Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

F Orestano

Dados Biográficos

ID5968964
NOMEF Orestano
PRENOMESF
SOBRENOMEOrestano
ASSINATURAORESTANO F
AFILIAÇÕESUniversity of Milan
ORCID0000-0001-9531-2311
VERIFICADOSim
TOTAL DE OBRAS6
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR6
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1903
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H1
  • The Roaring Streets

    Open Access•F Orestano•ARTICLE•Cahiers victoriens et édouardiens•2021

    Virginia Woolf was a keen preserver of some Victorian values, and among these the art of Charles Dickens, with his representation of London, its voices, sounds, music and noises. Dickens’s Little Dorrit and its closing sentence opens up my critical track by suggesting that Woolf’s reconstruction of the past must give to Victorian sounds a role that is neither ancillary nor merely impressionistic. This article focuses on Woolf’s portrayal of Victo…

  • East Is East

    F Orestano•ARTICLE•Partial Answers Journal of…•2021•Citada por: 1

    The article focuses on the presence of China—its citizens, its culture—on the map of London during the Victorian age, and on the role Dickens played in locating and describing such space in the eastern part of the great metropolis and hub of the Empire. There is a mirroring between London and Canton, a curious coincidence of toponyms, suggestive of an ambiguous cultural interface

  • Pictures From Italy

    F Orestano•ARTICLE•Studies in Travel Writing•2020

    By analysing the history, conventions, and status of the travel book as a genre, this article highlights Dickens’s inimitable departures from its acknowledged form in Pictures from Italy (1846). This text purports to be an exception among travel books, to the extent that in today’s parlance Dickens is at once keen on visual impressions enhanced by the codes of optical technology; his viewpoint, similes, analogies, send the reader constantly back …

  • The Revd William Gilpin and the Picturesque; Or, Who's Afraid of Doctor Syntax

    F Orestano•ARTICLE•Garden History•2003

  • Antiquarianism in the Augustan Age. Thomas Hearne 1678-1735

    F Orestano•ARTICLE•Journal of the History of…•2002

    Antiquarianism in the Augustan Age. Thomas Hearne 1678–1735 TheodorHarmsen OxfordPeter Lang Publishing 2000366£30 3–906758–96–6

  • Le idee Fondamentali di Fed. Nietzsche

    L Cooper, Laura Gabriela Cooper et al.•ARTICLE•The Philosophical Review•1903

  • East Is East

    F Orestano•ARTICLE•Partial Answers Journal of…•2021•Citada por: 1

    The article focuses on the presence of China—its citizens, its culture—on the map of London during the Victorian age, and on the role Dickens played in locating and describing such space in the eastern part of the great metropolis and hub of the Empire. There is a mirroring between London and Canton, a curious coincidence of toponyms, suggestive of an ambiguous cultural interface

  • Le idee Fondamentali di Fed. Nietzsche

    L Cooper, Laura Gabriela Cooper et al.•ARTICLE•The Philosophical Review•1903

  • Antiquarianism in the Augustan Age. Thomas Hearne 1678-1735

    F Orestano•ARTICLE•Journal of the History of…•2002

    Antiquarianism in the Augustan Age. Thomas Hearne 1678–1735 TheodorHarmsen OxfordPeter Lang Publishing 2000366£30 3–906758–96–6

  • The Revd William Gilpin and the Picturesque; Or, Who's Afraid of Doctor Syntax

    F Orestano•ARTICLE•Garden History•2003

  • Pictures From Italy

    F Orestano•ARTICLE•Studies in Travel Writing•2020

    By analysing the history, conventions, and status of the travel book as a genre, this article highlights Dickens’s inimitable departures from its acknowledged form in Pictures from Italy (1846). This text purports to be an exception among travel books, to the extent that in today’s parlance Dickens is at once keen on visual impressions enhanced by the codes of optical technology; his viewpoint, similes, analogies, send the reader constantly back …

  • The Roaring Streets

    Open Access•F Orestano•ARTICLE•Cahiers victoriens et édouardiens•2021

    Virginia Woolf was a keen preserver of some Victorian values, and among these the art of Charles Dickens, with his representation of London, its voices, sounds, music and noises. Dickens’s Little Dorrit and its closing sentence opens up my critical track by suggesting that Woolf’s reconstruction of the past must give to Victorian sounds a role that is neither ancillary nor merely impressionistic. This article focuses on Woolf’s portrayal of Victo…

  • East Is East

    F Orestano•ARTICLE•Partial Answers Journal of…•2021•Citada por: 1

    The article focuses on the presence of China—its citizens, its culture—on the map of London during the Victorian age, and on the role Dickens played in locating and describing such space in the eastern part of the great metropolis and hub of the Empire. There is a mirroring between London and Canton, a curious coincidence of toponyms, suggestive of an ambiguous cultural interface

Art (4 obras) · History (3 obras) · Philosophy (3 obras) · Art history (2 obras) · Historical Art and Culture Studies (2 obras) · Linguistics (2 obras) · Literature (2 obras) · Travel Writing and Literature (2 obras) · Aesthetics (1 obra) · Ancient history (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae