Jennifer Ingleheart
Dados Biográficos
| ID | 5635871 |
|---|---|
| NOME | Jennifer Ingleheart |
| PRENOMES | Jennifer |
| SOBRENOME | Ingleheart |
| ASSINATURA | INGLEHEART J |
| AFILIAÇÕES | Durham University |
| ORCID | 0000-0002-0605-8313 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAÇÕES | 22 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 4 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2008 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 3 |
Essays on Propertian and Ovidian Elegy
This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field, all of whom have been taught or mentored by Stephen Heyworth. Latin elegy is typically thought of as having flourished for a brief period at Rome between c.40 bc and the early decades of the first century ad; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and O…
Essays on Propertian and Ovidian Elegy
Translation and the homosexual canon
This paper analyses the fragmentary apologia for pederasty by Thomas Cannon. Published in pamphlet form in 1749, it was suppressed and prosecuted, and lost to history until its recent recovery. The recovery of the text is only partial, as it was preserved in quoted excerpts in the wording of the indictment against it. Despite its fragmentary state, it is one of the earliest defences of same-sex love, and classical texts and examples naturally for…
Greek and Latin Love
Amores Plural
Although the genre is frequently characterized as overwhelmingly interested in heteroerotic love, Latin love elegy is far more homoerotic than most scholars allow.Ovid in particular has been seen as the 'most heterosexual' representative of the genre, and indeed 'the most heterosexual' poet of his age. 1 Ovid has even been characterized as the poet of heterosexual love; Tom Habinek went so far as to claim that Ovid "invents the category of the he…
Vates Lesbia
This chapter argues that the representation of Sappho the poet appears as a coherent portrait in the poetry of Ovid, and that this portrait closely resembles that of Ovid himself. This is so even when Heroides 15, also known as Epistula Sapphus , where Sappho as poet is centre stage, is set aside. The argument emerges from close readings of passages from the earliest of Ovid’s poetic career, such as the Amores , Ars amatoria (Book 3), and Remedia…
Dialogvs
This section contains the Latin text of Philip Gillespie Bainbrigge’s clandestinely published dialogue between two schoolboys, in which an older boy, Jocundus, introduces a younger friend, Robertus,to the pleasures of sex. The dialogue is a parody of Greek philosophical dialogues and erotic pedagogy; it is set at a contemporary public school and reflects on the role that the teaching of Latin played in the education of boys, as well as on the att…
Conclusion
The conclusion explores the wider implications of the argument of this book, and of the study of Bainbriggean classicism, or Queer Classics. The most queer Classical Receptions look to Rome for a range of transgressive models of sexual desire and pleasure, rather than turning to Greece to apologize for same-sex love. In private writings, Bainbrigge and others are free to focus on sex and its role in the ancient and modern worlds. Queer classicist…
In Decent Latin
This chapter analyses Bainbrigge’s Latin dialogue between two schoolboys, in which an older boy introduces the younger to the pleasures of sex. It explores Bainbrigge’s treatment of sex in the light of much less sexually frank contemporary examples of clandestine homoerotic writing (including E. M. Forster’s Maurice ), and argues that Latin was crucial in allowing Bainbrigge to discuss homoerotic desires and acts in a frank, yet still coded manne…
Masculine Plural
The Classics were core to the curriculum and ethos of the intensely homosocial Victorian and Edwardian public schools. Yet ancient homosexuality and erotic pedagogy were problematic to the educational establishment, which expurgated classical texts with sexual content. This volume analyses the intimate nexus between the Classics, sex, and education primarily through the figure of the schoolmaster Philip Gillespie Bainbrigge (1890–1918), whose cla…
Ancient Rome and the Construction of Modern Homosexual Identities
