Ketty Iannantuono
Dados Biográficos
| ID | 5192154 |
|---|---|
| NOME | Ketty Iannantuono |
| PRENOMES | Ketty |
| SOBRENOME | Iannantuono |
| ASSINATURA | IANNANTUONO K |
| AFILIAÇÕES | Radboud University Nijmegen |
| ORCID | 0000-0002-0368-0553 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 1 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2021 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 1 |
Displaying plaster casts, staging Romanization
In 1911, on the occasion of the fiftieth anniversary of the unification of Italy, a grand exhibition of Roman antiquities was hosted at the Baths of Diocletian in Rome. Rodolfo Lanciani, main agent behind the organization of this Mostra Archeologica, opted for exhibiting mainly reproductions of ancient monuments from the far-flung regions that once formed the Roman Empire. The aim was to reconstruct a coherent image of ancient Roman culture, dire…
The Fame of Trajan
Trajan’s status as a model emperor is perhaps most famously expressed in Eutropius’ catchphrase “More fortunate than Augustus, better than Trajan” (Eutr. Brev. 8.5.3). Modern scholarship has similarly stressed Trajan’s exemplary status, assuming that Trajan’s virtues were already a point of departure by which to measure second- and third-century emperors. This article challenges that notion; it argues that Trajan’s status as a model emperor was a…
A Christian Emperor between Pagan Gods
In recent years, images of rage against monuments have filled the media. Unmistakably expressing a high degree of tension in societies, these forms of hostility against heritage have been diversely interpreted, prompting passionate expressions of support as well as fierce criticism. Contesting public memorials, however, is not a new form of socio-political dissent. During Late Antiquity, for example, a new sensibility towards ancient monuments em…
A Christian Emperor between Pagan Gods
In recent years, images of rage against monuments have filled the media. Unmistakably expressing a high degree of tension in societies, these forms of hostility against heritage have been diversely interpreted, prompting passionate expressions of support as well as fierce criticism. Contesting public memorials, however, is not a new form of socio-political dissent. During Late Antiquity, for example, a new sensibility towards ancient monuments em…
A Christian Emperor between Pagan Gods
In recent years, images of rage against monuments have filled the media. Unmistakably expressing a high degree of tension in societies, these forms of hostility against heritage have been diversely interpreted, prompting passionate expressions of support as well as fierce criticism. Contesting public memorials, however, is not a new form of socio-political dissent. During Late Antiquity, for example, a new sensibility towards ancient monuments em…
Displaying plaster casts, staging Romanization
In 1911, on the occasion of the fiftieth anniversary of the unification of Italy, a grand exhibition of Roman antiquities was hosted at the Baths of Diocletian in Rome. Rodolfo Lanciani, main agent behind the organization of this Mostra Archeologica, opted for exhibiting mainly reproductions of ancient monuments from the far-flung regions that once formed the Roman Empire. The aim was to reconstruct a coherent image of ancient Roman culture, dire…
The Fame of Trajan
Trajan’s status as a model emperor is perhaps most famously expressed in Eutropius’ catchphrase “More fortunate than Augustus, better than Trajan” (Eutr. Brev. 8.5.3). Modern scholarship has similarly stressed Trajan’s exemplary status, assuming that Trajan’s virtues were already a point of departure by which to measure second- and third-century emperors. This article challenges that notion; it argues that Trajan’s status as a model emperor was a…
Ancient history (3 obras) · Archaeology (3 obras) · Art (3 obras) · Antique (2 obras) · Classical Antiquity Studies (2 obras) · Classics (2 obras) · Context (archaeology (2 obras) · Emperor (2 obras) · Empire (2 obras) · History (2 obras)