Linda L Carroll
Dados Biográficos
| ID | 5828255 |
|---|---|
| NOME | Linda L Carroll |
| PRENOMES | Linda L |
| SOBRENOME | Carroll |
| ASSINATURA | CARROLL L L |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 24 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1983 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 0 |
Incroci teatrali Italo-Iberici
Incroci teatrali Italo-Iberici. Michela Graziani and Salomé Vuelta García, eds. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 490. Florence: Olschki, 2018. viii + 152 pp. €25. - Volume 74 Issue 2
The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage
Kerr, Rosalind. The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage. An article from journal Renaissance and Reformation / Renaissance et Réforme (Les passions et leurs enjeux au seizième siècle), on Érudit
Writings on the Sober Life
Writings on the Sober Life: The Art and Grace of Living Long. Alvise Cornaro. Trans. Hiroko Fudemoto. With Greg Critser and Marisa Milani. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2014. xxxii + 252 pp. $55. - Volume 68 Issue 4
Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy
Yael Manes. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. ix + 148 pp. $89.95. ISBN: 978–1–4094–3440–5. - Volume 65 Issue 3
The Art of Commedia
M. A. Katritzky. The Art of Commedia: A Study in the Commedia dell’arte 1560–1620 with Special Reference to the Visual Records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam: Rodopi, 2006. 626 pp. index. illus. bibl. $234. ISBN: 90-420-1798-8. - Volume 60 Issue 1
Ambasciatore della risa”
Philiep Bossier. “Ambasciatore della risa”: La commedia dell’arte nel secondo Cinquecento (1545–1590). Florence: Franco Cesati Editore, 2004. 408 pp. index. bibl. €27. ISBN: 88-7667-155-2. - Volume 59 Issue 4
Fools of the Dukes of Ferrara
This article explores the relationship between certain artistic works of sixteenth-century Italy and their politico-economic context. Particular attention is paid to the paintings of Dosso Dossi and the comedies of Angelo Beolco (Il Ruzante), with some observations about works of Titian, Giorgione and Antonio Lombardo. The occurrence in them of allusions to the Holy Roman Empire and its relations with Venice and the Este are explored, as well as …
Dating The Woman from Ancona
Carnevale e Quaresima
Gender and the Italian Stage
Florentine Drama for Convent and Festival
Scripts and Scenarios
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"Forme Complesse nel "Decameron
Pier Massimo Forni. Forme complesse nel “Decameron.” (Biblioteca di Lettere Italiane Studi e testi, 42.) Florence: Olschki, 1992. 153 pp. L 30,000. - Steven Grossvogel. Ambiguity and Illusion in Boccaccio's “Filocolo.“ (Biblioteca dell'Archivum Romanicum Serie I, vol. 248.) Florence: Olschki, 1992. 254 pp. - Volume 47 Issue 3
A Nontheistic Paradise in Renaissance Padua
Des le debut de sa carriere, le dramaturge Angelo Beolco n'a cesse d'affirmer son angoisse face a la degradation de la condition politique et economique des paysans. Il semble s'identifier a l'exclusion des travailleurs de la terre des institutions de gouvernement ainsi qu'a leur echec a acceder a la richesse. C'est d'abord le mouvement de reforme Evangelique et l'accent qu'il met sur la justice sociale qui le pousse a enjoindre les puissants de …
Recent Studies on Ruzante
The Peasant as Imperialist
La "scienza" della scrittura
Who's on Top? Gender as Societal Power Configuration in Italian Renaissance Drama
As Italian city-states suffered political and economic damage at the hands of the nation-states and the Turks in the Renaissance, male figures in Italian paintings and plays were portrayed as unable to maintain their control of society, female and low-status figures were emphasized, and lower-class behavioral modes assumed importance. Relatively traditional depictions of strong males and restrained females began to recur with the return to politi…
The Poetics of Ariosto
Ruzante's Early Adaptations from More and Erasmus
Carnival Rites as Vehicles of Protest in Renaissance Venice
Carnival Themes In the Plays of Ruzant
Carnival Themes In the Plays of Ruzant
Language and Dialect in Ruzante and Goldoni
Sem obras proeminentes nesta página.
