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Robert S Miola

Dados Biográficos

ID5633571
NOMERobert S Miola
PRENOMESRobert S
SOBRENOMEMiola
ASSINATURAMIOLA R S
AFILIAÇÕESLoyola University Maryland
VERIFICADONão
TOTAL DE OBRAS22
TOTAL DE CITAÇÕES10
TOTAL COMO AUTOR22
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1985
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H2
  • Roman Comedy in Early Modern England

    Open Access•Robert S Miola•CHAPTER•Cambridge Companion to Roman Comedy•2019

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Early modern receptions of Iphigenia at Aulis

    Open Access•Robert S Miola•ARTICLE•Classical Receptions Journal•2019•Referências: 1

    The sacrifice of Iphigenia, appearing influentially in Euripides’ Iphigenia at Aulis, assumes various forms in early modern translation, reading, and adaptation. Early modern receptions variously constrict, domesticate, Romanize, and Christianize the story. Publication in Latin, especially in Erasmus’ translation (1506) transposes Greek linguistic and cultural referents to later hermeneutics, rendering mysterious ancient elements into familiar Ro…

  • Stabat Mater Dolorosa

    Robert S Miola•ARTICLE•Sixteenth Century Journal•2017

  • Macbeth

    William Shakespeare, Robert S Miola et al.•ARTICLE•Renaissance and Reformation•2016

    Shakespeare, William. Macbeth. Ed. Robert S. Miola. A Norton Critical Edition. 2nd ed.. An article from journal Renaissance and Reformation / Renaissance et Réforme (Polymaths and Erudites), on Érudit

  • Representing Orestes’ Revenge

    Robert S Miola•ARTICLE•Classical Receptions Journal•2016•Referências: 14

    This essay considers Orestes' revenge in early modern literature, especially English drama. In their surviving plays, Aeschylus, Sophocles, and Euripides furnished varying representations of Orestes' revenge, and these representations proliferated and changed in subsequent mediations in many languages. The traditions bore strange fruits in John Pickering's Horestes (1567), the first revenge play in English; Thomas Heywood's The Second Part of the…

  • Shakespeare and Classical Antiquity

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Aristophanes in England, 1500–1660

    Robert S Miola•CHAPTER•Ancient Comedy and Reception•2013

  • Redrawing the Map of Early Modern English Catholicism

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Early Modern Antigones

    Robert S Miola•ARTICLE•Classical Receptions Journal•2013•Citada por: 5•Referências: 10

    Early modern reimaginings of Antigone's story often focus on Creon the tyrant, or fragment the tale into rhetorical or moral lessons. They often overlook Antigone herself or transform her into a pious family supporter or a doomed romantic. They begin in humanist receptions of Greek tragedy, especially the seminal works of Camerarius and Melanchthon. Latin translations of Sophocles by Gabia, Winshemius, Ratallerus and others present other variatio…

  • Trials of Margaret Clitherow

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2012

    Peter Lake and Michael C. Questier. Trials of Margaret Clitherow: Persecution, Martyrdom and the Politics of Sanctity in Elizabethan England. London: Continuum, 2011. xix + 244 pp. + 12 color plates. $120. ISBN: 978–1–4411–5134–6. - Volume 65 Issue 2

  • Shakespeare and The Book of Sir Thomas More

    Open Access•Robert S Miola•ARTICLE•Moreana•2011

    British Library MS Harley 7368 or The Book of Sir Thomas More presents a play by five hands in various states of revision. Scholars have identified Anthony Munday as the principal playwright and William Shakespeare as the author of three pages that portray Thomas More quelling a Mayday London riot against foreigners. Its manifold uncertainties notwithstanding, the playscript teaches us some things about Shakespeare and about Thomas More. It enabl…

  • Shakespeare's Rome

    Robert S Miola•BOOK•Shakespeare's Rome•2009

  • Early Modern Catholicism

    Robert S Miola•BOOK•Early modern Catholicism•2007

    Early Modern Catholicism makes available in modern spelling and punctuation substantial Catholic contributions to literature, history, political thought, devotion, and theology in the sixteenth and early seventeenth centuries. Rather than perpetuate the usual stereotypes and misinformation, it provides a fresh look at Catholic writing long suppressed, marginalized, and ignored. The anthology gives back voices to those silenced by prejudice, exile…

  • Roman comedy

    Open Access•Robert S Miola•CHAPTER•The Cambridge companion to…•2001

    Romans laughed at a rich variety of comic entertainments, some surviving today only in fragments: scurrilous Fescennine verse, coarse, improvisational farce ( fabula Atellana ), mime ( fabula planipedia or riciniata ), drama featuring Italian characters in Italian settings ( fabula togata ). They also enjoyed the fabula palliata (a play dressed in a Greek cloak), in other words, a play set in Greece featuring Greek characters in Greek costumes. D…

  • Ben Jonson, Catholic Poet

    Robert S Miola•ARTICLE•Renaissance and Reformation•2001

    Cet article considère les éléments biographiques portant sur le Catholicisme déclaré de Jonson et propose que cette religion encadrait et infléchissait sa poésie. Maintenu à travers ses années de production littéraire les plus importantes, le Catholicisme de Jonson met son art sous une lumière révélatrice. Sa poésie reflète des sympathies et des croyances catholiques autant en panégyrique qu’en satire. Elle met l’accent de façon surprenante sur l…

