Kaylee Mulholland
Dados Biográficos
| ID | 5153831 |
|---|---|
| NOME | Kaylee Mulholland |
| PRENOMES | Kaylee |
| SOBRENOME | Mulholland |
| ASSINATURA | MULHOLLAND K |
| AFILIAÇÕES | Arizona State University |
| ORCID | 0000-0002-6007-5018 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 4 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2021 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
Breaking the silence”
Content warning: Sexual violence. In 2020, the first permanent memorial to survivors of sexual violence was unveiled in Minneapolis, Minnesota. This essay utilizes rhetorical fieldwork to explore how the Survivors Memorial addresses a cultural crypt that silences survivors and erases sexual violence in public memory. I argue that the memorial disrupts the individuation and privatization of sexual violence to name sexual violence as a cultural tra…
Auto-Grafting traumatic excess
This essay forwards the concept of auto-grafting as a performative, narrative strategy that communicates traumatic excess or that which cannot be captured by traditional narrative methods. In analyzing how survivors of sexual violence use Medusa’s rape narrative through Medusa tattoos, I argue that auto-grafting pluralizes trauma narratives, emplaces trauma survivors in a network of relation, and sustains silence that allows survivors to navigate…
The Survivor as the Impossible Subject
Slippery scripts
Media often serve as audiences’ primary source of information about the carceral system and inmates’ lived experiences. While prison media frequently employ violent tropes, these narratives are scripted within the gendered context of the prison setting. In an online experiment, 104 young adults watched short video clips from male and female prison dramas depicting verbal (sexual and non-sexual) threats and evaluated the severity and actuation of …
Sem obras proeminentes nesta página.
Slippery scripts
Media often serve as audiences’ primary source of information about the carceral system and inmates’ lived experiences. While prison media frequently employ violent tropes, these narratives are scripted within the gendered context of the prison setting. In an online experiment, 104 young adults watched short video clips from male and female prison dramas depicting verbal (sexual and non-sexual) threats and evaluated the severity and actuation of …
The Survivor as the Impossible Subject
Breaking the silence”
Content warning: Sexual violence. In 2020, the first permanent memorial to survivors of sexual violence was unveiled in Minneapolis, Minnesota. This essay utilizes rhetorical fieldwork to explore how the Survivors Memorial addresses a cultural crypt that silences survivors and erases sexual violence in public memory. I argue that the memorial disrupts the individuation and privatization of sexual violence to name sexual violence as a cultural tra…
Auto-Grafting traumatic excess
This essay forwards the concept of auto-grafting as a performative, narrative strategy that communicates traumatic excess or that which cannot be captured by traditional narrative methods. In analyzing how survivors of sexual violence use Medusa’s rape narrative through Medusa tattoos, I argue that auto-grafting pluralizes trauma narratives, emplaces trauma survivors in a network of relation, and sustains silence that allows survivors to navigate…
Narrative (2 obras) · Psychology (2 obras) · Social Psychology (2 obras) · Social Psychology (2 obras) · Sociology (2 obras) · Bullying, Victimization, and Aggression (1 obra) · Computer Science (1 obra) · Context (archaeology (1 obra) · Criminal Justice and Corrections Analysis (1 obra) · Criminology (1 obra)