Cailah Jackson
Dados Biográficos
| ID | 5746946 |
|---|---|
| NOME | Cailah Jackson |
| PRENOMES | Cailah |
| SOBRENOME | Jackson |
| ASSINATURA | JACKSON C |
| AFILIAÇÕES | Oxford Centre for Islamic Studies |
| ORCID | 0000-0002-0149-9937 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 12 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 0 |
A Story of Islamic Art By Marcus Milwright
The Arts of the Book in the Aydınid Realm
It is now well established in scholarship that the Turkmen principalities ( beylik s) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have n…
Unraveling a Medical Mystery
Geredeli" İshak b. Murad—the author of the late fourteenth-century Anatolian Turkish text Edviye-i Müfrede (Simple Remedies)—has long been lauded by Turkish scholars as one of the earliest recorded contributors to the development of medical writing in Rum. Until now, very little has been known about the author other than an apparent connection to Gerede. This article presents compelling evidence that reveals details of the physician's identity an…
Reframing the Qarāmānids
The so-called “Beylik” (Turkmen principalities) period of Anatolian history (roughly, the late thirteenth to early fifteenth centuries) has long interested Turkish scholars, particularly in relation to the ascendance of the Ottoman beylik in the second half of the fourteenth century. Much existing scholarship emphasises the apparently inherent “Turkishness” of the beyliks, at the expense of more nuanced analyses. Some recent exceptions, however, …
The Seljuqs and their Successors
Journal Article The Seljuqs and their Successors: Art, Culture and History, Edited by Sheila R. Canby, Deniz Beyazit and Martina Rugiadi Get access The Seljuqs and their Successors: Art, Culture and History Edited by Sheila R Canby, Deniz Beyazit, Martina Rugiadi (Edinburgh: Edinburgh University Press, 2020. Edinburgh Studies in Islamic Art), xvii + 309 pp. Price HB £95.00. EAN 978–1474450348. Cailah Jackson Cailah Jackson Oxford Centre for Islam…
An Illuminated Manuscript from Late Fourteenth-Century Shiraz in the Bodleian Library
Islamic manuscript illumination production in the eastern Iranian city of Shiraz in the late fourteenth century marked an aesthetic sea-change from mid-fourteenth-century styles that were characterized by polychrome palettes and thick, gold strapwork. The new style of illumination, which was produced under the Muzaffarid dynasty (1314– 93), was distinguished by the dominance of deep blue pigments as well as black and gold and the use of minute fl…
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
The first in-depth survey of illuminated manuscripts from Anatolia before the rise of the Ottoman Empire Winner of the 2021 Dionisius A. Agius Prize for a distinguished first book in the field of Medieval Mediterranean Studies from the Society of the Medieval Mediterranean Meticulously analyses 15 Persian and Arabic manuscripts including the Mas̲navī of Jalāl al-Dīn Rūmī (1278), the Qaramanid Qur’an (1314-15) and the Dīvān-i Kabīr of Jalāl al-Dīn…
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
This book is the first in-depth survey of illuminated manuscripts from late medieval Anatolia (Rum) before the rise of the Ottoman Empire. Between the Mongol invasions in the mid-thirteenth century and the emergence of Ottoman domination in the late fourteenth century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here and fully illustrated in colo…
Saūtıū ibn Hḥ asan
The fourth and final chapter focuses on the patronage of one individual, who emerges from surviving material as the most prolific manuscript patron of late medieval Rum. The three manuscripts discussed in this chapter were commissioned by Sharaf al-Din Sati ibn Hasan, an amir , history writer and Mevlevi devotee. The key manuscripts are a copy of the Masnavi of Sultan Walad from 1366, a two-volume Divan-i Kabir from 1368 and a 1372 copy of the Ma…
The 1373 Masnavī of Tāj al-Dīn Shaykh Ḥusayn Bey
The fourteenth century saw the production of innumerable Islamic manuscripts, many of which were extensively and expertly illuminated. The period is well-studied, in particular, the products of the ateliers of Baghdad, Tabriz, Shiraz and Cairo. This article concerns a manuscript from a less well-known production centre, namely that of Erzincan. This manuscript is a copy of Jalāl al-Dīn Rūmī's Mas̲navī produced in 774/1373. Although discussed brie…
Court and Cosmos
The study of the material culture of both the Great Seljuq Empire and their various successor states, including the Seljuk Sultanate of Anatolia (or Rūm, as it is known in Arabic and Persian), has long been a challenge for scholars of Islamic art history. In part, this is due to the unwieldy chronological and geographical span in question but also to the sometimes fragmentary or uncertain nature of evidence. Happily, this situation has improved c…
The Illuminations of Mukhlis ibn ʿAbdallah al-Hindi
The arts of the book of late medieval Rum (Anatolia) constitute a rich resource for Islamic art historians that remains relatively unknown in the wider scholarship. This complex period saw the disintegration of Seljuk rule and the partial absorption of the region into the Ilkhanid realm. Konya (present-day central Turkey), the former Seljuk capital, was hardly isolated from its better-known neighbors and was evidently an active center for the pat…
Sem obras proeminentes nesta página.
