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Tina K Ramnarine

Dados Biográficos

ID642290
NOMETina K Ramnarine
PRENOMESTina K
SOBRENOMERamnarine
ASSINATURARAMNARINE T K
AFILIAÇÕESRoyal Holloway University of London
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES35
TOTAL COMO AUTOR13
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1998
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H2
  • Music and Northern Forest Cultures

    Open Access•Tina K Ramnarine•ARTICLE•European Journal of Musicology•2020•Referências: 1

    This article argues that it is critical to recognize the importance of northern forests in Finno-Ugric musical contexts (Finnish and Karelian) by focusing on the question of cultural survival, which is connected with thinking about global challenges, including climate change and environmental pressure. The discussion highlights cultural survival by outlining the significance of the forest, the politics of language transmission with reference to t…

  • Dance, music and cultures of decolonisation in the Indian Diaspora

    Tina K Ramnarine•ARTICLE•South Asian Diaspora•2019

    Decolonisation is a creative process, as well as a historical and political one. This article outlines key issues in researching the creative processes of decolonisation with reference to dance and music in the Indian Diaspora. It begins with Gandhi's ‘experiments with truth’, which first developed a political reach in the context of Indian indenture within the British Empire but left a fractured legacy in the decolonising era. Their conceptual i…

  • Global Perspectives on Orchestras

    Tina K ca /21 Jh Ramnarine, Tina K Ramnarine•BOOK•Global Perspectives on Orchestras•2018

    This book adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes. The chapters describe orchestral creativity and perfor…

  • Sonic Images of the Sacred in Sámi Cinema

    Tina K Ramnarine•ARTICLE•Interventions•2013

    This essay explores ‘indigenous’ and ‘western’ forms of the sacred through the case of the Sámi in the northern fringes of Europe. The focus is on sonic images, ritual performance, shamanic drum practice and animal symbolism in the film Ofelaš (Pathfinder 1987). The essay explores how this film represents and affirms indigenous sacrality, reinscribes the dualities of indigenous–western and reifies ethnic politics in the northernmost regions of mo…

  • Glenda Dawn Goss, Sibelius

    Open Access•Tina K Ramnarine•ARTICLE•European History Quarterly•2012

  • Music in circulation between diasporic histories and modern media

    Tina K Ramnarine•ARTICLE•South Asian Diaspora•2011

    A complex scenario connecting Indian labour history, British imperial history and nineteenth century musical histories provides a context for understanding contemporary Indian diasporic musical practice in the Caribbean. This is a scenario that led to the formation of the ‘old Indian Diaspora’, as it is now known, which links the modern Indian nation-state to diverse geographic locations through both primary and secondary migrations. Contemporary…

  • The Orchestration of Civil Society

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2011•Citada por: 2•Referências: 5

    This article explores the symphony orchestra's potential to contribute to the making of civil society. It highlights orchestral attempts to reach new communities through repertoire choices, outreach projects, interactive digital technologies, and initiatives addressing poverty and environmentalism. Metaphors of the 'orchestra as society', which have been shaped by notions of social relations, are outlined to provide a platform for considering the…

  • Carriacou String Band Serenade

    Tina K Ramnarine•ARTICLE•Ethnomusicology•2010

    Book Review| January 01 2010 Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Rebecca S. Miller. 2007. Middletown, Connecticut: Wesleyan University Press. xviii, 269 pp., figures, musical examples, endnotes, bibliography, index. Accompanying webpage music tracks. Cloth $49.95. Tina K. Ramnarine Tina K. Ramnarine University of London Search fo…

  • Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism

    Tina K Ramnarine•ARTICLE•Ethnomusicology•2009•Citada por: 11

    Research Article| April 01 2009 Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism: Views from Europe’s Arctic Fringes for Environmental Ethnomusicology Tina K. Ramnarine Tina K. Ramnarine Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 187–217. https://doi.org/10.2307/25653066 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tina K. Ram…

  • Musical Performance in the Diaspora

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2007•Citada por: 21•Referências: 1

    This article outlines some key issues in the study of musical performance in diasporic contexts and introduces the case studies in this volume. It explores contrasting approaches to 'difference' and representations of 'otherness' in the multicultural society to question the relevance of an ethnomusicological commitment to musical ethnicity in studying diasporic music-making. It points out some of the ways in which ethnomusicologists have negotiat…

  • Creating Their Own Space

    Tina K Ramnarine•BOOK•Creating Their Own Space•2001

    Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the Hindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has gone largely unrecognized in the body of scholarly literature. In this volume Tina K. Ramnarine explores the revolution of Chutney and introduces the eme…

