Erin Y Huang
Dados Biográficos
| ID | 5423201 |
|---|---|
| NOME | Erin Y Huang |
| PRENOMES | Erin Y |
| SOBRENOME | Huang |
| ASSINATURA | HUANG E Y |
| AFILIAÇÕES | Princeton University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 0 |
Comic China
What is the role of humor in establishing cross-cultural relations between China and the West? How is humor a lens of representing the West's imagined other? Examining the literary and visual deployment of humor in Anglo-American popular culture of the late nineteenth and early twentieth centuries—including musical comedies, fiction, travel writing, and cartoons—Wendy Gan's Comic China: Representing Common Ground breaks through Edward Said's theo…
Intimate Dystopias
This article examines Chinese filmmaker Li Shaohong’s film productions in the 2000s—including Baober in Love, Stolen Life, and The Door—and provides a gender history of post-socialist Chinese femininity and masculinity. Rather than reading the “post” as the transition from socialist to globally commodified femininity, this essay unravels it as a complex cultural field of gender recoding, negotiation, and experimentation. Critiquing the “city” as …
Sem obras proeminentes nesta página.
Intimate Dystopias
This article examines Chinese filmmaker Li Shaohong’s film productions in the 2000s—including Baober in Love, Stolen Life, and The Door—and provides a gender history of post-socialist Chinese femininity and masculinity. Rather than reading the “post” as the transition from socialist to globally commodified femininity, this essay unravels it as a complex cultural field of gender recoding, negotiation, and experimentation. Critiquing the “city” as …
Comic China
What is the role of humor in establishing cross-cultural relations between China and the West? How is humor a lens of representing the West's imagined other? Examining the literary and visual deployment of humor in Anglo-American popular culture of the late nineteenth and early twentieth centuries—including musical comedies, fiction, travel writing, and cartoons—Wendy Gan's Comic China: Representing Common Ground breaks through Edward Said's theo…
Art (2 obras) · Literature (2 obras) · Sociology (2 obras) · Aesthetics (1 obras) · Archaeology (1 obras) · Asian Culture and Media Studies (1 obras) · China (1 obras) · Chinese history and philosophy (1 obras) · Cinema and Media Studies (1 obras) · Comics (1 obras)