Rasheed Araeen
Dados Biográficos
| ID | 5645019 |
|---|---|
| NOME | Rasheed Araeen |
| PRENOMES | Rasheed |
| SOBRENOME | Araeen |
| ASSINATURA | ARAEEN R |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 30 |
| TOTAL DE CITAÇÕES | 49 |
| TOTAL COMO AUTOR | 29 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1987 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 4 |
Third Text
Third Text
Preliminary Notes for the Understanding of the Historical Significance of Geometry in Arab/Islamic Thought, and its Suppressed Role in the Genealogy of World History
Humanity began its journey about 50,000 years ago by making images in the caves, and then image‐making became central to the communities organised around agriculture, from which emerged great civilisations. The image‐making continued from Mesopotamia, India, China, Egypt and then to Greece, which laid the foundation of art in the West. And although this trajectory of image‐making is seen as the movement of ideas through history, then becoming the…
Modernity, Modernism and Africa’s Authentic Voice
The question of Africa’s authentic voice within modernity can only be resolved within history. History contains both what is imposed upon it – often an ideology – and what confronts and transgresses it in an endeavour to maintain the ability of human imagination to create with total freedom. Although the former continues to prevail as the dominant discourse in Africa, as elsewhere, it is in what has been created by the latter that we find the tru…
Why ‘Beyond’ Negritude
Although my interest in Africa has a long history, I must here say something about what has drawn me actively towards Africa. Of course it has been in my awareness how that part of the world suffer
Art
Ecoaesthetics
Is the history of humanity also not a history of violence, what Walter Benjamin calls the barbarism of civilisation? Our six thousand or so years of civilisation have given us tremendous knowledge, of ourselves, of the world around us and of the cosmos. We are now much more knowledgeable and can penetrate the invisible space of the universe. But we are often unable to resolve even small disagreements or disputes among ourselves without resort to …
Wangari Maathai
In 1982, one of Germany’s most important postwar artists, Joseph Beuys, proposed the planting of 7000 oak trees as ‘a sculpture referring to peoples’ life and their everyday work’. Beuys’s 7000 Oaks is one of the most celebrated artworks in the history of the avant‐garde, but did it achieve what it aimed for? How much tree planting has occurred in the world as a result of this work, except for ceremonial ‘planting’ in the cities of New York, Sydn…
A Very Special British Issue
Only inside history can a work exist as a value capable of being discussed and judged. Nothing seems to me worse for art than to fall outside its own history, for it is a fall into the chaos where
Mediterranea
When the Naughty Children of Empire Come Home to Roost
Although the postwar immigration from the colonies began soon after the Second World War, and the art scenes in cities like Paris and London were changed by the arrival in Europe of artists from As...
Modernity, Modernism, and Africa's Place in the History of Art of Our Age
It would be axiomatic to say that modernity came to Africa as part and parcel of colonialism, but what is really interesting is the paradox that overturned the crude ambition of colonial power. If
The Success and the Failure of Black Art
Dak'art 1992-2002
The Art of Resistance
Re‐thinking history and some other things
Sleeping with the enemy and re‐visiting postcolonial theory
The art of benevolent racism
A new beginning
Responses
Gravity & [Dis] Grace
How I discovered my oriental soul in the wilderness of the west
(1992). How I discovered my oriental soul in the wilderness of the west. Third Text: Vol. 6, Cultural Identity, pp. 85-102
The other immigrant
Conversation with Kumiko Shimizu
Our Bauhaus others’ Mudhouse
A new beginning
Our Bauhaus others’ Mudhouse
From primitivism to ethnic arts
Modernity, Modernism and Africa’s Authentic Voice
The question of Africa’s authentic voice within modernity can only be resolved within history. History contains both what is imposed upon it – often an ideology – and what confronts and transgresses it in an endeavour to maintain the ability of human imagination to create with total freedom. Although the former continues to prevail as the dominant discourse in Africa, as elsewhere, it is in what has been created by the latter that we find the tru…
