Number 1, September 1991

• Aesthetic Tendency and the Politics of Poetry

  Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Citada por: 4

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• [Repeat, Said No One in Particular, Repeat after Me.]

  Bob Perelman•ARTICLE•boundary 2•1985

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• Aesthetic Tendency and the Politics of Poetry

  Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Citada por: 4

  Incluir item

• Parataxis and Narrative

  Bob Perelman•ARTICLE•American Literature•1993•Citada por: 2

  Incluir item

  Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman

• [Repeat, Said No One in Particular, Repeat after Me.]

  Bob Perelman•ARTICLE•boundary 2•1985

  Incluir item

• Aesthetic Tendency and the Politics of Poetry

  Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Citada por: 4

  Incluir item

• The Marginalization of Poetry

  Open Access•Bob Perelman•ARTICLE•Postmodern Culture•1991

  Incluir item

  Postmodern Culture - Volume 2, Number 1, September 1991

• Symposium on Russian Postmodernism

  Open Access•Jerome J Mcgann, Jerome Mcgann et al.•ARTICLE•Postmodern Culture•1993

  Incluir item

  Postmodern Culture - Volume 3, Number 2, January 1993

• Parataxis and Narrative

  Bob Perelman•ARTICLE•American Literature•1993•Citada por: 2

  Incluir item

  Parataxe et (dis)continuite narrative: postmodernite de la phrase nouvelle selon la theorie de R. Silliman

• Excerpts from the Writers' Roundtable

  Peter Glassgold, Mark Jay Mirsky et al.•ARTICLE•South Atlantic Quarterly•1994

  Incluir item

  Research Article| April 01 1994 Excerpts from the Writers’ Roundtable Peter Glassgold; Peter Glassgold Search for other works by this author on: This Site Google Mark Jay Mirsky; Mark Jay Mirsky Search for other works by this author on: This Site Google Bob Perelman; Bob Perelman Search for other works by this author on: This Site Google Ronald Sukenick Ronald Sukenick Search for other works by this author on: This Site Google South Atlantic Quar…

• The Trouble with Genius

  Roger Gilbert, Bob Perelman•ARTICLE•American Literature•1995

  Incluir item

  A paradox: Ezra Pound, James Joyce, Gertrude Stein, and Louis Zukofsky all wrote their central works to be 'masterpieces', synoptic views of the world that would change the very consciousness of the public. And yet these writings are so hard to read that instead of producing social change, they have produced critical industries dedicated to decoding them. In new, provocative readings of these demanding authors, Bob Perelman shows how the inaccess…

• The Marginalization of Poetry

  Open Access•Bob Perelman•BOOK•Marginalization of Poetry•1996

  Incluir item

  Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process …

• An introduction to language writing

  Bob Perelman•ARTICLE•Revue française d’études…•1996

  Incluir item

  Le présent article se veut une brève histoire esthétique du mouvement poétique connu depuis la fin des années 70 sous le nom de Language Writing. Cette étiquette est cependant problématique car, si les stratégies littéraires, éditoriales, et idéologiques adoptées par les divers poètes de cette mouvance rappelent certains antécédents, tels les surréalistes ou les objectivistes, la variété des pratiques d'écriture en présence ne permet pas d'adopte…

• Indirect Address

  Open Access•Bob Perelman•ARTICLE•Postmodern Culture•2005

  Incluir item

  Indirect Address: A Ghost Story Bob Perelman (bio) to Jacques Derrida I was already iterable when I woke up this A. M.: I had begun to write to [you] in Philadelphia and am now in New York, dragging a motley pageant of tenses across the first sentence which is only just now finishing. The deadline for this piece on the occasion of [your] death had passed before I began and of course it is even later now, which iterates me more. Across the mirror …

• Differentials

  Bob Perelman•ARTICLE•American Literature•2005

  Incluir item

  Book Review| December 01 2005 Differentials: Poetry, Poetics, Pedagogy; The Constructivist Moment: From Material Text to Cultural Poetics Bob Perelman Bob Perelman Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 867–869. https://doi.org/10.1215/00029831-77-4-867 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Bob Perelman; Differentials: Poetry, Poetic…

• My Avant-Garde Card

  Bob Perelman•ARTICLE•New Literary History•2010

  Incluir item

  I differentiate avant-garde used as a critical term with precise historical entailments from the use of avant-garde in innovative poetry circles, where it is a loose synonym (along with such adjectives as experimental, modernist, postavant, postmodern, etc.) used to mark affiliation. The poetic avant-garde is both sequential (involving a sense of advance in the present) and transhistorical (involving a historically mixed archive of examples); it …

• Truths

  Sergej Timofejev, Kevin M F Platt et al.•ARTICLE•World Literature Today•2011

  Incluir item

  Truths Sergej Timofejev I wanttotellyousimple truths, Revealimportant things toyou. Alwaysopendoors, stepintoelevators, Goupstairs, movedowncorridors. Alwaysgetintocars, start theengine, Andifit'swinter, waituntil itwarms up. Alwaysspendmoney, butsparingly, Andonlyonceina whilespendeverything you'vegot. Insummer itwillbesummer; infallitwillbefall, Don'tgetflustered; don'tdo anything that disgusts you. Girls willbecomeyoung women, andthen you'llno…

• Performance Typing

  Bob Perelman•ARTICLE•boundary 2•2020•Referências: 2

  Incluir item

  This essay reviews the publication of Larry Eigner’s selected poems and provides an introduction to Eigner (1927–96) and his place in US poetry. It gives an account of his life, describing his lifelong disability from cerebral palsy and the trajectory of his poetic career, which ended with over three thousand poems and great acclaim from US innovative poetic communities. It then relates Eigner to those communities, specifically Black Mountain in …

• Language Writing and Louis Zukofsky’s “A”-24

  Open Access•Benoît Bondroit, Carla Harryman et al.•ARTICLE•Transatlantica•2022

  Incluir item

  focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…

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