Sylvia R Sherno
Dados Biográficos
| ID | 5780717 |
|---|---|
| NOME | Sylvia R Sherno |
| PRENOMES | Sylvia R |
| SOBRENOME | Sherno |
| ASSINATURA | SHERNO S R |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 7 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1987 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2004 |
| ÍNDICE H | 0 |
Weaving the World
Getting the Picture
Getting the Picture. The Ekphrastic Principle in Twentieth-Century Spanish Poetry. By Margaret H. Persin. Lewisburg: Bucknell UP. London: Associated UP, 1997. 257 pages. Ekphrasis once meant giving voice to the mute art (79) but in her groundbreaking study Margaret Persin demonstrates how twentiethcentury poetry uses ekphrasis as a strategy to overcome ... a deficiency in the power of its discourse (134). For Persin herself, an ekphrastic poetic …
El amor por lo (par) odiado
Blanca Andreu
This article situates Blanca Andreu in the panorama of recent poetry in Spain and focuses on her concern with language as related to meaning and reality. Her first two volumes, De una nifa deprovincias que se vino a vivir en un Chagall and Bdculo de Babel, employ dreamlike imagery, fragmented syntax, and highly challenging use of language, while Elphistone, her third collection, is a sort of epic poem of more translucent and natural language patt…
Carnival
The word as used by Mikhail Bakhtin, refers to the culture of the marketplace and the forms of folk humor which arose in the Middle Ages and Renaissance. The manifestations of this popular culture included comic festivities and ritual activities, memorialized in the oral and written parodies from which an entire body of recreational literature was born. Among the most salient traits of carnivalesque compositions are licentiousness, irreverence, a…
Weaving the World
The Paradox of Poetry in Blas de Otero's Esto no es un libro
Sem obras proeminentes nesta página.
The Paradox of Poetry in Blas de Otero's Esto no es un libro
Carnival
The word as used by Mikhail Bakhtin, refers to the culture of the marketplace and the forms of folk humor which arose in the Middle Ages and Renaissance. The manifestations of this popular culture included comic festivities and ritual activities, memorialized in the oral and written parodies from which an entire body of recreational literature was born. Among the most salient traits of carnivalesque compositions are licentiousness, irreverence, a…
Weaving the World
Blanca Andreu
This article situates Blanca Andreu in the panorama of recent poetry in Spain and focuses on her concern with language as related to meaning and reality. Her first two volumes, De una nifa deprovincias que se vino a vivir en un Chagall and Bdculo de Babel, employ dreamlike imagery, fragmented syntax, and highly challenging use of language, while Elphistone, her third collection, is a sort of epic poem of more translucent and natural language patt…
Getting the Picture
Getting the Picture. The Ekphrastic Principle in Twentieth-Century Spanish Poetry. By Margaret H. Persin. Lewisburg: Bucknell UP. London: Associated UP, 1997. 257 pages. Ekphrasis once meant giving voice to the mute art (79) but in her groundbreaking study Margaret Persin demonstrates how twentiethcentury poetry uses ekphrasis as a strategy to overcome ... a deficiency in the power of its discourse (134). For Persin herself, an ekphrastic poetic …
El amor por lo (par) odiado
Weaving the World
Art (5 obras) · Literature (4 obras) · Poetry (4 obras) · Comparative Literary Analysis and Criticism (3 obras) · Engineering (2 obras) · History (2 obras) · Humanities (2 obras) · Latin American and Latino Studies (2 obras) · Philosophy (2 obras) · Weaving (2 obras)