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Richard Gem

Dados Biográficos

ID5405539
NOMERichard Gem
PRENOMESRichard
SOBRENOMEGem
ASSINATURAGEM R
VERIFICADONão
TOTAL DE OBRAS19
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR20
TOTAL COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO1970
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H2
  • A Queen, a Countess and a Layman

    Richard Gem•ARTICLE•Journal of the British…•2019

    The paper offers a reassessment of the patrons involved in the construction of Saint-Hilaire-le-Grand in Poitiers during the 11th century. Three stages are identified. The first, to which Queen Emma of England may have contributed, fell perhaps in the 1020s. The second is that associated with Countess Agnes of Poitou-Aquitaine around 1049. The third followed on and saw the involvement around the 1070s and 1080s of the layman Gautier, a cordwainer…

  • Edward the Confessor

    Richard Mortimer, Edina Bozoky et al.•BOOK•Edward the Confessor•2009

    The life and cult of Edward the Confessor are here fully reappraised. The millennium of Edward the Confessor's birth presents an appropriate occasion for a full-scale, up-to-date reassessment of his life, reign and cult, a reappraisal which is provided in the essays here. After an introduction to the many views of Edward's life, and a reinterpretation of the development of his cult, the volume considers his childhood in England and its influence …

  • Edward the Confessor

    Richard Mortimer, Edina Bozoky et al.•BOOK•Edward the Confessor•2009

  • The Ninth-Century Polychrome Decoration at St Mary's Church, Deerhurst

    Open Access•Richard Gem, Emily Howe et al.•ARTICLE•The Antiquaries Journal•2008

    This paper presents the results of a detailed analysis of surviving paintwork on the chancel arch, the carved animal heads and the figurative panel in the west porch at the Anglo-Saxon church of St Mary, Deerhurst, Gloucestershire, UK. The context of the polychromy in relation to the ninth-century fabric of the church is assessed. The detailed results of the technical analysis are presented. The original scheme of painted decoration is described,…

  • The Vatican Rotunda

    Richard Gem•ARTICLE•Journal of the British…•2005

    The rotunda that stood on the site of the former Circus of Gaius and Nero beside old St Peter's in Rome was first constructed at the beginning of the 3rd century, as demonstrated by archaeological evidence. It was finally demolished only in 1777, and a clear picture of the building prior to this is established from early graphic sources. The rotunda stood over a podium-crypt; it had eight radiating exedrae at the main floor level; and it was surm…

  • Anglo-Saxon art

    Richard Gem, Carola Hicks et al.•CHAPTER•2003

  • Scottish Medieval Churches

    Richard Gem•ARTICLE•Archaeological Journal•2003

  • Cadbury Castle, Somerset

    Richard Gem•ARTICLE•Speculum•1996

  • Staged Timber Spires in Carolingian North-East France and Late Anglo-Saxon England

    Richard Gem•ARTICLE•Journal of the British…•1995

    The masonry buildings of the Carolingian period have long been recognised as constituting a definitive stage in the development of West European architecture. Some of the great churches of this period also had elaborate timber constructions associated with them, yet the significance of these has never been fully assessed. This paper examines the evidence for a key group of buildings in North-East France and suggests that their timber spires forme…

  • Architecture of the Anglosaxon Church, 735 to 870

    Richard Gem•ARTICLE•Journal of the British…•1993

    There has for too long been an assumption, sometimes tacit and sometimes explicit, that the period from the middle of the eighth century to the latter part of the ninth formed something of an hiatus in Anglo-Saxon architecture. This view has arisen to some extent, no doubt, because of the difficulty of establishing firm dates in this period for any large number of surviving buildings. But it has arisen also, I believe, because there has been no c…

  • Short Reviews

    Neil Christie, D F Kidd et al.•ARTICLE•Medieval Archaeology•1992

  • Anglo-Norman Studies VI

    Jim Bradbury, Charles Coulsan et al.•BOOK•Anglo-Norman Studies VI•1990

  • Anglo-Norman Studies V

    Maylis Bayle, Matthew Bennett et al.•BOOK•Anglo-Norman Studies V•1990

  • Romanesque Churches

    Philip Dixon, Christopher Brooke et al.•ARTICLE•Archaeological Journal•1989•Citada por: 2

  • Anglo-Norman Studies VI

    Jim Bradbury, Charles Coulsan et al.•BOOK•Anglo-Norman Studies VI•1984

    Battles in England and Normandy 1066-1154; Philip II's Fortress Policy in Normandy; Order of Sempringham; Anselm's Letters; Henry I, War and Diplomacy; Introduction of Knight Service in England; Scandinavian influence in 11th-Century Norman Literature; Gesta Normannorum ; Architectural implications of Decreta Lanfranci ; William and the Church of Rome; Lincoln Cathedral; ‘Lewes Group' of Wall Paintings; Knights Templar at Shipley Church.

