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Alejandro Pardo

Dados Biográficos

ID6288157
NOMEAlejandro Pardo
PRENOMESAlejandro
SOBRENOMEPardo
ASSINATURAPARDO A
AFILIAÇÕESUniversidad de Navarra
ORCID0000-0002-2449-344X
VERIFICADOSim
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR8
OBRAS COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1970
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • The ‘diakonia’ of truth and good

    Open Access•Alejandro Pardo•ARTICLE•Church, Communication and Culture•2025

    The Catholic Church has always paid special attention to the media. John Paul II’s pontificate has been especially prolific and broad in this regard. This article seeks to offer a new synthesis of his teachings on the media, taking into consideration some recent bibliographical references. I will focus on the following points. Firstly, the consideration of the media as a positive reality is placed at the service of the person and society (gifts o…

  • Promoting culture and spirituality in an audiovisual society

    Open Access•Alejandro Pardo•ARTICLE•Church, Communication and Culture•2021

    During his pontificate (1978‒2005), John Paul II always approached cinema in a positive way, different from the reluctance that, generally speaking and with nuances, the Catholic Church initially manifested towards it. Aware of the powerful influence the film medium has as agent of socialization and culturalization, John Paul II poses the ethical challenge of using film’s great potential to promote man and society. Analysing extensively Pope Wojt…

  • Self-Sovereign Identity

    Marcos Allende López, Marcelo Da Silva et al.•EDITOR•REPORT•2020

    La identidad auto-gestionada propone que los individuos puedan administrar y presentar sus activos digitales utilizando billeteras digitales y que puedan compartirlos e intercambiarlos con garantías de seguridad y maximización de privacidad. En primer lugar, este modelo habilita que los individuos tengan soberanía en la administración y presentación de sus activos y credenciales digitales -como por ejemplo un pasaporte digital, un título académic…

  • Movies and screens

    Open Access•Alejandro Pardo, Cristina Etayo•ARTICLE•Communication & Society•2014•Citada por: 1•Referências: 4

    Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which c…

  • Effects of Market Concentration in Theatrical Distribution

    Alejandro Pardo, Alfonso Sánchez‐tabernero et al.•ARTICLE•The International Journal on…•2012

    The globalization phenomenon has reopened the debate on the concentration of media and entertainment industries, particularly in the film distribution market. Some authors consider that the dominant position of U.S. companies comes from the higher identification of American films with the tastes of the European audience. Others argue that the Hollywood success is mainly due to its control of the distribution system. U.S. films account for an aver…

  • Concentration of the Theatrical Distribution Market in Spain

    Open Access•Alejandro Pardo, Alfonso Sánchez‐tabernero et al.•ARTICLE•Anàlisi•2012

    Anàlisi is a science journal published by the Journalism and Communication Sciences Department of the Autonomous University of Barcelona (UAB). The journal has been published by the UAB Journalism Department since 1980. Anàlisi publishes science articles in the fields of the communication sciences: journalism, advertising and public relations, audiovisual communication, internet, multimedia and similar areas, always from the social and cultural v…

  • City of Light, City of Shadows

    Alejandro Pardo•ARTICLE•Film International•2010

  • Movies and screens

    Open Access•Alejandro Pardo, Cristina Etayo•ARTICLE•Communication & Society•1970

    Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which c…

  • Coproducciones internacionales españolas

    Open Access•Alejandro Pardo•ARTICLE•Communication & Society•1970•Referências: 1

    Desde hace medio siglo, las coproducciones internacionales son una fórmula habitual en las industrias cinematográficas europeas (40% de las películas producidas anualmente). Más allá de la mera cooperación, las coproducciones exigen un difícil equilibrio entre estrategia financiera e implicaciones multiculturales. Varios autores han propuesto tipologías de películas internacionales atendiendo a estos factores. Este artículo analiza un total de 25…

