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LETA E MILLER

Dados Biográficos

ID5961826
NOMELETA E MILLER
PRENOMESLETA E
SOBRENOMEMILLER
ASSINATURAMILLER L E
VERIFICADONão
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1985
ANO MAIS RECENTE DE PUBLICAÇÃO2013
ÍNDICE H0
  • Once

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2013

  • Scavarda, Donald

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2012

  • Cacioppo, George

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2012

  • The Cowell-Ives Relationship

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•2005

  • Henry Cowell and Modern Dance

    Laura E Miller, LETA E MILLER•ARTICLE•American Music•2002

    in 1992, found studio accompaniment quite intolerable. In 1939 he wrote to Lou Harrison: have the possibility of a job in Taos this summer.... I wouldn't get paid very much if at all; but it would be a step away from [dance] accompaniment-drudgery which I hate.' (It is tempting to speculate that Cage's impatience with studio work contributed in some measure to the composition method he ultimately worked out with Merce Cunningham in which sound an…

  • Lou Harrison

    Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  • Lou Harrison and the American Gamelan

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

    Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

  • John Birchensha and the Early Royal Society

    Open Access•Laura E Miller, LETA E MILLER•ARTICLE•Journal of the Royal Musical…•1990

    The concept of music as science, still a vital part of the natural philosophy of the seventeenth century, found a strong advocate in the early Royal Society, whose agenda frequently embraced musical topics. From the organization's inception in 1660 to the early eighteenth century the Society's minutes recount acoustical experiments performed at meetings and describe papers on topics ranging from string vibrations to music's medicinal powers

  • Rameau and the Royal Society of London

    Laura E Miller, LETA E MILLER•ARTICLE•Music and Letters•1985

    Journal Article RAMEAU AND THE ROYAL SOCIETY OF LONDON: NEW LETTERS AND DOCUMENTS Get access LETA E. MILLER LETA E. MILLER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 1, January 1985, Pages 19–33, https://doi.org/10.1093/ml/66.1.19 Published: 01 January 1985

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  • Rameau and the Royal Society of London

    Laura E Miller, LETA E MILLER•ARTICLE•Music and Letters•1985

    Journal Article RAMEAU AND THE ROYAL SOCIETY OF LONDON: NEW LETTERS AND DOCUMENTS Get access LETA E. MILLER LETA E. MILLER Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 1, January 1985, Pages 19–33, https://doi.org/10.1093/ml/66.1.19 Published: 01 January 1985

  • John Birchensha and the Early Royal Society

    Open Access•Laura E Miller, LETA E MILLER•ARTICLE•Journal of the Royal Musical…•1990

    The concept of music as science, still a vital part of the natural philosophy of the seventeenth century, found a strong advocate in the early Royal Society, whose agenda frequently embraced musical topics. From the organization's inception in 1660 to the early eighteenth century the Society's minutes recount acoustical experiments performed at meetings and describe papers on topics ranging from string vibrations to music's medicinal powers

  • Lou Harrison

    Denise Von Glahn, Laura E Miller et al.•ARTICLE•American Music•1999

  • Lou Harrison and the American Gamelan

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•1999

    Since the inception of the first Indonesian music performance program in the United States in the 1950s, the number of gamelan in America has mushroomed. A gamelan-the word translates roughly as orchestra-is an ensemble comprising primarily pitched percussion. The main instruments of the ensemble are keyed metallophones with trough or tubular resonators, and knobbed gongs, some of which are suspended and some of which are laid horizontally on rop…

  • Henry Cowell and Modern Dance

    Laura E Miller, LETA E MILLER•ARTICLE•American Music•2002

    in 1992, found studio accompaniment quite intolerable. In 1939 he wrote to Lou Harrison: have the possibility of a job in Taos this summer.... I wouldn't get paid very much if at all; but it would be a step away from [dance] accompaniment-drudgery which I hate.' (It is tempting to speculate that Cage's impatience with studio work contributed in some measure to the composition method he ultimately worked out with Merce Cunningham in which sound an…

  • The Cowell-Ives Relationship

    Laura E Miller, LETA E MILLER et al.•ARTICLE•American Music•2005

  • Scavarda, Donald

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2012

  • Cacioppo, George

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2012

  • Once

    Laura E Miller, LETA E MILLER•CHAPTER•The new Grove dictionary of music…•2013

Art (6 obras) · History (4 obras) · Visual arts (4 obras) · Computer Science (3 obras) · Music History and Culture (3 obras) · Archaeology (2 obras) · Art history (2 obras) · Musicology and Musical Analysis (2 obras) · Philosophy (2 obras) · Aesthetics (1 obras)

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