Ecoaesthetics
Is the history of humanity also not a history of violence, what Walter Benjamin calls the barbarism of civilisation? Our six thousand or so years of civilisation have given us tremendous knowledge, of ourselves, of the world around us and of the cosmos. We are now much more knowledgeable and can penetrate the invisible space of the universe. But we are often unable to resolve even small disagreements or disputes among ourselves without resort to …
Modernity, Modernism, and Africa's Place in the History of Art of Our Age
It would be axiomatic to say that modernity came to Africa as part and parcel of colonialism, but what is really interesting is the paradox that overturned the crude ambition of colonial power. If
The Success and the Failure of Black Art
Re‐thinking history and some other things
The art of benevolent racism
Black art
Conversation with Aubrey Williams
Preliminary Notes for the Understanding of the Historical Significance of Geometry in Arab/Islamic Thought, and its Suppressed Role in the Genealogy of World History
Humanity began its journey about 50,000 years ago by making images in the caves, and then image‐making became central to the communities organised around agriculture, from which emerged great civilisations. The image‐making continued from Mesopotamia, India, China, Egypt and then to Greece, which laid the foundation of art in the West. And although this trajectory of image‐making is seen as the movement of ideas through history, then becoming the…
When the Naughty Children of Empire Come Home to Roost
Although the postwar immigration from the colonies began soon after the Second World War, and the art scenes in cities like Paris and London were changed by the arrival in Europe of artists from As...
How I discovered my oriental soul in the wilderness of the west
(1992). How I discovered my oriental soul in the wilderness of the west. Third Text: Vol. 6, Cultural Identity, pp. 85-102
The other immigrant
In memoriam
From primitivism to ethnic arts
Conversation with Aubrey Williams
Black art
Conversation with Avinash Chandra
Conversation with Kumiko Shimizu
Our Bauhaus others’ Mudhouse
The other immigrant
How I discovered my oriental soul in the wilderness of the west
(1992). How I discovered my oriental soul in the wilderness of the west. Third Text: Vol. 6, Cultural Identity, pp. 85-102
Gravity & [Dis] Grace
Responses
The art of benevolent racism
A new beginning
Re‐thinking history and some other things
Sleeping with the enemy and re‐visiting postcolonial theory
The Art of Resistance
Dak'art 1992-2002
The Success and the Failure of Black Art
Modernity, Modernism, and Africa's Place in the History of Art of Our Age
It would be axiomatic to say that modernity came to Africa as part and parcel of colonialism, but what is really interesting is the paradox that overturned the crude ambition of colonial power. If
When the Naughty Children of Empire Come Home to Roost
Although the postwar immigration from the colonies began soon after the Second World War, and the art scenes in cities like Paris and London were changed by the arrival in Europe of artists from As...
Mediterranea
A Very Special British Issue
Only inside history can a work exist as a value capable of being discussed and judged. Nothing seems to me worse for art than to fall outside its own history, for it is a fall into the chaos where
Art
Ecoaesthetics
Is the history of humanity also not a history of violence, what Walter Benjamin calls the barbarism of civilisation? Our six thousand or so years of civilisation have given us tremendous knowledge, of ourselves, of the world around us and of the cosmos. We are now much more knowledgeable and can penetrate the invisible space of the universe. But we are often unable to resolve even small disagreements or disputes among ourselves without resort to …
Wangari Maathai
In 1982, one of Germany’s most important postwar artists, Joseph Beuys, proposed the planting of 7000 oak trees as ‘a sculpture referring to peoples’ life and their everyday work’. Beuys’s 7000 Oaks is one of the most celebrated artworks in the history of the avant‐garde, but did it achieve what it aimed for? How much tree planting has occurred in the world as a result of this work, except for ceremonial ‘planting’ in the cities of New York, Sydn…
Art (22 obras) · Aesthetics (13 obras) · History (12 obras) · History (12 obras) · Sociology (11 obras) · Art history (8 obras) · Philosophy (8 obras) · Philosophy (8 obras) · Political science (7 obras) · Law (5 obras)