  • Movies and screens

    Open Access•Alejandro Pardo, Cristina Etayo•ARTICLE•Communication & Society•2014•Citada por: 1•Referências: 4

    Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which c…

  • Movies and screens

    Open Access•Alejandro Pardo, Cristina Etayo•ARTICLE•Communication & Society•1970

    Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which c…

  • Coproducciones internacionales españolas

    Open Access•Alejandro Pardo•ARTICLE•Communication & Society•1970•Referências: 1

    Desde hace medio siglo, las coproducciones internacionales son una fórmula habitual en las industrias cinematográficas europeas (40% de las películas producidas anualmente). Más allá de la mera cooperación, las coproducciones exigen un difícil equilibrio entre estrategia financiera e implicaciones multiculturales. Varios autores han propuesto tipologías de películas internacionales atendiendo a estos factores. Este artículo analiza un total de 25…

  • City of Light, City of Shadows

    Alejandro Pardo•ARTICLE•Film International•2010

  • Effects of Market Concentration in Theatrical Distribution

    Alejandro Pardo, Alfonso Sánchez‐tabernero et al.•ARTICLE•The International Journal on…•2012

    The globalization phenomenon has reopened the debate on the concentration of media and entertainment industries, particularly in the film distribution market. Some authors consider that the dominant position of U.S. companies comes from the higher identification of American films with the tastes of the European audience. Others argue that the Hollywood success is mainly due to its control of the distribution system. U.S. films account for an aver…

  • Concentration of the Theatrical Distribution Market in Spain

    Open Access•Alejandro Pardo, Alfonso Sánchez‐tabernero et al.•ARTICLE•Anàlisi•2012

    Anàlisi is a science journal published by the Journalism and Communication Sciences Department of the Autonomous University of Barcelona (UAB). The journal has been published by the UAB Journalism Department since 1980. Anàlisi publishes science articles in the fields of the communication sciences: journalism, advertising and public relations, audiovisual communication, internet, multimedia and similar areas, always from the social and cultural v…

  • Movies and screens

    Open Access•Alejandro Pardo, Cristina Etayo•ARTICLE•Communication & Society•2014•Citada por: 1•Referências: 4

    Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which c…

  • Self-Sovereign Identity

    Marcos Allende López, Marcelo Da Silva et al.•EDITOR•REPORT•2020

    La identidad auto-gestionada propone que los individuos puedan administrar y presentar sus activos digitales utilizando billeteras digitales y que puedan compartirlos e intercambiarlos con garantías de seguridad y maximización de privacidad. En primer lugar, este modelo habilita que los individuos tengan soberanía en la administración y presentación de sus activos y credenciales digitales -como por ejemplo un pasaporte digital, un título académic…

  • Promoting culture and spirituality in an audiovisual society

    Open Access•Alejandro Pardo•ARTICLE•Church, Communication and Culture•2021

    During his pontificate (1978‒2005), John Paul II always approached cinema in a positive way, different from the reluctance that, generally speaking and with nuances, the Catholic Church initially manifested towards it. Aware of the powerful influence the film medium has as agent of socialization and culturalization, John Paul II poses the ethical challenge of using film’s great potential to promote man and society. Analysing extensively Pope Wojt…

  • The ‘diakonia’ of truth and good

    Open Access•Alejandro Pardo•ARTICLE•Church, Communication and Culture•2025

    The Catholic Church has always paid special attention to the media. John Paul II’s pontificate has been especially prolific and broad in this regard. This article seeks to offer a new synthesis of his teachings on the media, taking into consideration some recent bibliographical references. I will focus on the following points. Firstly, the consideration of the media as a positive reality is placed at the service of the person and society (gifts o…

Cultural Industries and Urban Development (6 obras) · Art (5 obras) · Political science (5 obras) · Computer Science (4 obras) · Sociology (4 obras) · Advertising (3 obras) · Art history (3 obras) · Business (3 obras) · Cinema and Media Studies (3 obras) · Engineering (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae