Nadi Abusaada
Dados Biográficos
| ID | 5907399 |
|---|---|
| NOME | Nadi Abusaada |
| PRENOMES | Nadi |
| SOBRENOME | Abusaada |
| ASSINATURA | ABUSAADA N |
| AFILIAÇÕES | Twitter (United States) |
| ORCID | 0000-0002-8642-6832 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2020 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 0 |
An Arab Renaissance on Display
This paper investigates the history of the two Arab Exhibitions held in Jerusalem in 1933 and 1934 when Palestine was under British colonial rule. The exhibitions were a direct response to Palestine’s representation in colonial exhibitions both locally and internationally. However, more than merely responding to these representations, as this paper shows, these exhibitions also carried a vision of their own: affirming Palestine’s position in the …
The Pit and the Pond”
The rationalization of urban water-supply systems and networks was a pressing concern in the development of modern cities globally in the late nineteenth and early twentieth centuries. The rise of the modern city did not manifest only in the complete overhaul of water and sewage infrastructures but also in the creation of new mechanisms of urban governance to manage them. Examining understudied municipal water projects in Jaffa and Nablus, two ch…
Combined Action
Sem obras proeminentes nesta página.
Combined Action
The Pit and the Pond”
The rationalization of urban water-supply systems and networks was a pressing concern in the development of modern cities globally in the late nineteenth and early twentieth centuries. The rise of the modern city did not manifest only in the complete overhaul of water and sewage infrastructures but also in the creation of new mechanisms of urban governance to manage them. Examining understudied municipal water projects in Jaffa and Nablus, two ch…
An Arab Renaissance on Display
This paper investigates the history of the two Arab Exhibitions held in Jerusalem in 1933 and 1934 when Palestine was under British colonial rule. The exhibitions were a direct response to Palestine’s representation in colonial exhibitions both locally and internationally. However, more than merely responding to these representations, as this paper shows, these exhibitions also carried a vision of their own: affirming Palestine’s position in the …
Ancient history (3 obras) · History (3 obras) · Archaeological Research and Protection (2 obras) · Geography (2 obras) · Palestine (2 obras) · Photography and Visual Culture (2 obras) · Archaeology (1 obra) · Art (1 obra) · Art history (1 obra) · Articulation (sociology (1 obra)