"Much has been written about the contribution of ancient Greece to modern discourses of homosexuality, but Rome's significant role has been largely overlooked. Ancient Rome and the Construction of Modern Homosexual Identities explores the contested history of responses to Roman antiquity, covering areas such as literature, the visual arts, popular culture, scholarship, and pornography. Essays by scholars working across a number of disciplines ana…
Putting the Roman Back into Romance
This chapter constitutes a close reading of classical elements in the pornographic novel Teleny and argues that, by employing Roman rather than Greek models of devoted erotic partnership as a parallel for the relationship between the novel’s contemporary male lovers and by sexualizing ‘Greek love’, the novel subverts more mainstream ideas about ancient sexuality. The chapter discusses Oscar Wilde’s putative authorship of the novel, describes the …
Greek’ love at Rome
This paper analyses the homoerotic aspect of Propertius 1.20 and its presentation of the myth of Hylas, the lost beloved of Hercules. It argues that Propertius reacts to the portrait of ‘Greek love’ that is found in the two surviving lengthy versions of this myth in Apollonius’ Argonautica and Theocritus’ Idylls, increasing the homoerotic ambience of the myth and encouraging his readers to look back to his models for traces of the approach that h…
Exegi Monumentum
Tristia 3.3 purports to be a ‘death-bed’ letter addressed by the sick poet to his wife in Rome (3.3.1–4), in which Ovid, banished from Rome on Augustus' orders, foresees his burial in Tomi as the ultimate form of exilic displacement (3.3.29–32). In order to avoid such a permanent form of exclusion from his homeland, Ovid issues instructions for his burial in the suburbs of Rome (3.3.65–76), dictating a four-line epitaph to be inscribed upon his t…
Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity
Forster’s posthumously published short story about a Roman statue which comes to life in a museum can be read as an appropriation of the myth of Pygmalion in Ovid’s Metamorphoses (10.243–97), the most famous example of a tale in which a statue becomes human. The Ovidian narrative frame gives homosexuality a significant role, as it is focalized through Orpheus, who rejects the many women who find him sexually attractive, and instead pursues young …
Play on the Proper Names of Individuals in the Catullan Corpus
The paper explores the significance of names and naming in Catullus. Catullus’ use of proper names, and in particular his play on the connotations of the names of individuals who are attacked within his poems, has not been fully explored to date, and the paper identifies several examples of such play which have not previously been recognized. The paper examines Catullan wordplay in the context of both the iambic tradition and the public abuse cul…
Ovid's Scripta Puella
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Two Thousand Years of SolitudeExile After Ovid
LIST OF ABBREVIATIONS INTRODUCTION: TWO THOUSAND YEARS OF RESPONSES TO OVID'S EXILE I. OVIDIAN EXILE AND THE POETS Life and Poetry: Differences and Resemblances between Ovid and Dante Exiled Rome and august Pope: Petrarch s Letters to Benedict XII Black-Sea Latin, Du Bellay, and the barbarian turn: Tristia, Regrets, Translations Laetus & exilii conditione fruor: Milton s Ovidian Exile Elizabethan Exile After Ovid: Thomas Churchyard s Tristia (157…
IntroductionTwo Thousand Years of Responses to Ovid’s Exile
The editor’s Introduction provides the background for the volume’s study of Ovid’s role as iconic writer-as-exile, probing Ovid’s status as the exile par excellence and suggesting that the study of Ovidian exile constitutes a broader study of Ovidian authorship. It begins by discussing the essential background topics of the circumstances of Ovid’s banishment and definitions of Ovid’s ‘exile poetry’. After outlining the aims, approaches, and struc…
Two Thousand Years Of Solitude
This is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature and explores the responses to Ovid's portrait of his life in exile. Two millennia after his banishment, Ovid is still a potent symbol of the punished author, suffering in exile
Ovid
Introductory essays by Jennifer Ingleheart discuss Ovid's historical and literary context, and offer an overview of the Amores as a whole. In addition, each poem is accompanied by an exploratory essay. The Latin text is supplied, and at the back of the book are extensive language and explanatory notes. All words not included in the GCSE Defined Vocabulary List are glossed
