Ingrid Fuglestvedt
Dados Biográficos
| ID | 643636 |
|---|---|
| NOME | Ingrid Fuglestvedt |
| PRENOMES | Ingrid |
| SOBRENOME | Fuglestvedt |
| ASSINATURA | FUGLESTVEDT I |
| AFILIAÇÕES | University of Oslo |
| ORCID | 0000-0002-2649-1907 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 48 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2007 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 4 |
Scenes of Human Control of Reindeer in the Alta Rock Art. An Event of Early Domestication in the far North
This article focuses on some evident differences between Phase 1 and Phase 2 rock art at Alta in western Finnmark in northern Norway. The earliest period (Phase 1, 5200–4200 cal BC) of rock art production shows numerous scenes in which humans seem to take control of wild game. The compositions of corrals with reindeer inside may be indications of forms of early domestication suggested to have occurred within a context marked by the authority of s…
The mythical mind of the Older Stone Age – a Lévi-Straussian reappraisal
Lévi-Strauss’ concept of the mythical mind, alternatively spoken of as ‘the Wild Mind’, or ‘logic of the concrete’ is the focus of this article. First, it aims at explaining how the mind – and what is ‘on’ the minds of people in a given context – is expressed through diverse media of art, like myths. Through the brief example of Lévi-Strauss’ myth analysis, I attempt to explain how the dilemmas, values and ambiguities of a given group is told thr…
Rock Art and the Wild Mind
Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen. Hunters' rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship betw…
On Missing Empirical Facts
The pioneer settlement on the Scandinavian Peninsula has been the focus of renewed attention and interest over the last few years. In Norway, this is due to a number of large projects which have yi
Engendering North European Rock Art
This chapter contains sections titled: Abstract Rock Art in Northern Europe From Sex to Gender From Sex and Gender to Sex and Cosmology Cosmologies and Gender Systems Conclusion Acknowledgments References
Declaration on Behalf of an Archaeology of Sexe
The Pioneer Condition on the Scandinavian Peninsula
This article takes a new approach to patterns in settlement and technology in the early Mesolithic of Norway and the Scandinavian peninsula in general. Throughout the entire period we witness stability in settlement patterns and durability of technological practices. An attempt is made to explain the highly mobile life – combined with egalitarian structures and the absence of any changes in blade technology – through hunting practices embedded in…
A Comment on Projectile Points
Structures and Artifact Distribution
Dating of the Site
Early Mesolithic Moldvika 1
Presentation du site archeologique norvegien de Moldvika 1, site d'occupation date du Mesolithique ancien. Apres un descriptif du site et de la campagne de fouilles, l'auteur aborde la question de la datation. Viennent ensuite une presentation des structures et de la distribution du mobilier, une discussion concernant l'organisation du site, un paragraphe dedie aux pointes de projectiles et une derniere partie sur la matiere premiere
Discussion of Site Organisation
Raw Material Usage
Conclusion
A Single Unit Occupation from Norway
The Ahrensburgian Galta 3 site in SW Norway Dating, technology and cultural affinity
Changing pictures
This volume derives from a workshop held at the University of Kalmar (now Linnaeus University), Sweden between the 20-24 of October 2008. The aim of this gathering was to provide a forum for researchers from different parts of northern Europe to discuss traditional as well as current interpretative trends within research. Changing Pictures aims to return to traditional interpretative notions regarding the meaning and significance of to investigat…
The Pioneer Condition on the Scandinavian Peninsula
This article takes a new approach to patterns in settlement and technology in the early Mesolithic of Norway and the Scandinavian peninsula in general. Throughout the entire period we witness stability in settlement patterns and durability of technological practices. An attempt is made to explain the highly mobile life – combined with egalitarian structures and the absence of any changes in blade technology – through hunting practices embedded in…
Rock Art and the Wild Mind
Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen. Hunters' rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship betw…
