Dominic Parviz Brookshaw
Dados Biográficos
| ID | 5798127 |
|---|---|
| NOME | Dominic Parviz Brookshaw |
| PRENOMES | Dominic Parviz |
| SOBRENOME | Brookshaw |
| ASSINATURA | BROOKSHAW D P |
| AFILIAÇÕES | University of Manchester |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAÇÕES | 15 |
| OBRAS COMO AUTOR | 11 |
| OBRAS COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2003 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 2 |
“To dance like Solomon
Iran’s neoclassical Literary Return movement (Bāzgasht-i adabī) that reached its climax in the first half of the nineteenth century has, to date, been studied almost exclusively in relation to the Qajar royal court and the elite male poets who received imperial patronage. This article examines how one of the founding mothers of the violently persecuted and socially marginalized Babi-Baha’i religious community succeeded in producing a bold, emotio…
Hafiz and His Contemporaries
Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz’s poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz’s ghazals (short, monorhyme, …
Mytho-Political Remakings of Ferdowsi's Jamshid in the Lyric Poetry of Injuid and Mozaffarid Shiraz
This study examines the Jamshid of Ferdowsi's Shahnameh and its later reception, specifically the Islamic refashioning of Jamshid in fourteenth-century Shiraz, as evidenced in the ghazals of Hāfez (d. 1389), and the lyric poetry of Kh v āju-ye Kermāni (d. 1352 or 1360), and ʿObeyd-e Zākāni (d. 1371). Hāfez, Kh v āju, and ʿObeyd used literary devices such as talmih (allusion) and ubi sunt to both engage with and reshape the past, and this refashio…
Lascivious Vines, Corrupted Virgins, and Crimes of Honor
The Persian wine production myth centers on the relationship between a male vintner and his female vine and her daughters, the grapes. This myth, the earliest extant examples of which are found in qasīdas by the Samanid poets Rūdakī and Bashshār Marghazī and which was much developed by Manūchihrī and his contemporary Farrukhī, contains images of femininity, the mother–child bond, separation, violence, execution, and ultimate redemption. The grape…
Women in Praise of Women
This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways …
The Baha'is of Iran
1. Foreword Dominic Parviz Brookshaw and Seena B. Fazel 2. Messianic Expectation and Evolving Identities: The Conversion of Iranian Jews to the Baha'i Faith Mehrdad Amanat 3. The Conversion of Zoroastrians to the Baha'i Faith Fereydun Vahman 4. Instructive Encouragement: The Tablets of Baha'ullah and 'Abdu'l-Baha to Baha'i Women in Iran and India Dominic Parviz Brookshaw 5. Baha'i Schools in Iran Moojan Momen 6. Baha'i Health Initiatives in Iran:…
Explaining Jewish Conversions to the Baha'i Faith in Iran, circa 1870–1920
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Forugh Farrokhzad Poet of Modern Iran
The pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Four decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subject…
To be Feared and Desired
This article discusses the representation of Turks in the kulliyāt (collected works) of the fourteenth-century poet ‘Ubayd-i Zākānī (d. 1371). ‘Ubayd is well known for his satirical works (e.g. Mūsh u gurba, Akhlāq al-ashrāf ), but his courtly poetry (in particular his ghazal s and qasīda s) have yet to receive substantial scholarly attention. This study examines the various ways in which ‘Ubayd presents Turks in his kulliyāt , whether as an obje…
Love and Desire in Pre-modern Persian Poetry and Prose
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Revivification of an Ossified Genre? Simin Behbahani and the Persian Ghazal
Although considered a ‘modern’ poet, unlike most of her contemporaries (e.g. Ahmad Shamlou, Mehdi Akhavan-e Sales, and Nader Naderpour), Simin Behbahani, has, on the whole, avoided the free verse forms of shi‘r-i nu and has chosen to employ the most popular classical genre of Persian lyric poetry, the ghazal , as the chief vehicle for her poetic expression. Behbahani has been praised by many literary critics for her use of innovative metric schem…
Odes of a Poet-Princess
Palaces, Pavilions and Pleasure-gardens
The performance context of medieval Arabic and Persian lyric poetry has yet to receive sufficient scholarly attention. This paper attempts to reconstruct the physical context of medieval Islamic poetic performance and (to a lesser extent) the social setting and human dynamics of such gatherings, with a view to enabling modern-day readers to better appreciate how contemporary audiences enjoyed and understood lyric poetry. This article focuses on t…
To be Feared and Desired
This article discusses the representation of Turks in the kulliyāt (collected works) of the fourteenth-century poet ‘Ubayd-i Zākānī (d. 1371). ‘Ubayd is well known for his satirical works (e.g. Mūsh u gurba, Akhlāq al-ashrāf ), but his courtly poetry (in particular his ghazal s and qasīda s) have yet to receive substantial scholarly attention. This study examines the various ways in which ‘Ubayd presents Turks in his kulliyāt , whether as an obje…
Women in Praise of Women
This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways …
Mytho-Political Remakings of Ferdowsi's Jamshid in the Lyric Poetry of Injuid and Mozaffarid Shiraz
