Orhan Tekelioğlu
Dados Biográficos
| ID | 5121100 |
|---|---|
| NOME | Orhan Tekelioğlu |
| PRENOMES | Orhan |
| SOBRENOME | Tekelioğlu |
| ASSINATURA | TEKELIOĞLU O |
| AFILIAÇÕES | Bilkent University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 29 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1996 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2001 |
| ÍNDICE H | 2 |
Modernizing Reforms and Turkish Music in the 1930s
The Turkish Republic’s policy on music during the 1930s is explored in the events leading to the closure of a unique yet short-lived music magazine Nota which published 37 issues in the 1930s. The founding years of Turkey were characterized by reforms in the cultural sphere including music as part of a modernizing and Westernizing strategy. These reforms were, however, challenged by a handful of skilled musicians as well as by the audience’s trad…
Two Incompatible Positions in the Challenge Against the `Individual Subject of Modernity
This paper discusses the theoretical status of human beings in the therapeutic sciences of modern societies. The concept of the `individual' was shaped, and achieved an unsurpassable status in scientific discourse, during the 17th and 18th centuries. Likewise specialized disciplines have appeared to codify its `normal' and `deviant' conducts. Since the 1960s, there have arisen certain critical accounts challenging the existence of such an individ…
The rise of a spontaneous synthesis
of the late Ottoman political elite, in the cultural sphere they refused any alliance with this group.Instead they pressed on, authoritatively, reshaping institutions teaching art and organizing their activities, with the aim of creating a new national elite in the cultural sphere.As policies and institutions were formed in terms of this synthesis for culture and art in general, and for music in particular (the subject of this study), the fledgli…
The rise of a spontaneous synthesis
of the late Ottoman political elite, in the cultural sphere they refused any alliance with this group.Instead they pressed on, authoritatively, reshaping institutions teaching art and organizing their activities, with the aim of creating a new national elite in the cultural sphere.As policies and institutions were formed in terms of this synthesis for culture and art in general, and for music in particular (the subject of this study), the fledgli…
Modernizing Reforms and Turkish Music in the 1930s
The Turkish Republic’s policy on music during the 1930s is explored in the events leading to the closure of a unique yet short-lived music magazine Nota which published 37 issues in the 1930s. The founding years of Turkey were characterized by reforms in the cultural sphere including music as part of a modernizing and Westernizing strategy. These reforms were, however, challenged by a handful of skilled musicians as well as by the audience’s trad…
The rise of a spontaneous synthesis
of the late Ottoman political elite, in the cultural sphere they refused any alliance with this group.Instead they pressed on, authoritatively, reshaping institutions teaching art and organizing their activities, with the aim of creating a new national elite in the cultural sphere.As policies and institutions were formed in terms of this synthesis for culture and art in general, and for music in particular (the subject of this study), the fledgli…
Two Incompatible Positions in the Challenge Against the `Individual Subject of Modernity
This paper discusses the theoretical status of human beings in the therapeutic sciences of modern societies. The concept of the `individual' was shaped, and achieved an unsurpassable status in scientific discourse, during the 17th and 18th centuries. Likewise specialized disciplines have appeared to codify its `normal' and `deviant' conducts. Since the 1960s, there have arisen certain critical accounts challenging the existence of such an individ…
Modernizing Reforms and Turkish Music in the 1930s
The Turkish Republic’s policy on music during the 1930s is explored in the events leading to the closure of a unique yet short-lived music magazine Nota which published 37 issues in the 1930s. The founding years of Turkey were characterized by reforms in the cultural sphere including music as part of a modernizing and Westernizing strategy. These reforms were, however, challenged by a handful of skilled musicians as well as by the audience’s trad…
Philosophy (3 obras) · Diverse Musicological Studies (2 obras) · Music Education and Analysis (2 obras) · Music History and Culture (2 obras) · Philosophy (2 obras) · Political science (2 obras) · Turkish (2 obras) · Art (1 obras) · Economics (1 obras) · Epistemology (1 obras)