The Ahrensburgian Galta 3 site in SW Norway Dating, technology and cultural affinity
Declaration on Behalf of an Archaeology of Sexe
A Single Unit Occupation from Norway
Scenes of Human Control of Reindeer in the Alta Rock Art. An Event of Early Domestication in the far North
This article focuses on some evident differences between Phase 1 and Phase 2 rock art at Alta in western Finnmark in northern Norway. The earliest period (Phase 1, 5200–4200 cal BC) of rock art production shows numerous scenes in which humans seem to take control of wild game. The compositions of corrals with reindeer inside may be indications of forms of early domestication suggested to have occurred within a context marked by the authority of s…
The Ahrensburgian Galta 3 site in SW Norway Dating, technology and cultural affinity
A Comment on Projectile Points
Structures and Artifact Distribution
Dating of the Site
Early Mesolithic Moldvika 1
Presentation du site archeologique norvegien de Moldvika 1, site d'occupation date du Mesolithique ancien. Apres un descriptif du site et de la campagne de fouilles, l'auteur aborde la question de la datation. Viennent ensuite une presentation des structures et de la distribution du mobilier, une discussion concernant l'organisation du site, un paragraphe dedie aux pointes de projectiles et une derniere partie sur la matiere premiere
Discussion of Site Organisation
Raw Material Usage
Conclusion
A Single Unit Occupation from Norway
Engendering North European Rock Art
This chapter contains sections titled: Abstract Rock Art in Northern Europe From Sex to Gender From Sex and Gender to Sex and Cosmology Cosmologies and Gender Systems Conclusion Acknowledgments References
Declaration on Behalf of an Archaeology of Sexe
The Pioneer Condition on the Scandinavian Peninsula
This article takes a new approach to patterns in settlement and technology in the early Mesolithic of Norway and the Scandinavian peninsula in general. Throughout the entire period we witness stability in settlement patterns and durability of technological practices. An attempt is made to explain the highly mobile life – combined with egalitarian structures and the absence of any changes in blade technology – through hunting practices embedded in…
On Missing Empirical Facts
The pioneer settlement on the Scandinavian Peninsula has been the focus of renewed attention and interest over the last few years. In Norway, this is due to a number of large projects which have yi
Rock Art and the Wild Mind
Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen. Hunters' rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship betw…
The mythical mind of the Older Stone Age – a Lévi-Straussian reappraisal
Lévi-Strauss’ concept of the mythical mind, alternatively spoken of as ‘the Wild Mind’, or ‘logic of the concrete’ is the focus of this article. First, it aims at explaining how the mind – and what is ‘on’ the minds of people in a given context – is expressed through diverse media of art, like myths. Through the brief example of Lévi-Strauss’ myth analysis, I attempt to explain how the dilemmas, values and ambiguities of a given group is told thr…
Scenes of Human Control of Reindeer in the Alta Rock Art. An Event of Early Domestication in the far North
This article focuses on some evident differences between Phase 1 and Phase 2 rock art at Alta in western Finnmark in northern Norway. The earliest period (Phase 1, 5200–4200 cal BC) of rock art production shows numerous scenes in which humans seem to take control of wild game. The compositions of corrals with reindeer inside may be indications of forms of early domestication suggested to have occurred within a context marked by the authority of s…
Changing pictures
This volume derives from a workshop held at the University of Kalmar (now Linnaeus University), Sweden between the 20-24 of October 2008. The aim of this gathering was to provide a forum for researchers from different parts of northern Europe to discuss traditional as well as current interpretative trends within research. Changing Pictures aims to return to traditional interpretative notions regarding the meaning and significance of to investigat…
Archaeology (13 obras) · History (13 obras) · Geography (12 obras) · History (10 obras) · Archaeology and ancient environmental studies (9 obras) · Pleistocene-Era Hominins and Archaeology (7 obras) · Ancient history (5 obras) · Archaeology and Rock Art Studies (5 obras) · Art (5 obras) · Geology (5 obras)