  • Shakespeare and Classical Comedy

    John E Ziolkowski, Robert S Miola•ARTICLE•The Classical World•1997

  • On death and dying in Chapman’sIliad

    Open Access•Robert S Miola•ARTICLE•International Journal of the…•1996•Citada por: 1•Referências: 3

  • New Comedy in All's Well that Ends Well

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•1993•Referências: 7

    We are all Familiar with the traditional understanding of sources: a source is a previous text that shapes a present one through authorial reminiscence and manifests itself in verbal iteration. As the seminal works of Baldwin, Muir, and Bullough amply demonstrate, this definition has served us long and well, but every element in it has undergone intense scrutiny and reevaluation. Scholars now recognize the potential limitations of a linear, autho…

  • Shakespeare and Classical Tragedy

    Robert S Miola•BOOK•Shakespeare and classical tragedy•1992

    This book charts the influence of Seneca — both as specific text and inherited tradition — through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and an understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Re…

  • Shakespeare and classical tragedy

    Robert S Miola•BOOK•Shakespeare and classical tragedy•1992

    This book charts the influence of Seneca--both as specific text and inherited tradition--through Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renais…

  • Senecan Revenge

    Robert S Miola•CHAPTER•Shakespeare and classical tragedy•1992

  • Julius Caesar and the Tyrannicide Debate

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•1985•Citada por: 4•Referências: 3

    The rich and important debate over tyrannicide, in which Julius Caesar figures centrally, engaged the best political minds of antiquity, the Middle Ages, and the Renaissance and raged with particular intensity during Shakespeare's time. The tremendous upheaval of the Reformation and Counter-Reformation ignited fiery polemics on the rights of subjects and on the nature and foundations of civil order. At various times Protestants and Catholics aros…

  • Early Modern Antigones

    Robert S Miola•ARTICLE•Classical Receptions Journal•2013•Citada por: 5•Referências: 10

    Early modern reimaginings of Antigone's story often focus on Creon the tyrant, or fragment the tale into rhetorical or moral lessons. They often overlook Antigone herself or transform her into a pious family supporter or a doomed romantic. They begin in humanist receptions of Greek tragedy, especially the seminal works of Camerarius and Melanchthon. Latin translations of Sophocles by Gabia, Winshemius, Ratallerus and others present other variatio…

  • Julius Caesar and the Tyrannicide Debate

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•1985•Citada por: 4•Referências: 3

    The rich and important debate over tyrannicide, in which Julius Caesar figures centrally, engaged the best political minds of antiquity, the Middle Ages, and the Renaissance and raged with particular intensity during Shakespeare's time. The tremendous upheaval of the Reformation and Counter-Reformation ignited fiery polemics on the rights of subjects and on the nature and foundations of civil order. At various times Protestants and Catholics aros…

  • On death and dying in Chapman’sIliad

    Open Access•Robert S Miola•ARTICLE•International Journal of the…•1996•Citada por: 1•Referências: 3

  • Julius Caesar and the Tyrannicide Debate

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•1985•Citada por: 4•Referências: 3

    The rich and important debate over tyrannicide, in which Julius Caesar figures centrally, engaged the best political minds of antiquity, the Middle Ages, and the Renaissance and raged with particular intensity during Shakespeare's time. The tremendous upheaval of the Reformation and Counter-Reformation ignited fiery polemics on the rights of subjects and on the nature and foundations of civil order. At various times Protestants and Catholics aros…

  • Shakespeare and Classical Tragedy

    Robert S Miola•BOOK•Shakespeare and classical tragedy•1992

    This book charts the influence of Seneca — both as specific text and inherited tradition — through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and an understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Re…

  • Shakespeare and classical tragedy

    Robert S Miola•BOOK•Shakespeare and classical tragedy•1992

    This book charts the influence of Seneca--both as specific text and inherited tradition--through Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renais…

  • Senecan Revenge

    Robert S Miola•CHAPTER•Shakespeare and classical tragedy•1992

  • New Comedy in All's Well that Ends Well

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•1993•Referências: 7

    We are all Familiar with the traditional understanding of sources: a source is a previous text that shapes a present one through authorial reminiscence and manifests itself in verbal iteration. As the seminal works of Baldwin, Muir, and Bullough amply demonstrate, this definition has served us long and well, but every element in it has undergone intense scrutiny and reevaluation. Scholars now recognize the potential limitations of a linear, autho…

  • On death and dying in Chapman’sIliad

    Open Access•Robert S Miola•ARTICLE•International Journal of the…•1996•Citada por: 1•Referências: 3

