Amy De La Haye

Dados Biográficos

ID5395620
NOMEAmy De La Haye
PRENOMESAmy
SOBRENOMEDe La Haye
ASSINATURADE LA HAYE A
AFILIAÇÕESAmy de la Haye is Reader in Fashion Curation & Material Culture and Co-Director of MA Fashion Curation at London College of Fashion. She is currently co-writing (with Judith Clark) a book on fashion curation (Yale University Press).
VERIFICADONão
TOTAL DE OBRAS10
TOTAL DE CITAÇÕES13
OBRAS COMO AUTOR10
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2000
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H2

  • Letter from guest editor

    Amy De La HayeARTICLEFashion Theory2018

  • A Critical Analysis of Practices of Collecting Fashionable Dress

    Amy De La HayeARTICLEFashion Theory2018Citada por: 2

    This article analyzes various practices of collecting fashionable dress. The first section comprises a critical analysis of terminologies and theories that explore definitions of a collected object, a collection and some specificities of collecting fashionable dress. There follows a series of themes arranged in a biographical sequence of a collector’s lifetime and that of a collection. These include explorations of when in a person’s life they co…

  • Four short papers

    Amy De La HayeARTICLEFashion Theory2018

    When objects are defined in terms of their use value, they serve as extensions of the body into the environment, but when objects are defined by the collection, such an extension is inverted, servi

  • Rei Kawakubo. Comme des Garçons. Art of the In-Between

    Amy De La Haye, Jeffrey HorsleyARTICLEFashion Theory2018

    The Metropolitan Museum of Art announced in their press release that this exhibition was 'a collaboration between Kawakubo and the MET”. It was Andrew Bolton, Head Curator of the MET’s Costume Inst

  • History of Design

    Open AccessAmy De La HayeARTICLEMuseum Anthropology Review…2015

    This work is a book review considering the title History of Design: Decorative Arts and Material Culture 1400-2000 edited by Pat Kirkham and Susan Weber

  • One Object

    Amy De La Haye, Judith ClarkARTICLEFashion Theory2008Citada por: 4Referências: 2

    This article develops a paper, of the same title, presented jointly by the authors at London College of Fashion's Centenary Conference in Fall 2006. It examines and explores how curatorial interventions can inform the interpretation and display of dress within the context of the museum or gallery. To do this it case-studies one garment type—the mass-produced, overall coats manufactured as part of the working uniform of Britain's Women's Land Army…

  • Vogue and the V&A Vitrine

    Amy De La HayeARTICLEFashion Theory2006Citada por: 6

    Pristine new garments selected from the international catwalks, and on occasion period pieces and items from the High Street, are styled by Vogue to entice, inspire, and assist their readers' own fashion and style choices. Fashionable dress for the forthcoming season is presented in the context of consumption. But, when the occasion calls, how does Vogue convey, textually and visually, the history and museological interpretations of its subject t…

  • New Gallery Review

    Amy De La Haye, Rebecca QuintonARTICLEFashion Theory2004Citada por: 1

    (2004). New Gallery Review: “What Happened to all Those Lovely Costumes?”. Fashion Theory: Vol. 8, No. 3, pp. 339-350

  • Exhibition Review

    Amy De La HayeARTICLEFashion Theory2004

  • Articulating Dress Studies

    Amy De La HayeARTICLEFashion Theory2000

    (2000). Articulating Dress Studies: A Workshop on Research and Teaching, 11th June 1999. Fashion Theory: Vol. 4, No. 2, pp. 235-242