A Commentary on Ovid, Tristia, Book 2
A detailed commentary on Tristia 2, Ovid's verse letter addressed from exile to the emperor Augustus. Jennifer Ingleheart provides an indispensable guide to all aspects of the poem - textual, literary, historical and political - while her introductioon explores, among other topics, its ironical and subversive aspects
The Literary ‘Successor’
Tristia 2. 1 All translations are my own. In addition to referring to Ovid's elegiac predecessors, treated at Tr. 2. Tibullus, and Propertius,, his ego successi (Tr. 2.467) also portrays Ovid as successor to the entire tradition (as tot, 469, stresses) of erotic Greco-Roman literature
Et mea sunt populo saltata poemata saepe (Tristia 2.519)
The strong visual appeal of Ovid's Metamorphoses has long invited comparison with the pleasures of pantomime, most influentially in a publication by Galinsky. In the study of Ovid's references from exile to his poetry being ‘danced in the crowded theatres’, this chapter argues in detail that the obvious text for pantomime realisation is the Metamorphoses, rather than the Heroides (as has occasionally been claimed); through close attention to the …
A Commentary on Ovid, Tristia, Book 2
A detailed commentary on Tristia 2, Ovid's verse letter addressed from exile to the emperor Augustus. Jennifer Ingleheart provides an indispensable guide to all aspects of the poem - textual, literary, historical and political - while her introductioon explores, among other topics, its ironical and subversive aspects
The Literary ‘Successor’
Tristia 2. 1 All translations are my own. In addition to referring to Ovid's elegiac predecessors, treated at Tr. 2. Tibullus, and Propertius,, his ego successi (Tr. 2.467) also portrays Ovid as successor to the entire tradition (as tot, 469, stresses) of erotic Greco-Roman literature
Play on the Proper Names of Individuals in the Catullan Corpus
The paper explores the significance of names and naming in Catullus. Catullus’ use of proper names, and in particular his play on the connotations of the names of individuals who are attacked within his poems, has not been fully explored to date, and the paper identifies several examples of such play which have not previously been recognized. The paper examines Catullan wordplay in the context of both the iambic tradition and the public abuse cul…
Masculine Plural
The Classics were core to the curriculum and ethos of the intensely homosocial Victorian and Edwardian public schools. Yet ancient homosexuality and erotic pedagogy were problematic to the educational establishment, which expurgated classical texts with sexual content. This volume analyses the intimate nexus between the Classics, sex, and education primarily through the figure of the schoolmaster Philip Gillespie Bainbrigge (1890–1918), whose cla…
Exegi Monumentum
Tristia 3.3 purports to be a ‘death-bed’ letter addressed by the sick poet to his wife in Rome (3.3.1–4), in which Ovid, banished from Rome on Augustus' orders, foresees his burial in Tomi as the ultimate form of exilic displacement (3.3.29–32). In order to avoid such a permanent form of exclusion from his homeland, Ovid issues instructions for his burial in the suburbs of Rome (3.3.65–76), dictating a four-line epitaph to be inscribed upon his t…
Ovid's Scripta Puella
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Et mea sunt populo saltata poemata saepe (Tristia 2.519)
The strong visual appeal of Ovid's Metamorphoses has long invited comparison with the pleasures of pantomime, most influentially in a publication by Galinsky. In the study of Ovid's references from exile to his poetry being ‘danced in the crowded theatres’, this chapter argues in detail that the obvious text for pantomime realisation is the Metamorphoses, rather than the Heroides (as has occasionally been claimed); through close attention to the …
A Commentary on Ovid, Tristia, Book 2
A detailed commentary on Tristia 2, Ovid's verse letter addressed from exile to the emperor Augustus. Jennifer Ingleheart provides an indispensable guide to all aspects of the poem - textual, literary, historical and political - while her introductioon explores, among other topics, its ironical and subversive aspects
The Literary ‘Successor’