  • Shakespeare and Classical Comedy

    John E Ziolkowski, Robert S Miola•ARTICLE•The Classical World•1997

  • Roman comedy

    Open Access•Robert S Miola•CHAPTER•The Cambridge companion to…•2001

    Romans laughed at a rich variety of comic entertainments, some surviving today only in fragments: scurrilous Fescennine verse, coarse, improvisational farce ( fabula Atellana ), mime ( fabula planipedia or riciniata ), drama featuring Italian characters in Italian settings ( fabula togata ). They also enjoyed the fabula palliata (a play dressed in a Greek cloak), in other words, a play set in Greece featuring Greek characters in Greek costumes. D…

  • Ben Jonson, Catholic Poet

    Robert S Miola•ARTICLE•Renaissance and Reformation•2001

    Cet article considère les éléments biographiques portant sur le Catholicisme déclaré de Jonson et propose que cette religion encadrait et infléchissait sa poésie. Maintenu à travers ses années de production littéraire les plus importantes, le Catholicisme de Jonson met son art sous une lumière révélatrice. Sa poésie reflète des sympathies et des croyances catholiques autant en panégyrique qu’en satire. Elle met l’accent de façon surprenante sur l…

  • Early Modern Catholicism

    Robert S Miola•BOOK•Early modern Catholicism•2007

    Early Modern Catholicism makes available in modern spelling and punctuation substantial Catholic contributions to literature, history, political thought, devotion, and theology in the sixteenth and early seventeenth centuries. Rather than perpetuate the usual stereotypes and misinformation, it provides a fresh look at Catholic writing long suppressed, marginalized, and ignored. The anthology gives back voices to those silenced by prejudice, exile…

  • Shakespeare's Rome

    Robert S Miola•BOOK•Shakespeare's Rome•2009

  • Shakespeare and The Book of Sir Thomas More

    Open Access•Robert S Miola•ARTICLE•Moreana•2011

    British Library MS Harley 7368 or The Book of Sir Thomas More presents a play by five hands in various states of revision. Scholars have identified Anthony Munday as the principal playwright and William Shakespeare as the author of three pages that portray Thomas More quelling a Mayday London riot against foreigners. Its manifold uncertainties notwithstanding, the playscript teaches us some things about Shakespeare and about Thomas More. It enabl…

  • Trials of Margaret Clitherow

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2012

    Peter Lake and Michael C. Questier. Trials of Margaret Clitherow: Persecution, Martyrdom and the Politics of Sanctity in Elizabethan England. London: Continuum, 2011. xix + 244 pp. + 12 color plates. $120. ISBN: 978–1–4411–5134–6. - Volume 65 Issue 2

  • Aristophanes in England, 1500–1660

    Robert S Miola•CHAPTER•Ancient Comedy and Reception•2013

  • Redrawing the Map of Early Modern English Catholicism

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Early Modern Antigones

    Robert S Miola•ARTICLE•Classical Receptions Journal•2013•Citada por: 5•Referências: 10

    Early modern reimaginings of Antigone's story often focus on Creon the tyrant, or fragment the tale into rhetorical or moral lessons. They often overlook Antigone herself or transform her into a pious family supporter or a doomed romantic. They begin in humanist receptions of Greek tragedy, especially the seminal works of Camerarius and Melanchthon. Latin translations of Sophocles by Gabia, Winshemius, Ratallerus and others present other variatio…

  • Shakespeare and Classical Antiquity

    Open Access•Robert S Miola•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Macbeth

    William Shakespeare, Robert S Miola et al.•ARTICLE•Renaissance and Reformation•2016

    Shakespeare, William. Macbeth. Ed. Robert S. Miola. A Norton Critical Edition. 2nd ed.. An article from journal Renaissance and Reformation / Renaissance et Réforme (Polymaths and Erudites), on Érudit

  • Representing Orestes’ Revenge

    Robert S Miola•ARTICLE•Classical Receptions Journal•2016•Referências: 14

    This essay considers Orestes' revenge in early modern literature, especially English drama. In their surviving plays, Aeschylus, Sophocles, and Euripides furnished varying representations of Orestes' revenge, and these representations proliferated and changed in subsequent mediations in many languages. The traditions bore strange fruits in John Pickering's Horestes (1567), the first revenge play in English; Thomas Heywood's The Second Part of the…

  • Stabat Mater Dolorosa

    Robert S Miola•ARTICLE•Sixteenth Century Journal•2017

  • Roman Comedy in Early Modern England

    Open Access•Robert S Miola•CHAPTER•Cambridge Companion to Roman Comedy•2019

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Early modern receptions of Iphigenia at Aulis

    Open Access•Robert S Miola•ARTICLE•Classical Receptions Journal•2019•Referências: 1

    The sacrifice of Iphigenia, appearing influentially in Euripides’ Iphigenia at Aulis, assumes various forms in early modern translation, reading, and adaptation. Early modern receptions variously constrict, domesticate, Romanize, and Christianize the story. Publication in Latin, especially in Erasmus’ translation (1506) transposes Greek linguistic and cultural referents to later hermeneutics, rendering mysterious ancient elements into familiar Ro…

Art (18 obras) · Literature (12 obras) · Classical Antiquity Studies (11 obras) · History (11 obras) · Philosophy (10 obras) · Art history (7 obras) · Philosophy (7 obras) · Reformation and Early Modern Christianity (7 obras) · History (6 obras) · Law (6 obras)

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