  • Anglo-Norman Studies V

    Maylis Bayle, Matthew Bennett et al.•BOOK•Anglo-Norman Studies V•1983

    Norman Romanesque Sculpture: Regional Groups; Roman de Rou ; and the Norman Conquest; Bayeux Tapestry; Military Service before 1066; England and Byzantium; Abbatiale de Bernay; Sompting Church; William's Sheriffs; The House of Redvers and its Foundations; Anglo-Norman Verse; The Umfravilles in Northumberland; Chronicon ex Chronicis ; Development of Stamford; Relations between Crown and Episcopacy.

  • Short Reviews

    Catherine Hills, James Graham-Campbell et al.•ARTICLE•Medieval Archaeology•1982

  • A ‘Winchester School’ wall-painting at Nether Wallop, Hampshire

    Open Access•Richard Gem, Pamela Tudor-Craig•ARTICLE•Anglo-Saxon England•1980•Citada por: 2

    A wall-painting at Nether Wallop church, Hampshire (SU303365), recently conserved, is here discussed and related to its architectural context. Previously thought to be of the thirteenth century, it is for the first time attributed to the ‘Winchester School’ of late Anglo-Saxon art, and a late-tenth-to-early-eleventh-century date is suggested for it

  • A Recession in English Architecture During the Early Eleventh Century, and its Effect on the Development of the Romanesque Style

    Richard Gem•ARTICLE•Journal of the British…•1975

    (1975). A Recession in English Architecture During the Early Eleventh Century, and its Effect on the Development of the Romanesque Style. Journal of the British Archaeological Association: Vol. 38, No. 1, pp. 28-49

  • The Anglo-Saxon Cathedral at Sherborne

    James Gibb, J H P Gibb et al.•ARTICLE•Archaeological Journal•1975•Citada por: 2•Referências: 1

  • The Anglo-Saxon Cathedral Church at Canterbury

    Richard Gem, R D H Gem•ARTICLE•Archaeological Journal•1970

  • Building Anglo-Saxon England

    Richard Gem

    John Blair is well known for his many studies on the historical topography of the Anglo-Saxon church, including his ground-breaking The Church in Anglo-Saxon Society (2005). Now, in Building Anglo

  • Romanesque Churches

    Philip Dixon, Christopher Brooke et al.•ARTICLE•Archaeological Journal•1989•Citada por: 2

  • A ‘Winchester School’ wall-painting at Nether Wallop, Hampshire

    Open Access•Richard Gem, Pamela Tudor-Craig•ARTICLE•Anglo-Saxon England•1980•Citada por: 2

    A wall-painting at Nether Wallop church, Hampshire (SU303365), recently conserved, is here discussed and related to its architectural context. Previously thought to be of the thirteenth century, it is for the first time attributed to the ‘Winchester School’ of late Anglo-Saxon art, and a late-tenth-to-early-eleventh-century date is suggested for it

  • The Anglo-Saxon Cathedral at Sherborne

    James Gibb, J H P Gibb et al.•ARTICLE•Archaeological Journal•1975•Citada por: 2•Referências: 1

  • The Anglo-Saxon Cathedral Church at Canterbury

    Richard Gem, R D H Gem•ARTICLE•Archaeological Journal•1970

  • A Recession in English Architecture During the Early Eleventh Century, and its Effect on the Development of the Romanesque Style

    Richard Gem•ARTICLE•Journal of the British…•1975

    (1975). A Recession in English Architecture During the Early Eleventh Century, and its Effect on the Development of the Romanesque Style. Journal of the British Archaeological Association: Vol. 38, No. 1, pp. 28-49

  • The Anglo-Saxon Cathedral at Sherborne

    James Gibb, J H P Gibb et al.•ARTICLE•Archaeological Journal•1975•Citada por: 2•Referências: 1

  • A ‘Winchester School’ wall-painting at Nether Wallop, Hampshire

    Open Access•Richard Gem, Pamela Tudor-Craig•ARTICLE•Anglo-Saxon England•1980•Citada por: 2

    A wall-painting at Nether Wallop church, Hampshire (SU303365), recently conserved, is here discussed and related to its architectural context. Previously thought to be of the thirteenth century, it is for the first time attributed to the ‘Winchester School’ of late Anglo-Saxon art, and a late-tenth-to-early-eleventh-century date is suggested for it

  • Short Reviews

    Catherine Hills, James Graham-Campbell et al.•ARTICLE•Medieval Archaeology•1982

  • Anglo-Norman Studies V

    Maylis Bayle, Matthew Bennett et al.•BOOK•Anglo-Norman Studies V•1983

    Norman Romanesque Sculpture: Regional Groups; Roman de Rou ; and the Norman Conquest; Bayeux Tapestry; Military Service before 1066; England and Byzantium; Abbatiale de Bernay; Sompting Church; William's Sheriffs; The House of Redvers and its Foundations; Anglo-Norman Verse; The Umfravilles in Northumberland; Chronicon ex Chronicis ; Development of Stamford; Relations between Crown and Episcopacy.

