Emily H Green
Dados Biográficos
| ID | 6324929 |
|---|---|
| NOME | Emily H Green |
| PRENOMES | Emily H |
| SOBRENOME | Green |
| ASSINATURA | GREEN E H |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 0 |
Timeline of African American Music
A careful student of African American history would have noticed Portia K. Maultsby’s one-page timeline at the opening of Mellonee V. Burnim and Maultsby’s African American Music: An Introduction (2005).1 In an elegant visual representation, it divides the many traditions of African American music (and indeed much of American music) into three tree-like streams: sacred, secular, and “secular traditions: instrumental.” This intriguing timeline off…
Mozart and the Mediation of Childhood , by Adeline Mueller
One need look no further than the toy aisles of department stores to be reminded of the links between Mozart’s music, idealized infancy and childhood, and consumer culture. “If I don’t buy these light-up balls chirping out K. 545 in synthesized cat meows,” one would be forgiven for asking, “how will my mini-Mozart ever grow to be an Einstein?” The brain of one prodigy promises to transmit the scaffolding for future astrophysical contemplation. An…
How to Read a Rondeau
Written in the form and style of the popular “novel of circulation” (or “it-narrative”), this article examines and provides an experience of the performance practices of eighteenth-century amateur music. It tells the typically complex history of a minor hit, “Come Haste to the Wedding,” a tune that was sung in a 1760s Drury Lane pantomime, rewritten as a rondeau for London publishers, danced as a jig in Irish and Scottish halls, transcribed as a …
Dedicating Music, 1785–1850
A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music. Why dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-s…
Dedicating Music, 1785-1850
Introduction
In 1764, Jacques-Louis Ménétra penned a memoir of his misadventures as a journeyman through the French countryside. His prose opens with a confused and colorful passage: To my mind Made to stand, my mind, above all your scribbling This will be a preface or at any rate a dedication Surely destined for the eyes of magistrates or at very least some head of State asking humbly for their suffrage and making a show of pompous verbiage and so, my mind, …
Introduction
Ellen Lockhart, Animation, Plasticity, and Music in Italy, 1770–1830
Sem obras proeminentes nesta página.
Dedicating Music, 1785–1850
A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music. Why dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-s…
Dedicating Music, 1785-1850
Introduction
In 1764, Jacques-Louis Ménétra penned a memoir of his misadventures as a journeyman through the French countryside. His prose opens with a confused and colorful passage: To my mind Made to stand, my mind, above all your scribbling This will be a preface or at any rate a dedication Surely destined for the eyes of magistrates or at very least some head of State asking humbly for their suffrage and making a show of pompous verbiage and so, my mind, …
Introduction
Ellen Lockhart, Animation, Plasticity, and Music in Italy, 1770–1830
How to Read a Rondeau
Written in the form and style of the popular “novel of circulation” (or “it-narrative”), this article examines and provides an experience of the performance practices of eighteenth-century amateur music. It tells the typically complex history of a minor hit, “Come Haste to the Wedding,” a tune that was sung in a 1760s Drury Lane pantomime, rewritten as a rondeau for London publishers, danced as a jig in Irish and Scottish halls, transcribed as a …
Mozart and the Mediation of Childhood , by Adeline Mueller
One need look no further than the toy aisles of department stores to be reminded of the links between Mozart’s music, idealized infancy and childhood, and consumer culture. “If I don’t buy these light-up balls chirping out K. 545 in synthesized cat meows,” one would be forgiven for asking, “how will my mini-Mozart ever grow to be an Einstein?” The brain of one prodigy promises to transmit the scaffolding for future astrophysical contemplation. An…
Timeline of African American Music
A careful student of African American history would have noticed Portia K. Maultsby’s one-page timeline at the opening of Mellonee V. Burnim and Maultsby’s African American Music: An Introduction (2005).1 In an elegant visual representation, it divides the many traditions of African American music (and indeed much of American music) into three tree-like streams: sacred, secular, and “secular traditions: instrumental.” This intriguing timeline off…
Art (7 obras) · History (5 obras) · Visual arts (4 obras) · Literature (3 obras) · Philosophy (3 obras) · Anthropological Studies and Insights (2 obras) · Art history (2 obras) · Asian American and Pacific Histories (2 obras) · Computer Science (2 obras) · Decolonial Thought and Epistemologies (2 obras)