Andreas Loewe
Dados Biográficos
| ID | 5846271 |
|---|---|
| NOME | Andreas Loewe |
| PRENOMES | Andreas |
| SOBRENOME | Loewe |
| ASSINATURA | LOEWE A |
| AFILIAÇÕES | Trinity College, The University of Melbourne |
| ORCID | 0000-0003-4338-3147 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2006 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2018 |
| ÍNDICE H | 0 |
"Martin Luther's "Mighty Fortress
Although versions may vary, "A Mighty Fortress" is so well-known that the uncertainties about its origins may be surprising. Whatever its original context in Luther's career, the long history of prominent and public usage is here documented by Andreas Loewe and Katherine Firth. Loewe (Dean of St. Paul's Anglican Cathedral Melbourne) and Firth (Lecturer in Research Education and Development at La Trobe University Melbourne) have also co-authored a…
J. S. Bach’s Johannine Theology
Eric T. Chafe is a veteran musicologist and his research into the choral works of Johann Sebastian Bach has inspired a generation of researchers to re-examine Bach’s cantatas and Passions in terms of their liturgical and theological setting. In this extensive work Chafe sets out to bring the music and theology of Bach’s John Passion together. He admits from the outset that the result will not be ‘an easy read, but one that will, hopefully, bring …
Tears into Wine
Eric Chafe’s Tears into Wine is a cornucopia of insights into the purpose and programmatic intent of Johann Sebastian Bach’s sacred choral music. Using Bach’s 1714 cantata Ich hatte viel Bekümmernis (‘I had much grief’, BWV 21) as his starting point, Chafe takes his readers on a fascinating journey through Bach’s Weimar. In this book, we are introduced to Bach’s sources and collaborators—contemporary theologians, court preachers, librettists—as w…
Musica est optimum
Martin Luther’s appreciation for music as a practical instrument to promote the message of the Reformation by the creation of vernacular hymnody and specifically Lutheran liturgical music has dominated studies of Luther and his music. His systematic understanding of music, on the other hand, has been consistently neglected. This article argues that more than twenty years into his Reformation the philosophical basis of his music theory remained ve…
Why do Lutherans Sing? Lutherans, Music, and the Gospel in the First Century of the Reformation
Martin Luther regarded music as a crucial instrument to communicate the Gospel and the Reformation message. From the outset of his Reformation, a distinctive Lutheran musical tradition was fostered in electoral Saxony, its dependent territories and neighboring principalities. A review of contemporary records from the second decade of the sixteenth century to the turn of the seventeenth century enables the assessment of the role music played as an…
“God's Capellmeister”
In his musical retelling of Scripture, Johann Sebastian Bach-was motivated by Martin Luther's insight that the combination of music and message, sermo et vox, was an instrument that could effect profound change of hearts and minds [WA 50: 372, 1]. This article assesses the way in which Bach understood his own calling as one of “God's Capellmeister” in presenting and proclaiming the word of God through music.
Michaelhouse
This article recalls the foundation of one of Cambridge's lost Colleges. It documents the transformation by a private benefactor, Hervey de Stanton (or Staunton), of a small Cambridge living into the university's third College, giving an overview of the life of its founder and outlining the personal connections that led to the establishment of Michaelhouse. It traces the foundation history of parish and College and their expansion through the str…
Martin Bucers Deutsche Schriften, VIII
Martin Bucers Deutsche Schriften, VIII: Abendmahlsschriften, 1529–1541. Edited by Stephen E. Buckwalter. (Martin Buceri Opera Omnia. Ser. 1.) Pp. 515 incl. 14 ills. Gütersloh: Güterslohr, 2004. €128. 3 579 04894 5 - Volume 57 Issue 2
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Martin Bucers Deutsche Schriften, VIII
Martin Bucers Deutsche Schriften, VIII: Abendmahlsschriften, 1529–1541. Edited by Stephen E. Buckwalter. (Martin Buceri Opera Omnia. Ser. 1.) Pp. 515 incl. 14 ills. Gütersloh: Güterslohr, 2004. €128. 3 579 04894 5 - Volume 57 Issue 2
Michaelhouse
This article recalls the foundation of one of Cambridge's lost Colleges. It documents the transformation by a private benefactor, Hervey de Stanton (or Staunton), of a small Cambridge living into the university's third College, giving an overview of the life of its founder and outlining the personal connections that led to the establishment of Michaelhouse. It traces the foundation history of parish and College and their expansion through the str…
“God's Capellmeister”
In his musical retelling of Scripture, Johann Sebastian Bach-was motivated by Martin Luther's insight that the combination of music and message, sermo et vox, was an instrument that could effect profound change of hearts and minds [WA 50: 372, 1]. This article assesses the way in which Bach understood his own calling as one of “God's Capellmeister” in presenting and proclaiming the word of God through music.
Musica est optimum
Martin Luther’s appreciation for music as a practical instrument to promote the message of the Reformation by the creation of vernacular hymnody and specifically Lutheran liturgical music has dominated studies of Luther and his music. His systematic understanding of music, on the other hand, has been consistently neglected. This article argues that more than twenty years into his Reformation the philosophical basis of his music theory remained ve…
Why do Lutherans Sing? Lutherans, Music, and the Gospel in the First Century of the Reformation
Martin Luther regarded music as a crucial instrument to communicate the Gospel and the Reformation message. From the outset of his Reformation, a distinctive Lutheran musical tradition was fostered in electoral Saxony, its dependent territories and neighboring principalities. A review of contemporary records from the second decade of the sixteenth century to the turn of the seventeenth century enables the assessment of the role music played as an…
"Martin Luther's "Mighty Fortress
Although versions may vary, "A Mighty Fortress" is so well-known that the uncertainties about its origins may be surprising. Whatever its original context in Luther's career, the long history of prominent and public usage is here documented by Andreas Loewe and Katherine Firth. Loewe (Dean of St. Paul's Anglican Cathedral Melbourne) and Firth (Lecturer in Research Education and Development at La Trobe University Melbourne) have also co-authored a…
J. S. Bach’s Johannine Theology
Eric T. Chafe is a veteran musicologist and his research into the choral works of Johann Sebastian Bach has inspired a generation of researchers to re-examine Bach’s cantatas and Passions in terms of their liturgical and theological setting. In this extensive work Chafe sets out to bring the music and theology of Bach’s John Passion together. He admits from the outset that the result will not be ‘an easy read, but one that will, hopefully, bring …
Tears into Wine
Eric Chafe’s Tears into Wine is a cornucopia of insights into the purpose and programmatic intent of Johann Sebastian Bach’s sacred choral music. Using Bach’s 1714 cantata Ich hatte viel Bekümmernis (‘I had much grief’, BWV 21) as his starting point, Chafe takes his readers on a fascinating journey through Bach’s Weimar. In this book, we are introduced to Bach’s sources and collaborators—contemporary theologians, court preachers, librettists—as w…
Reformation and Early Modern Christianity (8 obras) · Art (7 obras) · Philosophy (6 obras) · Theology (6 obras) · Literature (4 obras) · Visual arts (4 obras) · Art history (3 obras) · Classics (3 obras) · History (3 obras) · Law (3 obras)