  • The Big Drum Ritual of Carriacou

    Open Access•Tina K Ramnarine•ARTICLE•American Ethnologist•2000

    The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight. Lorna McDaniel. Gainesville: University of Florida Press, 1998. ix. 198 pp., figures, tables, photographs, appendixes, notes, bibliography, index

  • Brotherhood of the boat

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•1998•Referências: 6

    In one of the few eye‐witness accounts of the transportation of Indians as indentured labourers to the Caribbean, W.H. Angel, Captain of the clipper ship Sheila on its journey from Calcutta to Trinidad (in 1877), described the musical activities of crew members and Indian migrants. As well as providing evidence of musical interactions during that voyage, Angel also posited notions of musical difference in his account. Such notions of difference p…

  • Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts

    Tina K Ramnarine•ARTICLE•Asian Music•1998•Citada por: 1

    L'A. analyse le role de la musique populaire chutney aux Caraibes (Trinidad) en tant qu'element d'expression de l'identite ethnique de la communaute indienne, et en meme temps de l'identite nationale. La representation historique locale sur l'origine du chutney etablit une filiation avec la ceremonie mathkor des rituels de mariage hindous. Apres avoir examine le discours local sur la genealogie historique du chutney et les contextes et espaces de…

  • Musical Performance in the Diaspora

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2007•Citada por: 21•Referências: 1

    This article outlines some key issues in the study of musical performance in diasporic contexts and introduces the case studies in this volume. It explores contrasting approaches to 'difference' and representations of 'otherness' in the multicultural society to question the relevance of an ethnomusicological commitment to musical ethnicity in studying diasporic music-making. It points out some of the ways in which ethnomusicologists have negotiat…

  • Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism

    Tina K Ramnarine•ARTICLE•Ethnomusicology•2009•Citada por: 11

    Research Article| April 01 2009 Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism: Views from Europe’s Arctic Fringes for Environmental Ethnomusicology Tina K. Ramnarine Tina K. Ramnarine Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 187–217. https://doi.org/10.2307/25653066 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tina K. Ram…

  • The Orchestration of Civil Society

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2011•Citada por: 2•Referências: 5

    This article explores the symphony orchestra's potential to contribute to the making of civil society. It highlights orchestral attempts to reach new communities through repertoire choices, outreach projects, interactive digital technologies, and initiatives addressing poverty and environmentalism. Metaphors of the 'orchestra as society', which have been shaped by notions of social relations, are outlined to provide a platform for considering the…

  • Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts

    Tina K Ramnarine•ARTICLE•Asian Music•1998•Citada por: 1

    L'A. analyse le role de la musique populaire chutney aux Caraibes (Trinidad) en tant qu'element d'expression de l'identite ethnique de la communaute indienne, et en meme temps de l'identite nationale. La representation historique locale sur l'origine du chutney etablit une filiation avec la ceremonie mathkor des rituels de mariage hindous. Apres avoir examine le discours local sur la genealogie historique du chutney et les contextes et espaces de…

  • Brotherhood of the boat

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•1998•Referências: 6

    In one of the few eye‐witness accounts of the transportation of Indians as indentured labourers to the Caribbean, W.H. Angel, Captain of the clipper ship Sheila on its journey from Calcutta to Trinidad (in 1877), described the musical activities of crew members and Indian migrants. As well as providing evidence of musical interactions during that voyage, Angel also posited notions of musical difference in his account. Such notions of difference p…

  • Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts

    Tina K Ramnarine•ARTICLE•Asian Music•1998•Citada por: 1

    L'A. analyse le role de la musique populaire chutney aux Caraibes (Trinidad) en tant qu'element d'expression de l'identite ethnique de la communaute indienne, et en meme temps de l'identite nationale. La representation historique locale sur l'origine du chutney etablit une filiation avec la ceremonie mathkor des rituels de mariage hindous. Apres avoir examine le discours local sur la genealogie historique du chutney et les contextes et espaces de…

  • The Big Drum Ritual of Carriacou

    Open Access•Tina K Ramnarine•ARTICLE•American Ethnologist•2000

    The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight. Lorna McDaniel. Gainesville: University of Florida Press, 1998. ix. 198 pp., figures, tables, photographs, appendixes, notes, bibliography, index