The Illuminations of Mukhlis ibn ʿAbdallah al-Hindi
The arts of the book of late medieval Rum (Anatolia) constitute a rich resource for Islamic art historians that remains relatively unknown in the wider scholarship. This complex period saw the disintegration of Seljuk rule and the partial absorption of the region into the Ilkhanid realm. Konya (present-day central Turkey), the former Seljuk capital, was hardly isolated from its better-known neighbors and was evidently an active center for the pat…
An Illuminated Manuscript from Late Fourteenth-Century Shiraz in the Bodleian Library
Islamic manuscript illumination production in the eastern Iranian city of Shiraz in the late fourteenth century marked an aesthetic sea-change from mid-fourteenth-century styles that were characterized by polychrome palettes and thick, gold strapwork. The new style of illumination, which was produced under the Muzaffarid dynasty (1314– 93), was distinguished by the dominance of deep blue pigments as well as black and gold and the use of minute fl…
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
The first in-depth survey of illuminated manuscripts from Anatolia before the rise of the Ottoman Empire Winner of the 2021 Dionisius A. Agius Prize for a distinguished first book in the field of Medieval Mediterranean Studies from the Society of the Medieval Mediterranean Meticulously analyses 15 Persian and Arabic manuscripts including the Mas̲navī of Jalāl al-Dīn Rūmī (1278), the Qaramanid Qur’an (1314-15) and the Dīvān-i Kabīr of Jalāl al-Dīn…
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
This book is the first in-depth survey of illuminated manuscripts from late medieval Anatolia (Rum) before the rise of the Ottoman Empire. Between the Mongol invasions in the mid-thirteenth century and the emergence of Ottoman domination in the late fourteenth century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here and fully illustrated in colo…
Saūtıū ibn Hḥ asan
The fourth and final chapter focuses on the patronage of one individual, who emerges from surviving material as the most prolific manuscript patron of late medieval Rum. The three manuscripts discussed in this chapter were commissioned by Sharaf al-Din Sati ibn Hasan, an amir , history writer and Mevlevi devotee. The key manuscripts are a copy of the Masnavi of Sultan Walad from 1366, a two-volume Divan-i Kabir from 1368 and a 1372 copy of the Ma…
The 1373 Masnavī of Tāj al-Dīn Shaykh Ḥusayn Bey
The fourteenth century saw the production of innumerable Islamic manuscripts, many of which were extensively and expertly illuminated. The period is well-studied, in particular, the products of the ateliers of Baghdad, Tabriz, Shiraz and Cairo. This article concerns a manuscript from a less well-known production centre, namely that of Erzincan. This manuscript is a copy of Jalāl al-Dīn Rūmī's Mas̲navī produced in 774/1373. Although discussed brie…
Court and Cosmos
The study of the material culture of both the Great Seljuq Empire and their various successor states, including the Seljuk Sultanate of Anatolia (or Rūm, as it is known in Arabic and Persian), has long been a challenge for scholars of Islamic art history. In part, this is due to the unwieldy chronological and geographical span in question but also to the sometimes fragmentary or uncertain nature of evidence. Happily, this situation has improved c…
Reframing the Qarāmānids
The so-called “Beylik” (Turkmen principalities) period of Anatolian history (roughly, the late thirteenth to early fifteenth centuries) has long interested Turkish scholars, particularly in relation to the ascendance of the Ottoman beylik in the second half of the fourteenth century. Much existing scholarship emphasises the apparently inherent “Turkishness” of the beyliks, at the expense of more nuanced analyses. Some recent exceptions, however, …
The Seljuqs and their Successors
Journal Article The Seljuqs and their Successors: Art, Culture and History, Edited by Sheila R. Canby, Deniz Beyazit and Martina Rugiadi Get access The Seljuqs and their Successors: Art, Culture and History Edited by Sheila R Canby, Deniz Beyazit, Martina Rugiadi (Edinburgh: Edinburgh University Press, 2020. Edinburgh Studies in Islamic Art), xvii + 309 pp. Price HB £95.00. EAN 978–1474450348. Cailah Jackson Cailah Jackson Oxford Centre for Islam…
The Arts of the Book in the Aydınid Realm
It is now well established in scholarship that the Turkmen principalities ( beylik s) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have n…
Unraveling a Medical Mystery
Geredeli" İshak b. Murad—the author of the late fourteenth-century Anatolian Turkish text Edviye-i Müfrede (Simple Remedies)—has long been lauded by Turkish scholars as one of the earliest recorded contributors to the development of medical writing in Rum. Until now, very little has been known about the author other than an apparent connection to Gerede. This article presents compelling evidence that reveals details of the physician's identity an…
A Story of Islamic Art By Marcus Milwright
Art (12 obras) · History (9 obras) · Ancient history (8 obras) · Classics (8 obras) · Islam (8 obras) · Islamic Studies and History (8 obras) · Archaeology (7 obras) · Byzantine Studies and History (7 obras) · Eurasian Exchange Networks (7 obras) · Scholarship (6 obras)