Luke Gartlan
Dados Biográficos
| ID | 5658695 |
|---|---|
| NOME | Luke Gartlan |
| PRENOMES | Luke |
| SOBRENOME | Gartlan |
| ASSINATURA | GARTLAN L |
| AFILIAÇÕES | University of St Andrews |
| ORCID | 0000-0002-6393-5052 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2014 |
| ÍNDICE H | 0 |
Placing Orientalism
Photography's Orientalism: New Essays on Colonial Representation
Photography's Orientalism: New essays on colonial representation
This book explores the interplay between 19th-century photography and Europe's vision of the Middle East. The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, 19th-century photographers were able to mass-p…
Japan Day by Day? William Henry Metcalf, Edward Sylvester Morse and Early Tourist Photography in Japan
Edward Sylvester Morse occupies a pre‐eminent position as one of the key proponents of Japanese studies in late nineteenth‐ and early twentieth‐century America. A prolific essayist and collector, Morse’s account of his first visit to Japan, published forty years after the event as Japan Day by Day, presented the author as an avid, albeit nascent observer of Japanese culture. A close examination of the original unpublished manuscript, however, rev…
Nineteenth-Century Photography in Japan: A Bibliography, 2000–2008
Crushing the Social Europa/Europa: Reconsidering Photography between the Wars Narratives of Nation Technologies of Photography Photographic Mutinies
(2009). Crushing the Social Europa/Europa: Reconsidering Photography between the Wars Narratives of Nation Technologies of Photography Photographic Mutinies. History of Photography: Vol. 33, No. 4, pp. 403-412
Samuel Cocking and the Rise of Japanese Photography
This study analyses the various contributions of the Anglo-Australian merchant Samuel Cocking to the photographic community of nineteenth-century Japan. It argues for his central role in the importation and supply of photographic goods, the promotion of a local manufacturing industry, the founding of informal learned societies, and the general advancement of the technology in Japan. Contrary to recent studies that have tended to separate the care…
James Robertson and Felice Beato in the Crimea: Recent findings
This article examines the activities of the photographers James Robertson and Felice Beato in the Crimean War, with particular reference to the marketing of their work among the stationed forces and the Anglo-French public at home. Drawing primarily on the correspondence of the French artist Jean-Charles Langlois, this study emphasizes the important contribution of Robertson's assistant Felice Beato in the production of the Crimean series and the…
Sem obras proeminentes nesta página.
James Robertson and Felice Beato in the Crimea: Recent findings
This article examines the activities of the photographers James Robertson and Felice Beato in the Crimean War, with particular reference to the marketing of their work among the stationed forces and the Anglo-French public at home. Drawing primarily on the correspondence of the French artist Jean-Charles Langlois, this study emphasizes the important contribution of Robertson's assistant Felice Beato in the production of the Crimean series and the…
Nineteenth-Century Photography in Japan: A Bibliography, 2000–2008
Crushing the Social Europa/Europa: Reconsidering Photography between the Wars Narratives of Nation Technologies of Photography Photographic Mutinies
(2009). Crushing the Social Europa/Europa: Reconsidering Photography between the Wars Narratives of Nation Technologies of Photography Photographic Mutinies. History of Photography: Vol. 33, No. 4, pp. 403-412
Samuel Cocking and the Rise of Japanese Photography
This study analyses the various contributions of the Anglo-Australian merchant Samuel Cocking to the photographic community of nineteenth-century Japan. It argues for his central role in the importation and supply of photographic goods, the promotion of a local manufacturing industry, the founding of informal learned societies, and the general advancement of the technology in Japan. Contrary to recent studies that have tended to separate the care…
Japan Day by Day? William Henry Metcalf, Edward Sylvester Morse and Early Tourist Photography in Japan
Edward Sylvester Morse occupies a pre‐eminent position as one of the key proponents of Japanese studies in late nineteenth‐ and early twentieth‐century America. A prolific essayist and collector, Morse’s account of his first visit to Japan, published forty years after the event as Japan Day by Day, presented the author as an avid, albeit nascent observer of Japanese culture. A close examination of the original unpublished manuscript, however, rev…
Photography's Orientalism: New Essays on Colonial Representation
Photography's Orientalism: New essays on colonial representation
This book explores the interplay between 19th-century photography and Europe's vision of the Middle East. The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, 19th-century photographers were able to mass-p…
Placing Orientalism
Art (8 obras) · Visual arts (7 obras) · Art history (6 obras) · Photography (6 obras) · Photography and Visual Culture (6 obras) · History (4 obras) · Literature (4 obras) · Orientalism (3 obras) · Aesthetics (2 obras) · Archaeology (2 obras)