Tristia 2. 1 All translations are my own. In addition to referring to Ovid's elegiac predecessors, treated at Tr. 2. Tibullus, and Propertius,, his ego successi (Tr. 2.467) also portrays Ovid as successor to the entire tradition (as tot, 469, stresses) of erotic Greco-Roman literature
Two Thousand Years of SolitudeExile After Ovid
LIST OF ABBREVIATIONS INTRODUCTION: TWO THOUSAND YEARS OF RESPONSES TO OVID'S EXILE I. OVIDIAN EXILE AND THE POETS Life and Poetry: Differences and Resemblances between Ovid and Dante Exiled Rome and august Pope: Petrarch s Letters to Benedict XII Black-Sea Latin, Du Bellay, and the barbarian turn: Tristia, Regrets, Translations Laetus & exilii conditione fruor: Milton s Ovidian Exile Elizabethan Exile After Ovid: Thomas Churchyard s Tristia (157…
IntroductionTwo Thousand Years of Responses to Ovid’s Exile
The editor’s Introduction provides the background for the volume’s study of Ovid’s role as iconic writer-as-exile, probing Ovid’s status as the exile par excellence and suggesting that the study of Ovidian exile constitutes a broader study of Ovidian authorship. It begins by discussing the essential background topics of the circumstances of Ovid’s banishment and definitions of Ovid’s ‘exile poetry’. After outlining the aims, approaches, and struc…
Two Thousand Years Of Solitude
This is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature and explores the responses to Ovid's portrait of his life in exile. Two millennia after his banishment, Ovid is still a potent symbol of the punished author, suffering in exile
Ovid
Introductory essays by Jennifer Ingleheart discuss Ovid's historical and literary context, and offer an overview of the Amores as a whole. In addition, each poem is accompanied by an exploratory essay. The Latin text is supplied, and at the back of the book are extensive language and explanatory notes. All words not included in the GCSE Defined Vocabulary List are glossed
Ovid's Scripta Puella
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity
Forster’s posthumously published short story about a Roman statue which comes to life in a museum can be read as an appropriation of the myth of Pygmalion in Ovid’s Metamorphoses (10.243–97), the most famous example of a tale in which a statue becomes human. The Ovidian narrative frame gives homosexuality a significant role, as it is focalized through Orpheus, who rejects the many women who find him sexually attractive, and instead pursues young …
Play on the Proper Names of Individuals in the Catullan Corpus
The paper explores the significance of names and naming in Catullus. Catullus’ use of proper names, and in particular his play on the connotations of the names of individuals who are attacked within his poems, has not been fully explored to date, and the paper identifies several examples of such play which have not previously been recognized. The paper examines Catullan wordplay in the context of both the iambic tradition and the public abuse cul…
Ancient Rome and the Construction of Modern Homosexual Identities
"Much has been written about the contribution of ancient Greece to modern discourses of homosexuality, but Rome's significant role has been largely overlooked. Ancient Rome and the Construction of Modern Homosexual Identities explores the contested history of responses to Roman antiquity, covering areas such as literature, the visual arts, popular culture, scholarship, and pornography. Essays by scholars working across a number of disciplines ana…
Putting the Roman Back into Romance
This chapter constitutes a close reading of classical elements in the pornographic novel Teleny and argues that, by employing Roman rather than Greek models of devoted erotic partnership as a parallel for the relationship between the novel’s contemporary male lovers and by sexualizing ‘Greek love’, the novel subverts more mainstream ideas about ancient sexuality. The chapter discusses Oscar Wilde’s putative authorship of the novel, describes the …
Greek’ love at Rome
This paper analyses the homoerotic aspect of Propertius 1.20 and its presentation of the myth of Hylas, the lost beloved of Hercules. It argues that Propertius reacts to the portrait of ‘Greek love’ that is found in the two surviving lengthy versions of this myth in Apollonius’ Argonautica and Theocritus’ Idylls, increasing the homoerotic ambience of the myth and encouraging his readers to look back to his models for traces of the approach that h…