Language and Dialect in Ruzante and Goldoni
Carnival Themes In the Plays of Ruzant
Carnival Themes In the Plays of Ruzant
Carnival Rites as Vehicles of Protest in Renaissance Venice
Who's on Top? Gender as Societal Power Configuration in Italian Renaissance Drama
As Italian city-states suffered political and economic damage at the hands of the nation-states and the Turks in the Renaissance, male figures in Italian paintings and plays were portrayed as unable to maintain their control of society, female and low-status figures were emphasized, and lower-class behavioral modes assumed importance. Relatively traditional depictions of strong males and restrained females began to recur with the return to politi…
The Poetics of Ariosto
Ruzante's Early Adaptations from More and Erasmus
La "scienza" della scrittura
A Nontheistic Paradise in Renaissance Padua
Des le debut de sa carriere, le dramaturge Angelo Beolco n'a cesse d'affirmer son angoisse face a la degradation de la condition politique et economique des paysans. Il semble s'identifier a l'exclusion des travailleurs de la terre des institutions de gouvernement ainsi qu'a leur echec a acceder a la richesse. C'est d'abord le mouvement de reforme Evangelique et l'accent qu'il met sur la justice sociale qui le pousse a enjoindre les puissants de …
Recent Studies on Ruzante
The Peasant as Imperialist
"Forme Complesse nel "Decameron
Pier Massimo Forni. Forme complesse nel “Decameron.” (Biblioteca di Lettere Italiane Studi e testi, 42.) Florence: Olschki, 1992. 153 pp. L 30,000. - Steven Grossvogel. Ambiguity and Illusion in Boccaccio's “Filocolo.“ (Biblioteca dell'Archivum Romanicum Serie I, vol. 248.) Florence: Olschki, 1992. 254 pp. - Volume 47 Issue 3
Scripts and Scenarios
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Florentine Drama for Convent and Festival
Carnevale e Quaresima
Gender and the Italian Stage
Dating The Woman from Ancona
Fools of the Dukes of Ferrara
This article explores the relationship between certain artistic works of sixteenth-century Italy and their politico-economic context. Particular attention is paid to the paintings of Dosso Dossi and the comedies of Angelo Beolco (Il Ruzante), with some observations about works of Titian, Giorgione and Antonio Lombardo. The occurrence in them of allusions to the Holy Roman Empire and its relations with Venice and the Este are explored, as well as …
Ambasciatore della risa”
Philiep Bossier. “Ambasciatore della risa”: La commedia dell’arte nel secondo Cinquecento (1545–1590). Florence: Franco Cesati Editore, 2004. 408 pp. index. bibl. €27. ISBN: 88-7667-155-2. - Volume 59 Issue 4
The Art of Commedia
M. A. Katritzky. The Art of Commedia: A Study in the Commedia dell’arte 1560–1620 with Special Reference to the Visual Records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam: Rodopi, 2006. 626 pp. index. illus. bibl. $234. ISBN: 90-420-1798-8. - Volume 60 Issue 1
Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy
Yael Manes. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. ix + 148 pp. $89.95. ISBN: 978–1–4094–3440–5. - Volume 65 Issue 3
The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage
Kerr, Rosalind. The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage. An article from journal Renaissance and Reformation / Renaissance et Réforme (Les passions et leurs enjeux au seizième siècle), on Érudit
Writings on the Sober Life
Writings on the Sober Life: The Art and Grace of Living Long. Alvise Cornaro. Trans. Hiroko Fudemoto. With Greg Critser and Marisa Milani. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2014. xxxii + 252 pp. $55. - Volume 68 Issue 4
Incroci teatrali Italo-Iberici
Incroci teatrali Italo-Iberici. Michela Graziani and Salomé Vuelta García, eds. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 490. Florence: Olschki, 2018. viii + 152 pp. €25. - Volume 74 Issue 2
Art (21 obras) · Art history (11 obras) · Renaissance and Early Modern Studies (11 obras) · History (9 obras) · Humanities (6 obras) · Literature (6 obras) · The Renaissance (6 obras) · History (5 obras) · Computer Science (4 obras) · African history and culture analysis (3 obras)