Rebecca Maloy
Dados Biográficos
| ID | 5961550 |
|---|---|
| NOME | Rebecca Maloy |
| PRENOMES | Rebecca |
| SOBRENOME | Maloy |
| ASSINATURA | MALOY R |
| AFILIAÇÕES | University of Colorado Boulder |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 4 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2008 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Why Write Music? Scribes and Partial Notation in Toledo, Cathedral Archive, MS 35–6
Western plainsong studies have typically focused on fully notated manuscripts, which provide the most complete witnesses to the repertories that have interested scholars in the field. Recent work, however, has shown that partially notated manuscripts, fragments, and marginalia can yield different kinds of insights into manuscript culture, as well as the uses and functions of musical notation. This article explores how a partially notated manuscri…
Virgin Confessor
Virgin Confessor: The Expression of a Saintly Typology in the Old Hispanic Liturgy for Saint Leocadia of Toledo. Un article de la revue Mediaeval Studies (Volume 85, 2023, p. 1-260) diffusée par la plateforme Érudit
Processional liturgy in the urban space of seventh-century Tarragona
The Verona Orational, copied in Tarragona in the early eighth century, contains processional rubrics hinting at liturgical movement between churches on Carnes Tollendas Sunday at the beginning of Lent. The rubrics mention three places: Holy Jerusalem, Saint Fructuosus’s and Saint Peter’s. This essay examines the processional rubrics in tandem with the urban architecture of Visigothic Tarragona to place these processions as nearly as possible in t…
Old Hispanic pre-baptism initiation rites, chants and processions
Themes of Christian initiation permeate the Old Hispanic liturgy for the three weeks before Easter, culminating in the Easter Vigil baptisms. Previous scholars have examined the initiation prayers, readings, and sermons in detail, exploring their connections with the writings of Ildephonsus of Toledo (d. 667). In this article, we consider the initiation rituals from the perspectives of liturgical movement and chant. On Mid-Lent Sunday (three week…
Chant editing and analysis program
Until recently, Old Hispanic chant was rarely subjected to close musical analysis, in part because it is preserved in unpitched notation. Although we can read the contours of the melodies—the up and down movements—they cannot be reliably transcribed into modern notation. This paper introduces the Chant Editing and Analysis Program and shows how it facilitates analysis of the repertory
Fixity, Flexibility, and Compositional Process in Old Hispanic Chant
Old Hispanic (or ‘Mozarabic’) chant bears witness to a transmission that was rather different from that of the Franco-Roman mass Proper. Despite evidence for the use of notated exemplars from the late ninth or early tenth century, many Old Hispanic melodies did not attain the fixity associated with the Franco-Roman mass. The present essay presents evidence that these chants continued to change in an oral tradition that interacted with the written…
Music and Meaning in Old Hispanic Lenten Chants
Although Old Hispanic liturgical chant has long been considered one of the most important medieval chant traditions, its musical notation shows only where the melodies rise and fall, not precise intervals or pitches, and this lack of pitch-readable notation has prevented scholars from fully engaging with the surviving sources. Focussing on three genres of chant sung during the Old Hispanic Lent (the threni, psalmi, and Easter Vigil canticles), th…
Music Theory from Boethius to Zarlino
Processional liturgy in the urban space of seventh-century Tarragona
The Verona Orational, copied in Tarragona in the early eighth century, contains processional rubrics hinting at liturgical movement between churches on Carnes Tollendas Sunday at the beginning of Lent. The rubrics mention three places: Holy Jerusalem, Saint Fructuosus’s and Saint Peter’s. This essay examines the processional rubrics in tandem with the urban architecture of Visigothic Tarragona to place these processions as nearly as possible in t…
Fixity, Flexibility, and Compositional Process in Old Hispanic Chant
Old Hispanic (or ‘Mozarabic’) chant bears witness to a transmission that was rather different from that of the Franco-Roman mass Proper. Despite evidence for the use of notated exemplars from the late ninth or early tenth century, many Old Hispanic melodies did not attain the fixity associated with the Franco-Roman mass. The present essay presents evidence that these chants continued to change in an oral tradition that interacted with the written…
Music Theory from Boethius to Zarlino
Music and Meaning in Old Hispanic Lenten Chants
Although Old Hispanic liturgical chant has long been considered one of the most important medieval chant traditions, its musical notation shows only where the melodies rise and fall, not precise intervals or pitches, and this lack of pitch-readable notation has prevented scholars from fully engaging with the surviving sources. Focussing on three genres of chant sung during the Old Hispanic Lent (the threni, psalmi, and Easter Vigil canticles), th…
Fixity, Flexibility, and Compositional Process in Old Hispanic Chant
Old Hispanic (or ‘Mozarabic’) chant bears witness to a transmission that was rather different from that of the Franco-Roman mass Proper. Despite evidence for the use of notated exemplars from the late ninth or early tenth century, many Old Hispanic melodies did not attain the fixity associated with the Franco-Roman mass. The present essay presents evidence that these chants continued to change in an oral tradition that interacted with the written…
Chant editing and analysis program
Until recently, Old Hispanic chant was rarely subjected to close musical analysis, in part because it is preserved in unpitched notation. Although we can read the contours of the melodies—the up and down movements—they cannot be reliably transcribed into modern notation. This paper introduces the Chant Editing and Analysis Program and shows how it facilitates analysis of the repertory
Virgin Confessor
Virgin Confessor: The Expression of a Saintly Typology in the Old Hispanic Liturgy for Saint Leocadia of Toledo. Un article de la revue Mediaeval Studies (Volume 85, 2023, p. 1-260) diffusée par la plateforme Érudit
Processional liturgy in the urban space of seventh-century Tarragona
The Verona Orational, copied in Tarragona in the early eighth century, contains processional rubrics hinting at liturgical movement between churches on Carnes Tollendas Sunday at the beginning of Lent. The rubrics mention three places: Holy Jerusalem, Saint Fructuosus’s and Saint Peter’s. This essay examines the processional rubrics in tandem with the urban architecture of Visigothic Tarragona to place these processions as nearly as possible in t…
Old Hispanic pre-baptism initiation rites, chants and processions
Themes of Christian initiation permeate the Old Hispanic liturgy for the three weeks before Easter, culminating in the Easter Vigil baptisms. Previous scholars have examined the initiation prayers, readings, and sermons in detail, exploring their connections with the writings of Ildephonsus of Toledo (d. 667). In this article, we consider the initiation rituals from the perspectives of liturgical movement and chant. On Mid-Lent Sunday (three week…
Why Write Music? Scribes and Partial Notation in Toledo, Cathedral Archive, MS 35–6
Western plainsong studies have typically focused on fully notated manuscripts, which provide the most complete witnesses to the repertories that have interested scholars in the field. Recent work, however, has shown that partially notated manuscripts, fragments, and marginalia can yield different kinds of insights into manuscript culture, as well as the uses and functions of musical notation. This article explores how a partially notated manuscri…
Art (6 obras) · History (5 obras) · Historical and Religious Studies of Rome (4 obras) · Libraries, Manuscripts, and Books (4 obras) · Liturgy (4 obras) · Philosophy (4 obras) · Archaeology (3 obras) · Computer Science (3 obras) · History (3 obras) · Linguistics (3 obras)