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Paolo Parmeggiani

Dados Biográficos

ID640089
NOMEPaolo Parmeggiani
PRENOMESPaolo
SOBRENOMEParmeggiani
ASSINATURAPARMEGGIANI P
AFILIAÇÕESUniversity of Udine
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES7
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1999
ANO MAIS RECENTE DE PUBLICAÇÃO2016
ÍNDICE H1
  • From grand tour to virtual tour

    Paolo Parmeggiani•ARTICLE•Visual Studies•2016

    In 1903, Underwood & Underwood published Italy through the Stereoscope: Journeys in and about Italian cities, a multimodal set that provided an immersive travel experience by combining the use of a visual device (the stereoscope and stereoviews), localisation tools (the maps), and a written commentary on each view. The paper argues that this ‘medium’, which was introduced as a realistic and immersive visual reproduction of the world, was an innov…

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Citada por: 7•Referências: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • Using video in self-representation

    Paolo Parmeggiani•ARTICLE•Visual Anthropology•1999

    The present empirical study analyses 251 documentaries produced in the Province of Udine, Italy, by various ethnic and linguistic minorities, in the period dating 1970–1995. Most of these videos were not broadcast but shown on local occasions or were seen with private VCR among these minorities: Friulan, Slovenian, Rom‐Sinti, German. The focus of the study is the ideology and self‐representation of these social identities through video. I intend …

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Citada por: 7•Referências: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • Using video in self-representation

    Paolo Parmeggiani•ARTICLE•Visual Anthropology•1999

    The present empirical study analyses 251 documentaries produced in the Province of Udine, Italy, by various ethnic and linguistic minorities, in the period dating 1970–1995. Most of these videos were not broadcast but shown on local occasions or were seen with private VCR among these minorities: Friulan, Slovenian, Rom‐Sinti, German. The focus of the study is the ideology and self‐representation of these social identities through video. I intend …

  • Going digital

    Paolo Parmeggiani•ARTICLE•Visual Studies•2009•Citada por: 7•Referências: 12

    The aim of this paper is to describe how to accomplish visual sociological research by using new technologies. \nThe background of this analysis is an empirical research I've recently done to explore the identity of a small community, using a visual sociological approach. I studied a small Italian village which has changed radically in the last fifty years in landscape, human activity, and in the values that people ascribe to these transformation…

  • From grand tour to virtual tour

    Paolo Parmeggiani•ARTICLE•Visual Studies•2016

    In 1903, Underwood & Underwood published Italy through the Stereoscope: Journeys in and about Italian cities, a multimodal set that provided an immersive travel experience by combining the use of a visual device (the stereoscope and stereoviews), localisation tools (the maps), and a written commentary on each view. The paper argues that this ‘medium’, which was introduced as a realistic and immersive visual reproduction of the world, was an innov…

Aesthetics (2 obras) · Art (2 obras) · Ideology (2 obras) · Law (2 obras) · Political science (2 obras) · Politics (2 obras) · Sociology (2 obras) · Anthropology (1 obra) · Cinema and Media Studies (1 obra) · Computer graphics (images (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae