Adrian Kear
Dados Biográficos
| ID | 5633717 |
|---|---|
| NOME | Adrian Kear |
| PRENOMES | Adrian |
| SOBRENOME | Kear |
| ASSINATURA | KEAR A |
| AFILIAÇÕES | University of the Arts London |
| ORCID | 0000-0002-9317-7934 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 3 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
The Missing Actor
This article investigates the displacement of the figure of the actor from the centre of the theatrical stage concomitant with the ‘scenographic turn’ in contemporary theatre. It seeks to historicise the de-centring of the figure of the actor in a scenographically oriented ‘aesthetics of absence’ by demonstrating this is indirectly related to the political disappearances that have characterised the contemporary period – the disappearance of peopl…
A Different Hunger
In echoing the title of A. Sivanadan’s seminal examination of Black cultural-political strategies of resistance to the representational violence governing the construction of colonial identities and power relations, this article argues that the racialized regime of representation continues to support the social production of global hunger and sustain its operation. In this context, hunger must be seen as an act of exteriorized violence directed a…
In Memoriam
Article written in tribute to Professor Mike Pearson (deceased), reviewing his contribution to the development of: laboratory theatre; site-specific performance; theatre/archaeology; auto-ethnographic performance; performance design; and performance studies
Theatre and Event
In the beginning of the 21st century, European theatre-makers have sought to consider the disastrous events of the 20th century as the unfinished business of the contemporary. In this book, Kear argue
De-creating the Step of the World
In 2004, fifty years after the start of the Algerian War, Etienne Balibar noted in his seminal excursus on contemporary European politics, philosophy and identity, We, The People of Europe? , that the ‘critical labour of memory concerning the violence of European conquest and rule’ over non-European territories — European colonies — ‘did not immediately start with decolonisation’ but commenced, within the topographical boundary of Europe at least…
International Politics and Performance
The Anxiety of the Image
Mourning Diana
Mourning Diana
Examining the events which followed the death of Princess Diana as a series of cultural-political phenomena, this text explores the performance of grief and the involvement of the global media
Parasites
Parasites
Mourning Diana
Mourning Diana
Examining the events which followed the death of Princess Diana as a series of cultural-political phenomena, this text explores the performance of grief and the involvement of the global media
The Anxiety of the Image
Theatre and Event
In the beginning of the 21st century, European theatre-makers have sought to consider the disastrous events of the 20th century as the unfinished business of the contemporary. In this book, Kear argue
De-creating the Step of the World
In 2004, fifty years after the start of the Algerian War, Etienne Balibar noted in his seminal excursus on contemporary European politics, philosophy and identity, We, The People of Europe? , that the ‘critical labour of memory concerning the violence of European conquest and rule’ over non-European territories — European colonies — ‘did not immediately start with decolonisation’ but commenced, within the topographical boundary of Europe at least…
International Politics and Performance
In Memoriam
Article written in tribute to Professor Mike Pearson (deceased), reviewing his contribution to the development of: laboratory theatre; site-specific performance; theatre/archaeology; auto-ethnographic performance; performance design; and performance studies
A Different Hunger
In echoing the title of A. Sivanadan’s seminal examination of Black cultural-political strategies of resistance to the representational violence governing the construction of colonial identities and power relations, this article argues that the racialized regime of representation continues to support the social production of global hunger and sustain its operation. In this context, hunger must be seen as an act of exteriorized violence directed a…
The Missing Actor
This article investigates the displacement of the figure of the actor from the centre of the theatrical stage concomitant with the ‘scenographic turn’ in contemporary theatre. It seeks to historicise the de-centring of the figure of the actor in a scenographically oriented ‘aesthetics of absence’ by demonstrating this is indirectly related to the political disappearances that have characterised the contemporary period – the disappearance of peopl…
Art (4 obras) · History (4 obras) · Politics (4 obras) · Aesthetics (3 obras) · Law (3 obras) · Political science (3 obras) · Theatre and Performance Studies (3 obras) · Art history (2 obras) · Gender Studies (2 obras) · Literature (2 obras)