Lucas Tromly
Dados Biográficos
| ID | 5870710 |
|---|---|
| NOME | Lucas Tromly |
| PRENOMES | Lucas |
| SOBRENOME | Tromly |
| ASSINATURA | TROMLY L |
| AFILIAÇÕES | University of Manitoba |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 4 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2009 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 0 |
Echotourism and masculinity
This article analyses the gendered dynamics of narratives that re-enact earlier travel narratives, a subgenre of travel writing that it terms “echotourism”. After discussing the implications of this terminology, the article turns to the work of Tim Butcher, whose Blood River re-enacts H.M. Stanley's Through the Dark Continent, and Chasing the Devil does the same with Graham Greene's Journey Without Maps. In both his texts, Butcher travels through…
Tourists in the Kitchen
Narratives of culinary tourism describe the experience of travel undertaken with the express purpose of retracing foodways, and cooking and eating in a cuisine’s place of origin. This article explores culinary travelogues by Jen Lin-Liu, Anne Mah, and Cheryl Lu-Lien Tan. In each narrative, Asian American women travel to Asia to learn about food and, by doing so, reconnect with familial and cultural pasts about which they feel ignorant. These text…
Race, Citizenship, and the Politics of Alien Abduction; Or, Why Aliens do not Abduct Asian Americans
The small talk of the harem’
Edith Wharton's travel narrative In Morocco (1920) is an endorsement of French colonialism underwritten by central tropes of Orientalism. During Wharton's travels she takes on a masculine agency and, consequently, presents an androcentric account of her experiences. Wharton's alignment of herself with a colonial administration she describes in highly masculine terms is disturbed during a visit to a harem, when a moment of identification she share…
Sem obras proeminentes nesta página.
The small talk of the harem’
Edith Wharton's travel narrative In Morocco (1920) is an endorsement of French colonialism underwritten by central tropes of Orientalism. During Wharton's travels she takes on a masculine agency and, consequently, presents an androcentric account of her experiences. Wharton's alignment of herself with a colonial administration she describes in highly masculine terms is disturbed during a visit to a harem, when a moment of identification she share…
Race, Citizenship, and the Politics of Alien Abduction; Or, Why Aliens do not Abduct Asian Americans
Tourists in the Kitchen
Narratives of culinary tourism describe the experience of travel undertaken with the express purpose of retracing foodways, and cooking and eating in a cuisine’s place of origin. This article explores culinary travelogues by Jen Lin-Liu, Anne Mah, and Cheryl Lu-Lien Tan. In each narrative, Asian American women travel to Asia to learn about food and, by doing so, reconnect with familial and cultural pasts about which they feel ignorant. These text…
Echotourism and masculinity
This article analyses the gendered dynamics of narratives that re-enact earlier travel narratives, a subgenre of travel writing that it terms “echotourism”. After discussing the implications of this terminology, the article turns to the work of Tim Butcher, whose Blood River re-enacts H.M. Stanley's Through the Dark Continent, and Chasing the Devil does the same with Graham Greene's Journey Without Maps. In both his texts, Butcher travels through…
Gender Studies (4 obras) · History (4 obras) · Sociology (4 obras) · Law (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · American and British Literature Analysis (2 obras) · Art (2 obras) · Asian American and Pacific Histories (2 obras) · Gender Studies (2 obras)