  • Anglo-Norman Studies VI

    Jim Bradbury, Charles Coulsan et al.•BOOK•Anglo-Norman Studies VI•1984

    Battles in England and Normandy 1066-1154; Philip II's Fortress Policy in Normandy; Order of Sempringham; Anselm's Letters; Henry I, War and Diplomacy; Introduction of Knight Service in England; Scandinavian influence in 11th-Century Norman Literature; Gesta Normannorum ; Architectural implications of Decreta Lanfranci ; William and the Church of Rome; Lincoln Cathedral; ‘Lewes Group' of Wall Paintings; Knights Templar at Shipley Church.

  • Romanesque Churches

    Philip Dixon, Christopher Brooke et al.•ARTICLE•Archaeological Journal•1989•Citada por: 2

  • Anglo-Norman Studies VI

    Jim Bradbury, Charles Coulsan et al.•BOOK•Anglo-Norman Studies VI•1990

  • Anglo-Norman Studies V

    Maylis Bayle, Matthew Bennett et al.•BOOK•Anglo-Norman Studies V•1990

  • Short Reviews

    Neil Christie, D F Kidd et al.•ARTICLE•Medieval Archaeology•1992

  • Architecture of the Anglosaxon Church, 735 to 870

    Richard Gem•ARTICLE•Journal of the British…•1993

    There has for too long been an assumption, sometimes tacit and sometimes explicit, that the period from the middle of the eighth century to the latter part of the ninth formed something of an hiatus in Anglo-Saxon architecture. This view has arisen to some extent, no doubt, because of the difficulty of establishing firm dates in this period for any large number of surviving buildings. But it has arisen also, I believe, because there has been no c…

  • Staged Timber Spires in Carolingian North-East France and Late Anglo-Saxon England

    Richard Gem•ARTICLE•Journal of the British…•1995

    The masonry buildings of the Carolingian period have long been recognised as constituting a definitive stage in the development of West European architecture. Some of the great churches of this period also had elaborate timber constructions associated with them, yet the significance of these has never been fully assessed. This paper examines the evidence for a key group of buildings in North-East France and suggests that their timber spires forme…

  • Cadbury Castle, Somerset

    Richard Gem•ARTICLE•Speculum•1996

  • Anglo-Saxon art

    Richard Gem, Carola Hicks et al.•CHAPTER•2003

  • Scottish Medieval Churches

    Richard Gem•ARTICLE•Archaeological Journal•2003

  • The Vatican Rotunda

    Richard Gem•ARTICLE•Journal of the British…•2005

    The rotunda that stood on the site of the former Circus of Gaius and Nero beside old St Peter's in Rome was first constructed at the beginning of the 3rd century, as demonstrated by archaeological evidence. It was finally demolished only in 1777, and a clear picture of the building prior to this is established from early graphic sources. The rotunda stood over a podium-crypt; it had eight radiating exedrae at the main floor level; and it was surm…

  • The Ninth-Century Polychrome Decoration at St Mary's Church, Deerhurst

    Open Access•Richard Gem, Emily Howe et al.•ARTICLE•The Antiquaries Journal•2008

    This paper presents the results of a detailed analysis of surviving paintwork on the chancel arch, the carved animal heads and the figurative panel in the west porch at the Anglo-Saxon church of St Mary, Deerhurst, Gloucestershire, UK. The context of the polychromy in relation to the ninth-century fabric of the church is assessed. The detailed results of the technical analysis are presented. The original scheme of painted decoration is described,…

  • Edward the Confessor

    Richard Mortimer, Edina Bozoky et al.•BOOK•Edward the Confessor•2009

    The life and cult of Edward the Confessor are here fully reappraised. The millennium of Edward the Confessor's birth presents an appropriate occasion for a full-scale, up-to-date reassessment of his life, reign and cult, a reappraisal which is provided in the essays here. After an introduction to the many views of Edward's life, and a reinterpretation of the development of his cult, the volume considers his childhood in England and its influence …

  • Edward the Confessor

    Richard Mortimer, Edina Bozoky et al.•BOOK•Edward the Confessor•2009

  • A Queen, a Countess and a Layman

    Richard Gem•ARTICLE•Journal of the British…•2019

    The paper offers a reassessment of the patrons involved in the construction of Saint-Hilaire-le-Grand in Poitiers during the 11th century. Three stages are identified. The first, to which Queen Emma of England may have contributed, fell perhaps in the 1020s. The second is that associated with Countess Agnes of Poitou-Aquitaine around 1049. The third followed on and saw the involvement around the 1070s and 1080s of the layman Gautier, a cordwainer…

  • Building Anglo-Saxon England

    Richard Gem

    John Blair is well known for his many studies on the historical topography of the Anglo-Saxon church, including his ground-breaking The Church in Anglo-Saxon Society (2005). Now, in Building Anglo

History (20 obras) · Art (16 obras) · Ancient history (13 obras) · Archaeology (13 obras) · Medieval Literature and History (11 obras) · Art history (8 obras) · History (8 obras) · Classics (7 obras) · Historical and Religious Studies of Rome (5 obras) · Medieval Architecture and Archaeology (5 obras)

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