Jane Moody
Dados Biográficos
| ID | 5149701 |
|---|---|
| NOME | Jane Moody |
| PRENOMES | Jane |
| SOBRENOME | Moody |
| ASSINATURA | MOODY J |
| AFILIAÇÕES | University of York |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 11 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2000 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2007 |
| ÍNDICE H | 1 |
The Cambridge Companion to British Theatre, 1730–1830
This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its mos…
Introduction
Celebrity, the condition of being much talked about, is hardly an invisible phenomenon in the history of British theatre. On the contrary, its discourses constitute a silent yet pervasive presence in the accounts of performing lives through which that history has been written. Theatrical celebrity leaves behind many forms of material evidence: plays, anecdotes, photographs, cartoons, programmes, reviews, portraits and costumes. But despite its ub…
Stolen Identities
On Saturday Noon, exactly at Twelve o’clock, at the New Theatre in the Haymarket, Mr. Foote begs the Favour of his Friends to come and drink a Dish of Chocolate with him, and ‘tis hoped there will be a great deal of good Company, and some Joyous Spirits; he will endeavour to make the Morning as Diverting as possible. — Tickets for this Entertainment to be had at George’s Coffee-House, Temple-bar, without which no Person will be admitted. — N.B. S…
Theatre and Celebrity in Britain, 1660–2000
Theatre has always been a site for selling outrage and sensation, a place where public reputations are made and destroyed in spectacular ways. This is the first book to investigate the construction an
The State of the Abyss
The State of the Abyss: Nineteenth Century Performance and Theatre Historiography in 1999 Get access Jane Moody Jane Moody 1University of York Search for other works by this author on: Oxford Academic Google Scholar Journal of Victorian Culture, Volume 5, Issue 1, January 2000, Pages 112–128, https://doi.org/10.3366/jvc.2000.5.1.112 Published: 01 January 2000
Theatre and Celebrity in Britain, 1660–2000
Theatre has always been a site for selling outrage and sensation, a place where public reputations are made and destroyed in spectacular ways. This is the first book to investigate the construction an
The State of the Abyss
The State of the Abyss: Nineteenth Century Performance and Theatre Historiography in 1999 Get access Jane Moody Jane Moody 1University of York Search for other works by this author on: Oxford Academic Google Scholar Journal of Victorian Culture, Volume 5, Issue 1, January 2000, Pages 112–128, https://doi.org/10.3366/jvc.2000.5.1.112 Published: 01 January 2000
Introduction
Celebrity, the condition of being much talked about, is hardly an invisible phenomenon in the history of British theatre. On the contrary, its discourses constitute a silent yet pervasive presence in the accounts of performing lives through which that history has been written. Theatrical celebrity leaves behind many forms of material evidence: plays, anecdotes, photographs, cartoons, programmes, reviews, portraits and costumes. But despite its ub…
Stolen Identities
On Saturday Noon, exactly at Twelve o’clock, at the New Theatre in the Haymarket, Mr. Foote begs the Favour of his Friends to come and drink a Dish of Chocolate with him, and ‘tis hoped there will be a great deal of good Company, and some Joyous Spirits; he will endeavour to make the Morning as Diverting as possible. — Tickets for this Entertainment to be had at George’s Coffee-House, Temple-bar, without which no Person will be admitted. — N.B. S…
Theatre and Celebrity in Britain, 1660–2000
Theatre has always been a site for selling outrage and sensation, a place where public reputations are made and destroyed in spectacular ways. This is the first book to investigate the construction an
The Cambridge Companion to British Theatre, 1730–1830
This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its mos…
Art (5 obras) · History (4 obras) · Art history (3 obras) · Law (3 obras) · Political science (3 obras) · Theater, Performance, and Music History (3 obras) · Visual arts (3 obras) · Advertising (2 obras) · Aesthetics (2 obras) · Business (2 obras)