  • Creating Their Own Space

    Tina K Ramnarine•BOOK•Creating Their Own Space•2001

    Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the Hindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has gone largely unrecognized in the body of scholarly literature. In this volume Tina K. Ramnarine explores the revolution of Chutney and introduces the eme…

  • Musical Performance in the Diaspora

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2007•Citada por: 21•Referências: 1

    This article outlines some key issues in the study of musical performance in diasporic contexts and introduces the case studies in this volume. It explores contrasting approaches to 'difference' and representations of 'otherness' in the multicultural society to question the relevance of an ethnomusicological commitment to musical ethnicity in studying diasporic music-making. It points out some of the ways in which ethnomusicologists have negotiat…

  • Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism

    Tina K Ramnarine•ARTICLE•Ethnomusicology•2009•Citada por: 11

    Research Article| April 01 2009 Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism: Views from Europe’s Arctic Fringes for Environmental Ethnomusicology Tina K. Ramnarine Tina K. Ramnarine Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 187–217. https://doi.org/10.2307/25653066 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tina K. Ram…

  • Carriacou String Band Serenade

    Tina K Ramnarine•ARTICLE•Ethnomusicology•2010

    Book Review| January 01 2010 Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Rebecca S. Miller. 2007. Middletown, Connecticut: Wesleyan University Press. xviii, 269 pp., figures, musical examples, endnotes, bibliography, index. Accompanying webpage music tracks. Cloth $49.95. Tina K. Ramnarine Tina K. Ramnarine University of London Search fo…

  • Music in circulation between diasporic histories and modern media

    Tina K Ramnarine•ARTICLE•South Asian Diaspora•2011

    A complex scenario connecting Indian labour history, British imperial history and nineteenth century musical histories provides a context for understanding contemporary Indian diasporic musical practice in the Caribbean. This is a scenario that led to the formation of the ‘old Indian Diaspora’, as it is now known, which links the modern Indian nation-state to diverse geographic locations through both primary and secondary migrations. Contemporary…

  • The Orchestration of Civil Society

    Tina K Ramnarine•ARTICLE•British Journal of Ethnomusicology•2011•Citada por: 2•Referências: 5

    This article explores the symphony orchestra's potential to contribute to the making of civil society. It highlights orchestral attempts to reach new communities through repertoire choices, outreach projects, interactive digital technologies, and initiatives addressing poverty and environmentalism. Metaphors of the 'orchestra as society', which have been shaped by notions of social relations, are outlined to provide a platform for considering the…

  • Glenda Dawn Goss, Sibelius

    Open Access•Tina K Ramnarine•ARTICLE•European History Quarterly•2012

  • Sonic Images of the Sacred in Sámi Cinema

    Tina K Ramnarine•ARTICLE•Interventions•2013

    This essay explores ‘indigenous’ and ‘western’ forms of the sacred through the case of the Sámi in the northern fringes of Europe. The focus is on sonic images, ritual performance, shamanic drum practice and animal symbolism in the film Ofelaš (Pathfinder 1987). The essay explores how this film represents and affirms indigenous sacrality, reinscribes the dualities of indigenous–western and reifies ethnic politics in the northernmost regions of mo…

  • Global Perspectives on Orchestras

    Tina K ca /21 Jh Ramnarine, Tina K Ramnarine•BOOK•Global Perspectives on Orchestras•2018

    This book adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes. The chapters describe orchestral creativity and perfor…

  • Dance, music and cultures of decolonisation in the Indian Diaspora

    Tina K Ramnarine•ARTICLE•South Asian Diaspora•2019

    Decolonisation is a creative process, as well as a historical and political one. This article outlines key issues in researching the creative processes of decolonisation with reference to dance and music in the Indian Diaspora. It begins with Gandhi's ‘experiments with truth’, which first developed a political reach in the context of Indian indenture within the British Empire but left a fractured legacy in the decolonising era. Their conceptual i…

  • Music and Northern Forest Cultures

    Open Access•Tina K Ramnarine•ARTICLE•European Journal of Musicology•2020•Referências: 1

    This article argues that it is critical to recognize the importance of northern forests in Finno-Ugric musical contexts (Finnish and Karelian) by focusing on the question of cultural survival, which is connected with thinking about global challenges, including climate change and environmental pressure. The discussion highlights cultural survival by outlining the significance of the forest, the politics of language transmission with reference to t…

Art (14 obras) · History (10 obras) · Sociology (10 obras) · Musical (8 obras) · Art history (7 obras) · Literature (7 obras) · Political science (7 obras) · Politics (7 obras) · Anthropology (5 obras) · Aesthetics (4 obras)

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