Ton Hoenselaars
Dados Biográficos
| ID | 5949303 |
|---|---|
| NOME | Ton Hoenselaars |
| PRENOMES | Ton |
| SOBRENOME | Hoenselaars |
| ASSINATURA | HOENSELAARS T |
| AFILIAÇÕES | Utrecht University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1994 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 0 |
The Cambridge Guide to the Worlds of Shakespeare
The Cambridge Guide to the Worlds of Shakespeare aims to replicate the expansive reach of Shakespeare's global reputation. In pursuit of that vision, this work is transhistorical, international and interdisciplinary. Volume 1, Shakespeare's World, 1500–1660, includes a comprehensive survey of the world in which Shakespeare and his contemporaries lived, while Volume 2, The World's Shakespeare, 1660–Present, examines what the world has made of Shak…
Captive Shakespeare
This chapter considers productions of Shakespeare’s plays put on in captivity, especially during the First and Second World Wars. It studies the phenomenon of productions of the plays performed at prisons by visiting companies or by the prisoners ‘behind bars’ themselves. It analyses and contextualizes productions of Shakespeare’s plays staged ‘behind barbed wire’ in POW camps and civilian camps, prison camps and transit camps, labour camps and r…
The Shakespearean International Yearbook
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed thi…
Shakespow
In my paper, I look at the reception of Shakespeare in wartime, under circumstances that challenge and foreground the notion of national borders and territories within Europe. By looking at several Shakespeare cults during the Great War, I seek to illustrate how notions of the nation and of Europe are variable, and with it the concept of “European Shakespeare.”
Reclamations of Shakespeare
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Reclamations of Shakespeare
Shakespow
In my paper, I look at the reception of Shakespeare in wartime, under circumstances that challenge and foreground the notion of national borders and territories within Europe. By looking at several Shakespeare cults during the Great War, I seek to illustrate how notions of the nation and of Europe are variable, and with it the concept of “European Shakespeare.”
Captive Shakespeare
This chapter considers productions of Shakespeare’s plays put on in captivity, especially during the First and Second World Wars. It studies the phenomenon of productions of the plays performed at prisons by visiting companies or by the prisoners ‘behind bars’ themselves. It analyses and contextualizes productions of Shakespeare’s plays staged ‘behind barbed wire’ in POW camps and civilian camps, prison camps and transit camps, labour camps and r…
The Shakespearean International Yearbook
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed thi…
The Cambridge Guide to the Worlds of Shakespeare
The Cambridge Guide to the Worlds of Shakespeare aims to replicate the expansive reach of Shakespeare's global reputation. In pursuit of that vision, this work is transhistorical, international and interdisciplinary. Volume 1, Shakespeare's World, 1500–1660, includes a comprehensive survey of the world in which Shakespeare and his contemporaries lived, while Volume 2, The World's Shakespeare, 1660–Present, examines what the world has made of Shak…
Shakespeare, Adaptation, and Literary Criticism (4 obras) · Art (3 obras) · History (3 obras) · Sociology (3 obras) · Criticism and interpretation (2 obras) · Historical Art and Culture Studies (2 obras) · History and criticism (2 obras) · History and criticism (2 obras) · Literature (2 obras) · Political science (2 obras)