This study examines the Jamshid of Ferdowsi's Shahnameh and its later reception, specifically the Islamic refashioning of Jamshid in fourteenth-century Shiraz, as evidenced in the ghazals of Hāfez (d. 1389), and the lyric poetry of Kh v āju-ye Kermāni (d. 1352 or 1360), and ʿObeyd-e Zākāni (d. 1371). Hāfez, Kh v āju, and ʿObeyd used literary devices such as talmih (allusion) and ubi sunt to both engage with and reshape the past, and this refashio…
Lascivious Vines, Corrupted Virgins, and Crimes of Honor
The Persian wine production myth centers on the relationship between a male vintner and his female vine and her daughters, the grapes. This myth, the earliest extant examples of which are found in qasīdas by the Samanid poets Rūdakī and Bashshār Marghazī and which was much developed by Manūchihrī and his contemporary Farrukhī, contains images of femininity, the mother–child bond, separation, violence, execution, and ultimate redemption. The grape…
Odes of a Poet-Princess
Palaces, Pavilions and Pleasure-gardens
The performance context of medieval Arabic and Persian lyric poetry has yet to receive sufficient scholarly attention. This paper attempts to reconstruct the physical context of medieval Islamic poetic performance and (to a lesser extent) the social setting and human dynamics of such gatherings, with a view to enabling modern-day readers to better appreciate how contemporary audiences enjoyed and understood lyric poetry. This article focuses on t…
Odes of a Poet-Princess
Revivification of an Ossified Genre? Simin Behbahani and the Persian Ghazal
Although considered a ‘modern’ poet, unlike most of her contemporaries (e.g. Ahmad Shamlou, Mehdi Akhavan-e Sales, and Nader Naderpour), Simin Behbahani, has, on the whole, avoided the free verse forms of shi‘r-i nu and has chosen to employ the most popular classical genre of Persian lyric poetry, the ghazal , as the chief vehicle for her poetic expression. Behbahani has been praised by many literary critics for her use of innovative metric schem…
To be Feared and Desired
This article discusses the representation of Turks in the kulliyāt (collected works) of the fourteenth-century poet ‘Ubayd-i Zākānī (d. 1371). ‘Ubayd is well known for his satirical works (e.g. Mūsh u gurba, Akhlāq al-ashrāf ), but his courtly poetry (in particular his ghazal s and qasīda s) have yet to receive substantial scholarly attention. This study examines the various ways in which ‘Ubayd presents Turks in his kulliyāt , whether as an obje…
Love and Desire in Pre-modern Persian Poetry and Prose
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Forugh Farrokhzad Poet of Modern Iran
The pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Four decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subject…
The Baha'is of Iran
1. Foreword Dominic Parviz Brookshaw and Seena B. Fazel 2. Messianic Expectation and Evolving Identities: The Conversion of Iranian Jews to the Baha'i Faith Mehrdad Amanat 3. The Conversion of Zoroastrians to the Baha'i Faith Fereydun Vahman 4. Instructive Encouragement: The Tablets of Baha'ullah and 'Abdu'l-Baha to Baha'i Women in Iran and India Dominic Parviz Brookshaw 5. Baha'i Schools in Iran Moojan Momen 6. Baha'i Health Initiatives in Iran:…
Explaining Jewish Conversions to the Baha'i Faith in Iran, circa 1870–1920
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Lascivious Vines, Corrupted Virgins, and Crimes of Honor
The Persian wine production myth centers on the relationship between a male vintner and his female vine and her daughters, the grapes. This myth, the earliest extant examples of which are found in qasīdas by the Samanid poets Rūdakī and Bashshār Marghazī and which was much developed by Manūchihrī and his contemporary Farrukhī, contains images of femininity, the mother–child bond, separation, violence, execution, and ultimate redemption. The grape…
Women in Praise of Women
This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways …
Mytho-Political Remakings of Ferdowsi's Jamshid in the Lyric Poetry of Injuid and Mozaffarid Shiraz
This study examines the Jamshid of Ferdowsi's Shahnameh and its later reception, specifically the Islamic refashioning of Jamshid in fourteenth-century Shiraz, as evidenced in the ghazals of Hāfez (d. 1389), and the lyric poetry of Kh v āju-ye Kermāni (d. 1352 or 1360), and ʿObeyd-e Zākāni (d. 1371). Hāfez, Kh v āju, and ʿObeyd used literary devices such as talmih (allusion) and ubi sunt to both engage with and reshape the past, and this refashio…
Hafiz and His Contemporaries
Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz’s poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz’s ghazals (short, monorhyme, …
“To dance like Solomon
Iran’s neoclassical Literary Return movement (Bāzgasht-i adabī) that reached its climax in the first half of the nineteenth century has, to date, been studied almost exclusively in relation to the Qajar royal court and the elite male poets who received imperial patronage. This article examines how one of the founding mothers of the violently persecuted and socially marginalized Babi-Baha’i religious community succeeded in producing a bold, emotio…
History (13 obras) · Islamic Studies and History (13 obras) · Art (11 obras) · Literature (11 obras) · Philosophy (10 obras) · Poetry (9 obras) · History (8 obras) · Persian (7 obras) · Law (6 obras) · Linguistics (6 obras)