Nora Sayre
Dados Biográficos
| ID | 5371237 |
|---|---|
| NOME | Nora Sayre |
| PRENOMES | Nora |
| SOBRENOME | Sayre |
| ASSINATURA | SAYRE N |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1983 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2001 |
| ÍNDICE H | 0 |
Unglaring Exceptions: Dissent in the Films of the 1950s
While the largest American audiences of 1954 watched James Stewart studying his neighbors in Rear Window, or Joan Crawford and Mercedes McCambridge shooting it out in Johnny Guitar, or Victor Mature fondling Susan Hayward in Demetrius and the Gladiators, while many savored the inspired lunacies of Beat the Devil, there was one film that most were protected from seeing. Salt of the Earth, made independently by blacklisted writers—directed by Herbe…
Previous Convictions: A Journey through the 1950s
Journal Article Previous Convictions: A Journey through the 1950s. By Nora Sayre. (New Brunswick: Rutgers University Press, 1995. xiv, 462 pp. $37.95, ISBN 0-8135-2231-5.) Get access William L. O'Neill William L. O'Neill Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 83, Issue 3, December 1996, Page 1082, https://doi.org/10.2307/2945771 Pub…
Requiem for the Body Snatchers
Sem obras proeminentes nesta página.
Requiem for the Body Snatchers
Previous Convictions: A Journey through the 1950s
Journal Article Previous Convictions: A Journey through the 1950s. By Nora Sayre. (New Brunswick: Rutgers University Press, 1995. xiv, 462 pp. $37.95, ISBN 0-8135-2231-5.) Get access William L. O'Neill William L. O'Neill Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 83, Issue 3, December 1996, Page 1082, https://doi.org/10.2307/2945771 Pub…
Unglaring Exceptions: Dissent in the Films of the 1950s
While the largest American audiences of 1954 watched James Stewart studying his neighbors in Rear Window, or Joan Crawford and Mercedes McCambridge shooting it out in Johnny Guitar, or Victor Mature fondling Susan Hayward in Demetrius and the Gladiators, while many savored the inspired lunacies of Beat the Devil, there was one film that most were protected from seeing. Salt of the Earth, made independently by blacklisted writers—directed by Herbe…
Art history (2 obras) · History (2 obras) · Media studies (2 obras) · Sociology (2 obras) · American Political and Social Dynamics (1 obras) · Archaeology (1 obras) · Art (1 obras) · Asian American and Pacific Histories (1 obras) · Classics (1 obras) · Classics (1 obras)