Exegi Monumentum
Tristia 3.3 purports to be a ‘death-bed’ letter addressed by the sick poet to his wife in Rome (3.3.1–4), in which Ovid, banished from Rome on Augustus' orders, foresees his burial in Tomi as the ultimate form of exilic displacement (3.3.29–32). In order to avoid such a permanent form of exclusion from his homeland, Ovid issues instructions for his burial in the suburbs of Rome (3.3.65–76), dictating a four-line epitaph to be inscribed upon his t…
Dialogvs
This section contains the Latin text of Philip Gillespie Bainbrigge’s clandestinely published dialogue between two schoolboys, in which an older boy, Jocundus, introduces a younger friend, Robertus,to the pleasures of sex. The dialogue is a parody of Greek philosophical dialogues and erotic pedagogy; it is set at a contemporary public school and reflects on the role that the teaching of Latin played in the education of boys, as well as on the att…
Conclusion
The conclusion explores the wider implications of the argument of this book, and of the study of Bainbriggean classicism, or Queer Classics. The most queer Classical Receptions look to Rome for a range of transgressive models of sexual desire and pleasure, rather than turning to Greece to apologize for same-sex love. In private writings, Bainbrigge and others are free to focus on sex and its role in the ancient and modern worlds. Queer classicist…
In Decent Latin
This chapter analyses Bainbrigge’s Latin dialogue between two schoolboys, in which an older boy introduces the younger to the pleasures of sex. It explores Bainbrigge’s treatment of sex in the light of much less sexually frank contemporary examples of clandestine homoerotic writing (including E. M. Forster’s Maurice ), and argues that Latin was crucial in allowing Bainbrigge to discuss homoerotic desires and acts in a frank, yet still coded manne…
Masculine Plural
The Classics were core to the curriculum and ethos of the intensely homosocial Victorian and Edwardian public schools. Yet ancient homosexuality and erotic pedagogy were problematic to the educational establishment, which expurgated classical texts with sexual content. This volume analyses the intimate nexus between the Classics, sex, and education primarily through the figure of the schoolmaster Philip Gillespie Bainbrigge (1890–1918), whose cla…
Vates Lesbia
This chapter argues that the representation of Sappho the poet appears as a coherent portrait in the poetry of Ovid, and that this portrait closely resembles that of Ovid himself. This is so even when Heroides 15, also known as Epistula Sapphus , where Sappho as poet is centre stage, is set aside. The argument emerges from close readings of passages from the earliest of Ovid’s poetic career, such as the Amores , Ars amatoria (Book 3), and Remedia…
Greek and Latin Love
Amores Plural
Although the genre is frequently characterized as overwhelmingly interested in heteroerotic love, Latin love elegy is far more homoerotic than most scholars allow.Ovid in particular has been seen as the 'most heterosexual' representative of the genre, and indeed 'the most heterosexual' poet of his age. 1 Ovid has even been characterized as the poet of heterosexual love; Tom Habinek went so far as to claim that Ovid "invents the category of the he…
Essays on Propertian and Ovidian Elegy
This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field, all of whom have been taught or mentored by Stephen Heyworth. Latin elegy is typically thought of as having flourished for a brief period at Rome between c.40 bc and the early decades of the first century ad; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and O…
Essays on Propertian and Ovidian Elegy
Translation and the homosexual canon
This paper analyses the fragmentary apologia for pederasty by Thomas Cannon. Published in pamphlet form in 1749, it was suppressed and prosecuted, and lost to history until its recent recovery. The recovery of the text is only partial, as it was preserved in quoted excerpts in the wording of the indictment against it. Despite its fragmentary state, it is one of the earliest defences of same-sex love, and classical texts and examples naturally for…
Art (20 obras) · Literature (20 obras) · History (12 obras) · Philosophy (12 obras) · Classical Antiquity Studies (11 obras) · Linguistics (8 obras) · Poetry (8 obras) · Sociology (7 obras) · Philosophy (6 obras) · Classics (5 obras)