Stacy Gillis
Dados Biográficos
| ID | 5950127 |
|---|---|
| NOME | Stacy Gillis |
| PRENOMES | Stacy |
| SOBRENOME | Gillis |
| ASSINATURA | GILLIS S |
| AFILIAÇÕES | Newcastle University |
| ORCID | 0009-0006-8232-0420 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAÇÕES | 17 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2004 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 2 |
From the knowledge economy to the hidden curriculum
This article explores the barriers to an equitable transition from secondary to higher education. Taking our home institution of Newcastle University as a case study, we consider the relationship of the ‘hidden curriculum’ of higher education in the United Kingdom with the sector-wide neoliberalisation of education, arguing that a governmental emphasis on the so-called ‘knowledge economy’ has had an ongoing impact on students’ experience of the t…
In pink, goes with everything
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
Roundtable on the impact of Covid and Open Access on Gender Studies Journal
International audience
Sin and a Tiger Skin
This article considers how the press announcements about Elinor Glyn's Three Weeks (1907) and then the reviews of the novel, titillated the reading public. It then considers how sex, pleasure and desire function in the novel, centring on the tiger skin on which the adulterous love affair between Paul Verdayne and the Lady is consummated. The article also considers not only how desire and pleasure are located within the novel, but also how the tig…
The Cross-Dresser, the Thief, His Daughter and Her Lover
When romance fiction consolidated as a genre in the 1920s and 1930s, a series of generic conventions concerning the heterosexual imperatives came about. This article considers how these heterosexual imperatives function as a mask for queer desire in Georgette Heyer’s These Old Shades (1926). Drawing on the work of Eve Kosofsky Sedgwick, the article identifies in the novel a detailed account of male–male desire through arguing that while the roman…
Pimple’s Three Weeks (Without the Option), with Apologies to Elinor Glyn
Keywords: Elinor GlynThree WeeksPimple (Fred Evans)Charles WestonGeorge Blackcopyrightimmorality
Noticeboard
Noticeboard
The (Post)Feminist Politics of Cyberpunk
Book and Film Review
Third Wave Feminism
This revised and expanded edition, new in paperback, provides a definitive collection on the current period in feminism known by many as the 'third wave'. Three sections - genealogies and generations
Screening L.M. Montgomery
I don't know why I keep on going to see my favourite books screened. The result is always a disappointment. (Montgomery, Selected Journals, vol. 111: 26)
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
Third Wave Feminism
This revised and expanded edition, new in paperback, provides a definitive collection on the current period in feminism known by many as the 'third wave'. Three sections - genealogies and generations
Screening L.M. Montgomery
I don't know why I keep on going to see my favourite books screened. The result is always a disappointment. (Montgomery, Selected Journals, vol. 111: 26)
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
Book and Film Review
The (Post)Feminist Politics of Cyberpunk
Noticeboard
Noticeboard
Pimple’s Three Weeks (Without the Option), with Apologies to Elinor Glyn
Keywords: Elinor GlynThree WeeksPimple (Fred Evans)Charles WestonGeorge Blackcopyrightimmorality
The Cross-Dresser, the Thief, His Daughter and Her Lover
When romance fiction consolidated as a genre in the 1920s and 1930s, a series of generic conventions concerning the heterosexual imperatives came about. This article considers how these heterosexual imperatives function as a mask for queer desire in Georgette Heyer’s These Old Shades (1926). Drawing on the work of Eve Kosofsky Sedgwick, the article identifies in the novel a detailed account of male–male desire through arguing that while the roman…
Sin and a Tiger Skin
This article considers how the press announcements about Elinor Glyn's Three Weeks (1907) and then the reviews of the novel, titillated the reading public. It then considers how sex, pleasure and desire function in the novel, centring on the tiger skin on which the adulterous love affair between Paul Verdayne and the Lady is consummated. The article also considers not only how desire and pleasure are located within the novel, but also how the tig…
Roundtable on the impact of Covid and Open Access on Gender Studies Journal
International audience
In pink, goes with everything
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
From the knowledge economy to the hidden curriculum
This article explores the barriers to an equitable transition from secondary to higher education. Taking our home institution of Newcastle University as a case study, we consider the relationship of the ‘hidden curriculum’ of higher education in the United Kingdom with the sector-wide neoliberalisation of education, arguing that a governmental emphasis on the so-called ‘knowledge economy’ has had an ongoing impact on students’ experience of the t…
Art (7 obras) · Political science (6 obras) · Sociology (6 obras) · Aesthetics (5 obras) · Law (5 obras) · Politics (5 obras) · Gender, Feminism, and Media (4 obras) · History (4 obras) · History (4 obras) · Gender Studies (3 obras)