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Claire Polakoff

Dados Biográficos

ID5401375
NOMEClaire Polakoff
PRENOMESClaire
SOBRENOMEPolakoff
ASSINATURAPOLAKOFF C
VERIFICADONão
TOTAL DE OBRAS8
TOTAL DE CITAÇÕES1
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1971
ANO MAIS RECENTE DE PUBLICAÇÃO1980
ÍNDICE H1
  • Into Indigo

    Kate Peck Kent, Claire Polakoff•ARTICLE•African Arts•1980

  • Crafts and the Concept of Art in Africa

    Claire Polakoff•ARTICLE•African Arts•1978

    Since African Arts first invited me to be guest editor of this special issue it has been my feeling that we must cast aside our Western concepts of crafts and free ourselves to perceive a more enlightened relationship between art and craft in Africa, one that recognizes the possibility of their being in the same domain and acknowledges the subtleties of such an interconnectedness. Clarification of the art/craft dilemma in Western societies is ess…

  • Iba Ndiaye

    Claire Polakoff•ARTICLE•African Arts•1977

  • Contemporary Shona Sculpture at the Musée Rodin, Paris

    Claire Polakoff•ARTICLE•African Arts•1972

  • African Crafts and Craftsmen

    Claire Polakoff, Renê Gardi et al.•ARTICLE•African Arts•1972

  • Exposition Internationale d'Artisanat

    Claire Polakoff•ARTICLE•African Arts•1972

    Maison d'O.R.T.F., Paris January-February 1972 A major exhibition of the arts and crafts of French-speaking Africa was held during the first two months of this year at the grand salon of the Maison d'.O.R.T.F. (Office de Radio, Television Francaise). The exhibition, which started in Tunis in 1970, and has toured major cities in France, Belgium, Luxembourg, and Canada, was sponsored by the Agence de Cooperation Culturelle et Technique, a Paris-bas…

  • African Design

    Claire Polakoff, Margaret Trowell•ARTICLE•African Arts•1971

  • The Art of Tie and Dye in Africa

    Claire Polakoff•ARTICLE•African Arts•1971•Citada por: 1

    The author describes various African methods of tying off patterns. An account from 1944 describing the use of camwood in an acid bath for dying a rust color is quoted. Speculation is also madeas to the origin of a fabric combining tie-dye and pile cloth. -- AATA

  • The Art of Tie and Dye in Africa

    Claire Polakoff•ARTICLE•African Arts•1971•Citada por: 1

    The author describes various African methods of tying off patterns. An account from 1944 describing the use of camwood in an acid bath for dying a rust color is quoted. Speculation is also madeas to the origin of a fabric combining tie-dye and pile cloth. -- AATA

  • African Design

    Claire Polakoff, Margaret Trowell•ARTICLE•African Arts•1971

  • The Art of Tie and Dye in Africa

    Claire Polakoff•ARTICLE•African Arts•1971•Citada por: 1

    The author describes various African methods of tying off patterns. An account from 1944 describing the use of camwood in an acid bath for dying a rust color is quoted. Speculation is also madeas to the origin of a fabric combining tie-dye and pile cloth. -- AATA

  • Contemporary Shona Sculpture at the Musée Rodin, Paris

    Claire Polakoff•ARTICLE•African Arts•1972

  • African Crafts and Craftsmen

    Claire Polakoff, Renê Gardi et al.•ARTICLE•African Arts•1972

  • Exposition Internationale d'Artisanat

    Claire Polakoff•ARTICLE•African Arts•1972

    Maison d'O.R.T.F., Paris January-February 1972 A major exhibition of the arts and crafts of French-speaking Africa was held during the first two months of this year at the grand salon of the Maison d'.O.R.T.F. (Office de Radio, Television Francaise). The exhibition, which started in Tunis in 1970, and has toured major cities in France, Belgium, Luxembourg, and Canada, was sponsored by the Agence de Cooperation Culturelle et Technique, a Paris-bas…

  • Iba Ndiaye

    Claire Polakoff•ARTICLE•African Arts•1977

  • Crafts and the Concept of Art in Africa

    Claire Polakoff•ARTICLE•African Arts•1978

    Since African Arts first invited me to be guest editor of this special issue it has been my feeling that we must cast aside our Western concepts of crafts and free ourselves to perceive a more enlightened relationship between art and craft in Africa, one that recognizes the possibility of their being in the same domain and acknowledges the subtleties of such an interconnectedness. Clarification of the art/craft dilemma in Western societies is ess…

  • Into Indigo

    Kate Peck Kent, Claire Polakoff•ARTICLE•African Arts•1980

Art (6 obras) · Cultural Industries and Urban Development (4 obras) · Visual arts (4 obras) · African history and culture studies (2 obras) · African art (1 obras) · Aging, Elder Care, and Social Issues (1 obras) · Architecture and Computational Design (1 obras) · Composite material (1 obras) · Computer Science (1 obras) · Crafts, Textile, and Design (1 obras)

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