Jessica Lindiwe Draper
Dados Biográficos
| ID | 5226960 |
|---|---|
| NOME | Jessica Lindiwe Draper |
| PRENOMES | Jessica Lindiwe |
| SOBRENOME | Draper |
| ASSINATURA | DRAPER J L |
| AFILIAÇÕES | Christ Church, University of Oxford |
| ORCID | 0000-0002-0623-0232 |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2016 |
| ÍNDICE H | 0 |
Oppositional positions
Art in South Africa has a very particular history of resistance, largely beginning in the mid-twentieth century as a means to protest and expose white racist governmental processes and practices. More recently, however, socially engaged art has addressed far more complex expressions of power and its invasiveness. One artist whose default setting has remained oppositional throughout his career, is Brett Murray. A socio-political critique is at the…
Deconstructing the racialised gaze
The institutional violence of apartheid legislature homogenised what was in fact a remarkably diverse population into fixed categories, and resulted in what Richards (1991) refers to as the ‘apartheid gaze’. This mythological quantification of race and culture is an heirloom of ideological whiteness. Given the complex dynamics of power and representation that haunt the socio-political climate of postapartheid South Africa, how might a white South…
Sem obras proeminentes nesta página.
Deconstructing the racialised gaze
The institutional violence of apartheid legislature homogenised what was in fact a remarkably diverse population into fixed categories, and resulted in what Richards (1991) refers to as the ‘apartheid gaze’. This mythological quantification of race and culture is an heirloom of ideological whiteness. Given the complex dynamics of power and representation that haunt the socio-political climate of postapartheid South Africa, how might a white South…
Oppositional positions
Art in South Africa has a very particular history of resistance, largely beginning in the mid-twentieth century as a means to protest and expose white racist governmental processes and practices. More recently, however, socially engaged art has addressed far more complex expressions of power and its invasiveness. One artist whose default setting has remained oppositional throughout his career, is Brett Murray. A socio-political critique is at the…
Aesthetics (2 obras) · Art (2 obras) · Law (2 obras) · Political science (2 obras) · Politics (2 obras) · Power (physics) (2 obras) · Sociology (2 obras) · South African History and Culture (2 obras) · White (mutation) (2 obras) · African history and culture studies (1 obras)