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Samuel Morse

Dados Biográficos

ID5184656
NOMESamuel Morse
PRENOMESSamuel
SOBRENOMEMorse
ASSINATURAMORSE S
AFILIAÇÕESAmherst College
ORCID0009-0002-9284-7243
VERIFICADOSim
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES0
OBRAS COMO AUTOR15
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1978
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H0
  • Kaijō, Jakuchō, and Repurposing Wood for Sacred Images in Kamakura-Period Sculpture

    Open Access•Samuel Morse•ARTICLE•Ars Orientalis•2023

    Sculptors during the Kamakura period at times looked to unconventional sources for the material for their images and other projects. In 1183 Unkei used fragments of wood from the destroyed Great Buddha Hall at Tōdaiji for the rollers of two sets of the Lotus Sutra, and in 1206 an anonymous sculptor used a piece of charred wood, presumably from the same structure, for the right shoulder of the memorial portrait of Shunjōbō Chōgen, the monk who reb…

  • Daitokuji

    Samuel Morse, Samuel Crowell Morse•ARTICLE•Journal of Japanese Studies•2007

    Reviewed by: Daitokuji: The Visual Cultures of a Zen Monastery Samuel C. Morse (bio) Daitokuji: The Visual Cultures of a Zen Monastery. By Gregory P.A. Levine. University of Washington Press, Seattle, 2005. lii, 444 pages. $60.00. Daitokuji: The Visual Cultures of a Zen Monastery, written by Gregory P. A. Levine, professor in the Department of Art History at the University of [End Page 516] California, Berkeley, is a collection of four highly inf…

  • The Artist as Professional in Japan (review)

    Samuel Morse, Samuel Crowell Morse•ARTICLE•Journal of Japanese Studies•2005

    Reviewed by: The Artist as Professional in Japan Samuel C. Morse (bio) The Artist as Professional in Japan. Edited by Melinda Takeuchi. Stanford University Press, Stanford, 2004. xvi, 262 pages. $45.00. The Artist as Professional in Japan is an important addition to the small number of works in English that examine Japanese artistic practice. Langdon Warner initiated this type of investigation in 1936 with the publication of The Craft of the Japa…

  • Shōmu

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Kōmyō

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Japan

    Chie Ishibashi, Donald F Mccallum et al.•CHAPTER•2003

  • Jōchō

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Kuninaka no Muraji Kimimaro

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Hiraizumi

    Samuel Morse, Samuel Finley Breese Morse et al.•ARTICLE•Monumenta Nipponica•2000

  • Zenkoji and Its Icon

    Samuel C Morse, Samuel Morse et al.•ARTICLE•Artibus Asiae•1998

  • Jōchō's Statue of Amida at the Byōdo-in and Cultural Legitimization in Late Heian Japan

    Open Access•Samuel C Morse, Samuel Morse•ARTICLE•Res: Anthropology and Aesthetics•1993

  • Japanese Sculpture in Transition

    Samuel C Morse, Samuel Morse•ARTICLE•Art Institute of Chicago Museum…•1987

  • The Great Eastern Temple

    Willa Jane Tanabe, Yutaka Mino et al.•ARTICLE•Monumenta Nipponica•1987

  • On Translation and Adaptation

    Donald F Mccallum, Jiro Sugiyama et al.•ARTICLE•Monumenta Nipponica•1984

  • Shino and Oribe Ceramics

    Johanna Sabine Becker, Johanna Becker et al.•ARTICLE•Monumenta Nipponica•1978

Sem obras proeminentes nesta página.

  • Shino and Oribe Ceramics

    Johanna Sabine Becker, Johanna Becker et al.•ARTICLE•Monumenta Nipponica•1978

  • On Translation and Adaptation

    Donald F Mccallum, Jiro Sugiyama et al.•ARTICLE•Monumenta Nipponica•1984

  • Japanese Sculpture in Transition

    Samuel C Morse, Samuel Morse•ARTICLE•Art Institute of Chicago Museum…•1987

  • The Great Eastern Temple

    Willa Jane Tanabe, Yutaka Mino et al.•ARTICLE•Monumenta Nipponica•1987

  • Jōchō's Statue of Amida at the Byōdo-in and Cultural Legitimization in Late Heian Japan

    Open Access•Samuel C Morse, Samuel Morse•ARTICLE•Res: Anthropology and Aesthetics•1993

  • Zenkoji and Its Icon

    Samuel C Morse, Samuel Morse et al.•ARTICLE•Artibus Asiae•1998

  • Hiraizumi

    Samuel Morse, Samuel Finley Breese Morse et al.•ARTICLE•Monumenta Nipponica•2000

  • Shōmu

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Kōmyō

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Japan

    Chie Ishibashi, Donald F Mccallum et al.•CHAPTER•2003

  • Jōchō

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • Kuninaka no Muraji Kimimaro

    Samuel C Morse, Samuel Morse•CHAPTER•2003

  • The Artist as Professional in Japan (review)

    Samuel Morse, Samuel Crowell Morse•ARTICLE•Journal of Japanese Studies•2005

    Reviewed by: The Artist as Professional in Japan Samuel C. Morse (bio) The Artist as Professional in Japan. Edited by Melinda Takeuchi. Stanford University Press, Stanford, 2004. xvi, 262 pages. $45.00. The Artist as Professional in Japan is an important addition to the small number of works in English that examine Japanese artistic practice. Langdon Warner initiated this type of investigation in 1936 with the publication of The Craft of the Japa…

  • Daitokuji

    Samuel Morse, Samuel Crowell Morse•ARTICLE•Journal of Japanese Studies•2007

    Reviewed by: Daitokuji: The Visual Cultures of a Zen Monastery Samuel C. Morse (bio) Daitokuji: The Visual Cultures of a Zen Monastery. By Gregory P.A. Levine. University of Washington Press, Seattle, 2005. lii, 444 pages. $60.00. Daitokuji: The Visual Cultures of a Zen Monastery, written by Gregory P. A. Levine, professor in the Department of Art History at the University of [End Page 516] California, Berkeley, is a collection of four highly inf…

  • Kaijō, Jakuchō, and Repurposing Wood for Sacred Images in Kamakura-Period Sculpture

    Open Access•Samuel Morse•ARTICLE•Ars Orientalis•2023

    Sculptors during the Kamakura period at times looked to unconventional sources for the material for their images and other projects. In 1183 Unkei used fragments of wood from the destroyed Great Buddha Hall at Tōdaiji for the rollers of two sets of the Lotus Sutra, and in 1206 an anonymous sculptor used a piece of charred wood, presumably from the same structure, for the right shoulder of the memorial portrait of Shunjōbō Chōgen, the monk who reb…

Japanese History and Culture (13 obras) · Art (9 obras) · History (9 obras) · Art history (6 obras) · Ancient history (5 obras) · Archaeology (5 obras) · Computer Science (5 obras) · Visual arts (5 obras) · Buddhism (4 obras) · History (4 obras)

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