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Stephanie J Bird

Dados Biográficos

ID6403149
NOMEStephanie J Bird
PRENOMESStephanie J
SOBRENOMEBird
ASSINATURABIRD S J
AFILIAÇÕESUniversity College London
VERIFICADONão
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES0
OBRAS COMO AUTOR4
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2003
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H0
  • Perpetration, Gender and Performance

    Open Access•Stephanie Bird, Stephanie J Bird•ARTICLE•Journal of Perpetrator Research•2021

    Review of: Clare Bielby and Jeffrey Stevenson Murer eds., Perpetrating Selves: Doing Violence, Performing Identity (Cham, Switzerland: Palgrave MacMillan, 2018). 305 pp. (hardback). ISBN 978-3-319-96784-4

  • Nazis disguised as Jews and Israel’s pursuit of justice

    Stephanie J Bird•ARTICLE•Holocaust Studies•2018•Referências: 3

    The article identifies the Nazi disguised as a Jew as a recurring figure in fiction, who destabilizes boundaries between perpetrator and victim. This blurring of identity is particularly provocative in relation to the Eichmann trial and the Israeli kapo trials of the 1950s. Robert Shaw’s The Man in the Glass Booth (1967) responds to the Eichmann trial and Arendt’s subsequent analysis, ultimately reinforcing the image of the monstrous Nazi. Writte…

  • Recent Publications

    Stephanie Bird, Stephanie J Bird•ARTICLE•Women s Studies•2004•Referências: 6

  • Recasting Historical Women

    Michaela Grobbel, Stephanie Bird et al.•ARTICLE•German Studies Review•2003

Sem obras proeminentes nesta página.

  • Recasting Historical Women

    Michaela Grobbel, Stephanie Bird et al.•ARTICLE•German Studies Review•2003

  • Recent Publications

    Stephanie Bird, Stephanie J Bird•ARTICLE•Women s Studies•2004•Referências: 6

  • Nazis disguised as Jews and Israel’s pursuit of justice

    Stephanie J Bird•ARTICLE•Holocaust Studies•2018•Referências: 3

    The article identifies the Nazi disguised as a Jew as a recurring figure in fiction, who destabilizes boundaries between perpetrator and victim. This blurring of identity is particularly provocative in relation to the Eichmann trial and the Israeli kapo trials of the 1950s. Robert Shaw’s The Man in the Glass Booth (1967) responds to the Eichmann trial and Arendt’s subsequent analysis, ultimately reinforcing the image of the monstrous Nazi. Writte…

  • Perpetration, Gender and Performance

    Open Access•Stephanie Bird, Stephanie J Bird•ARTICLE•Journal of Perpetrator Research•2021

    Review of: Clare Bielby and Jeffrey Stevenson Murer eds., Perpetrating Selves: Doing Violence, Performing Identity (Cham, Switzerland: Palgrave MacMillan, 2018). 305 pp. (hardback). ISBN 978-3-319-96784-4

Political science (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Criminology (2 obras) · German History and Society (2 obras) · Identity (music (2 obras) · Law (2 obras) · Politics (2 obras) · Psychology (2 obras) · American Jewish Fiction Analysis (1 obra)

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