D Antoinette Handy

• Feelin' Good

  D Antoinette Handy•ARTICLE•American Music•1991

  Incluir item

  D. Antoinette Handy, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 331-334

• In One Lifetime

  D Antoinette Handy, Verna Arvey et al.•ARTICLE•American Music•1987

  Incluir item

• Black Music in the United States

  D Antoinette Handy, Samuel A Floyd et al.•ARTICLE•American Music•1986

  Incluir item

• Stormy Weather

  D Antoinette Handy, Linda Dahl•ARTICLE•The Black Perspective in Music•1985

  Incluir item

• Black Women in American Bands and Orchestras

  Dominique-Rene De Lerma, D Antoinette Handy•ARTICLE•American Music•1984

  Incluir item

  Handy has revised the profiles of members featured in the first edition, corrected omissions, and added personal and career facts for new faces on the scene. Profiles are presented under the headings of orchestras and orchestra leaders, string players, wind and percussion players, keyboard players, and non-playing orchestra/band affiliates

• The International Sweethearts of Rhythm

  Doris Evans Mcginty, D Antoinette Handy et al.•ARTICLE•The Black Perspective in Music•1984

  Incluir item

• Mother of the Blues

  D Antoinette Handy, Sandra Lieb et al.•ARTICLE•The Black Perspective in Music•1983

  Incluir item

  Briefly portrays the life of the influential blues singer, Ma Rainey, discusses the development of her music, and analyzes the theme of love in her music

• Marian Anderson

  Josephine Wright, Josephine A Wright et al.•ARTICLE•The Black Perspective in Music•1981

  Incluir item

• First Lady of the Jazz Keyboard

  D Antoinette Handy, Mary Lou Williams•ARTICLE•The Black Perspective in Music•1980

  Incluir item

• On with the Show. The First Century of Show Business in America

  Doris Evans Mcginty, Robert C Toll et al.•ARTICLE•The Black Perspective in Music•1977

  Incluir item

  Examples: Michal Smoira-Roll is referred to as Smoira-Cohen; new nationalism of folklore of nineteenth and twentieth centuries is described as disinterested in changing elements (as opposed to supposedly permanent ones); Forkel's history of music not distinguished by Philosemitism; Peter Wagner is described as the unforgettable Peter Wagner, explorer, historian, and champion of Gregorian Chant, only to be reintroduced three pages later as Prof. P…

• Manager of a Symphony Orchestra

  D Antoinette Handy, Lucille Dixon•ARTICLE•The Black Perspective in Music•1975

  Incluir item

• Contemporary Black Images in Music for the Flute

  Dominique-Rene De Lerma, Trio Pro Viva et al.•ARTICLE•The Black Perspective in Music•1973

  Incluir item

• Contemporary Black Images in Music for the Flute

  Dominique-Rene De Lerma, Trio Pro Viva et al.•ARTICLE•The Black Perspective in Music•1973

  Incluir item

• Manager of a Symphony Orchestra

  D Antoinette Handy, Lucille Dixon•ARTICLE•The Black Perspective in Music•1975

  Incluir item

• On with the Show. The First Century of Show Business in America

  Doris Evans Mcginty, Robert C Toll et al.•ARTICLE•The Black Perspective in Music•1977

  Incluir item

  Examples: Michal Smoira-Roll is referred to as Smoira-Cohen; new nationalism of folklore of nineteenth and twentieth centuries is described as disinterested in changing elements (as opposed to supposedly permanent ones); Forkel's history of music not distinguished by Philosemitism; Peter Wagner is described as the unforgettable Peter Wagner, explorer, historian, and champion of Gregorian Chant, only to be reintroduced three pages later as Prof. P…

• First Lady of the Jazz Keyboard

  D Antoinette Handy, Mary Lou Williams•ARTICLE•The Black Perspective in Music•1980

  Incluir item

• Marian Anderson

  Josephine Wright, Josephine A Wright et al.•ARTICLE•The Black Perspective in Music•1981

  Incluir item

• Mother of the Blues

  D Antoinette Handy, Sandra Lieb et al.•ARTICLE•The Black Perspective in Music•1983

  Incluir item

  Briefly portrays the life of the influential blues singer, Ma Rainey, discusses the development of her music, and analyzes the theme of love in her music

• Black Women in American Bands and Orchestras

  Dominique-Rene De Lerma, D Antoinette Handy•ARTICLE•American Music•1984

  Incluir item

  Handy has revised the profiles of members featured in the first edition, corrected omissions, and added personal and career facts for new faces on the scene. Profiles are presented under the headings of orchestras and orchestra leaders, string players, wind and percussion players, keyboard players, and non-playing orchestra/band affiliates

• The International Sweethearts of Rhythm

  Doris Evans Mcginty, D Antoinette Handy et al.•ARTICLE•The Black Perspective in Music•1984

  Incluir item

• Stormy Weather

  D Antoinette Handy, Linda Dahl•ARTICLE•The Black Perspective in Music•1985

  Incluir item

• Black Music in the United States

  D Antoinette Handy, Samuel A Floyd et al.•ARTICLE•American Music•1986

  Incluir item

• In One Lifetime

  D Antoinette Handy, Verna Arvey et al.•ARTICLE•American Music•1987

  Incluir item

• Feelin' Good

  D Antoinette Handy•ARTICLE•American Music•1991

  Incluir item

  D. Antoinette Handy, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 331-334

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